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		<id>http://www.nccjapan.net/shashiwiki/api.php?action=feedcontributions&amp;feedformat=atom&amp;user=Hng2</id>
		<title>ShashiWiki - User contributions [en]</title>
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		<updated>2026-04-05T20:31:18Z</updated>
		<subtitle>User contributions</subtitle>
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	<entry>
		<id>http://www.nccjapan.net/shashiwiki/index.php?title=Category:Pitt&amp;diff=51798</id>
		<title>Category:Pitt</title>
		<link rel="alternate" type="text/html" href="http://www.nccjapan.net/shashiwiki/index.php?title=Category:Pitt&amp;diff=51798"/>
				<updated>2022-04-08T15:06:09Z</updated>
		
		<summary type="html">&lt;p&gt;Hng2: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;This category reflects holdings of shashi available in [http://www.library.pitt.edu/ University of Pittsburgh] collections.&lt;br /&gt;
&lt;br /&gt;
Pitt owns about 3,000 volumes of shashi, which were published by about 1,400 companies. More than 2,000 volumes were donated by the Institute for Financial and Economic Research (金融経済研究所= 金研: Kinken) of the former Mitsui Bank as a part of the donation of their entire library holdings. The collection focuses on financial institutions include 257 volumes published before the end of the World War II. The collection also focuses on steel industries because Pittsburgh was once-flourishing as the steel city. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
{{categoryTOCR}}&lt;/div&gt;</summary>
		<author><name>Hng2</name></author>	</entry>

	<entry>
		<id>http://www.nccjapan.net/shashiwiki/index.php?title=Category:Pitt&amp;diff=51797</id>
		<title>Category:Pitt</title>
		<link rel="alternate" type="text/html" href="http://www.nccjapan.net/shashiwiki/index.php?title=Category:Pitt&amp;diff=51797"/>
				<updated>2022-04-08T15:05:33Z</updated>
		
		<summary type="html">&lt;p&gt;Hng2: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;This category reflects holdings of shashi available in [http://www.library.pitt.edu/ University of Pittsburgh] collections.&lt;br /&gt;
&lt;br /&gt;
Pitt owns about 3,000 volumes of shashi, which were published by more than 1,300 companies. More than 2,000 volumes were donated by the Institute for Financial and Economic Research (金融経済研究所= 金研: Kinken) of the former Mitsui Bank as a part of the donation of their entire library holdings. The collection focuses on financial institutions include 257 volumes published before the end of the World War II. The collection also focuses on steel industries because Pittsburgh was once-flourishing as the steel city. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
{{categoryTOCR}}&lt;/div&gt;</summary>
		<author><name>Hng2</name></author>	</entry>

	<entry>
		<id>http://www.nccjapan.net/shashiwiki/index.php?title=Category:Pitt&amp;diff=51796</id>
		<title>Category:Pitt</title>
		<link rel="alternate" type="text/html" href="http://www.nccjapan.net/shashiwiki/index.php?title=Category:Pitt&amp;diff=51796"/>
				<updated>2022-04-06T19:56:52Z</updated>
		
		<summary type="html">&lt;p&gt;Hng2: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;This category reflects holdings of shashi available in [http://www.library.pitt.edu/ University of Pittsburgh] collections.&lt;br /&gt;
&lt;br /&gt;
Pitt owns about 3,000 volumes of shashi, which were published by 1,402 companies. More than 2,000 volumes were donated by the Institute for Financial and Economic Research (金融経済研究所= 金研: Kinken) of the former Mitsui Bank as a part of the donation of their entire library holdings. The collection focuses on financial institutions include 257 volumes published before the end of the World War II. The collection also focuses on steel industries because Pittsburgh was once-flourishing as the steel city. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
{{categoryTOCR}}&lt;/div&gt;</summary>
		<author><name>Hng2</name></author>	</entry>

	<entry>
		<id>http://www.nccjapan.net/shashiwiki/index.php?title=Category:Pitt&amp;diff=51795</id>
		<title>Category:Pitt</title>
		<link rel="alternate" type="text/html" href="http://www.nccjapan.net/shashiwiki/index.php?title=Category:Pitt&amp;diff=51795"/>
				<updated>2016-11-15T14:43:08Z</updated>
		
		<summary type="html">&lt;p&gt;Hng2: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;This category reflects holdings of shashi available in [http://www.library.pitt.edu/ University of Pittsburgh] collections.&lt;br /&gt;
&lt;br /&gt;
Pitt owns about 3,000 volumes of shashi, which were published by 1,402 companies. More than 2,000 volumes were donated by the Institute for Financial and Economic Research (金融経済研究所= 金研: Kinken) of the former Mitsui Bank as a part of the donation of their entire library holdings. The collection focuses on financial institutions include 257 volumes published before the end of the World War II. The collection also focuses on steel industries because Pittsburgh was once-flourishing as the steel city. &lt;br /&gt;
&lt;br /&gt;
[http://library.osu.edu/wikis/shashidb/index.php/University_of_Pittsburgh's_Shashi_Collection University of Pittsburgh's Shashi Collection Top page]&lt;br /&gt;
&lt;br /&gt;
{{categoryTOCR}}&lt;/div&gt;</summary>
		<author><name>Hng2</name></author>	</entry>

	<entry>
		<id>http://www.nccjapan.net/shashiwiki/index.php?title=Category:Mitsui_Collection&amp;diff=51794</id>
		<title>Category:Mitsui Collection</title>
		<link rel="alternate" type="text/html" href="http://www.nccjapan.net/shashiwiki/index.php?title=Category:Mitsui_Collection&amp;diff=51794"/>
				<updated>2016-10-08T22:56:27Z</updated>
		
		<summary type="html">&lt;p&gt;Hng2: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;This category reflects holdings of shashi donated by the Institute for Financial and Economic Research (金融経済研究所) of the former Mitsui Bank to the University of Pittsburgh. There are about 2,300 volumes of shashi from 1,296 companies.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
{{CategoryTOCR}}&lt;/div&gt;</summary>
		<author><name>Hng2</name></author>	</entry>

	<entry>
		<id>http://www.nccjapan.net/shashiwiki/index.php?title=Category:Mitsui_Collection&amp;diff=51793</id>
		<title>Category:Mitsui Collection</title>
		<link rel="alternate" type="text/html" href="http://www.nccjapan.net/shashiwiki/index.php?title=Category:Mitsui_Collection&amp;diff=51793"/>
				<updated>2016-10-08T22:56:05Z</updated>
		
		<summary type="html">&lt;p&gt;Hng2: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;This category reflects holdings of shashi donated by the Institute for Financial and Economic Research (金融経済研究所) of the former Mitsui Bank to the University of Pittsburgh. There are about 2,300 volmues of shashi from 1,296 companies.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
{{CategoryTOCR}}&lt;/div&gt;</summary>
		<author><name>Hng2</name></author>	</entry>

	<entry>
		<id>http://www.nccjapan.net/shashiwiki/index.php?title=Category:Mitsui_Collection&amp;diff=51792</id>
		<title>Category:Mitsui Collection</title>
		<link rel="alternate" type="text/html" href="http://www.nccjapan.net/shashiwiki/index.php?title=Category:Mitsui_Collection&amp;diff=51792"/>
				<updated>2016-10-08T22:52:54Z</updated>
		
		<summary type="html">&lt;p&gt;Hng2: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;This category reflects holdings of shashi donated by the Institute for Financial and Economic Research (金融経済研究所) of the former Mitsui Bank to the University of Pittsburgh.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
{{CategoryTOCR}}&lt;/div&gt;</summary>
		<author><name>Hng2</name></author>	</entry>

	<entry>
		<id>http://www.nccjapan.net/shashiwiki/index.php?title=Wakachiku_Kensetsu&amp;diff=51791</id>
		<title>Wakachiku Kensetsu</title>
		<link rel="alternate" type="text/html" href="http://www.nccjapan.net/shashiwiki/index.php?title=Wakachiku_Kensetsu&amp;diff=51791"/>
				<updated>2016-10-08T22:49:13Z</updated>
		
		<summary type="html">&lt;p&gt;Hng2: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==若築建設株式会社==&lt;br /&gt;
&lt;br /&gt;
Wakachiku Kensetsu Kabushiki Gaisha&lt;br /&gt;
&lt;br /&gt;
Wakachiku Co., Ltd.&lt;br /&gt;
&lt;br /&gt;
==History==&lt;br /&gt;
&lt;br /&gt;
*1888年、浚疏会社が創立。&lt;br /&gt;
&lt;br /&gt;
*1893年、社名を若松築港株式会社と改称。&lt;br /&gt;
&lt;br /&gt;
*1965年、若築建設株式会社と社名変更。&lt;br /&gt;
&lt;br /&gt;
[http://www.wakachiku.co.jp/company/history.html reference]&lt;br /&gt;
&lt;br /&gt;
==Shashi==&lt;br /&gt;
[若松築港株式会社]&lt;br /&gt;
&lt;br /&gt;
*七十年史：若松築港株式会社　1960 [http://www.worldcat.org/title/shichijunenshi-wakamatsu-chikko-kabushiki-gaisha/oclc/47511386&amp;amp;referer=brief_results OCLC: #47511386] (Pitt)           Webcat Plus: [http://webcatplus-equal.nii.ac.jp/webcatplus/details/book/8081732.html BN09194353]&lt;br /&gt;
&lt;br /&gt;
*八十年史若築建設株式会社 1970 [http://www.worldcat.org/oclc/30936850&amp;amp;referer=brief_results OCLC: #30936850] (OSU)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[若築建設株式会社]&lt;br /&gt;
*若築建設九十年史 1980 [http://www.worldcat.org/oclc/17087103&amp;amp;referer=brief_results OCLC: #17087103] (Pitt)&lt;br /&gt;
&lt;br /&gt;
*若築建設百年史 1990 [http://www.worldcat.org/oclc/37143109&amp;amp;referer=brief_results OCLC: #37143109] (OSU)&lt;br /&gt;
&lt;br /&gt;
==Links==&lt;br /&gt;
&lt;br /&gt;
*Corporate website [http://www.wakachiku.co.jp/ Japanese]&lt;br /&gt;
&lt;br /&gt;
*Corporate profile [http://www.wakachiku.co.jp/profile/gaiyo/fgaiyo.htm/ Japanese]&lt;br /&gt;
&lt;br /&gt;
*Corporate history [http://www.wakachiku.co.jp/profile/enkaku/fenkaku.htm/ Japanese]&lt;br /&gt;
&lt;br /&gt;
*[http://opac.ndl.go.jp/ NDL OPAC]- National Diet Library Online Public Access Catalog (国立国会図書館蔵書検索・申込システム)&lt;br /&gt;
&lt;br /&gt;
[[Category:Construction]][[Category:E-3：土木工事業]]&lt;br /&gt;
[[category:OSU]][[Category:Pitt]][[category:Mitsui Collection]]&lt;br /&gt;
[[category:shashi(R)]]&lt;/div&gt;</summary>
		<author><name>Hng2</name></author>	</entry>

	<entry>
		<id>http://www.nccjapan.net/shashiwiki/index.php?title=Eitai_Shinyo_Kumiai&amp;diff=51790</id>
		<title>Eitai Shinyo Kumiai</title>
		<link rel="alternate" type="text/html" href="http://www.nccjapan.net/shashiwiki/index.php?title=Eitai_Shinyo_Kumiai&amp;diff=51790"/>
				<updated>2016-06-14T16:58:08Z</updated>
		
		<summary type="html">&lt;p&gt;Hng2: /* 永代信用金庫 */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==永代信用組合==&lt;br /&gt;
&lt;br /&gt;
Eitai Shinyo Kumiai&lt;br /&gt;
&lt;br /&gt;
==Shashi==&lt;br /&gt;
&lt;br /&gt;
*永代信用組合35年誌　1960      OCLC# :[http://www.worldcat.org/title/eitai-shinyo-kumiai-sanjugonenshi/oclc/47478862 47478862]    Webcat Plus: [http://webcatplus.nii.ac.jp/webcatplus/details/book/8410720.html BN13607049]&lt;br /&gt;
&lt;br /&gt;
*永代信用組合創業四十年誌 1965   OCLC# :[http://www.worldcat.org/title/eitai-shinyo-kumiai-sogyo-40nenshi/oclc/672861112 672861112]    Webcat Plus: [http://webcatplus.nii.ac.jp/webcatplus/details/book/8386496.html BN13282090]&lt;br /&gt;
&lt;br /&gt;
*永代信用組合創業五十年誌 1975   OCLC# :[http://www.worldcat.org/title/eitai-shinyo-kumiai-sogyo-gojunenshi/oclc/703790802 703790802]    Webcat Plus: [http://webcatplus.nii.ac.jp/webcatplus/details/book/7988657.html BN07949707]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[category:Banking]][[category:H-13：信用金庫・同連合会]][[category:shashi(R)]]&lt;br /&gt;
[[category:Pitt]][[category:Mitsui Collection]]&lt;/div&gt;</summary>
		<author><name>Hng2</name></author>	</entry>

	<entry>
		<id>http://www.nccjapan.net/shashiwiki/index.php?title=Main_Page&amp;diff=51789</id>
		<title>Main Page</title>
		<link rel="alternate" type="text/html" href="http://www.nccjapan.net/shashiwiki/index.php?title=Main_Page&amp;diff=51789"/>
				<updated>2016-03-15T15:48:49Z</updated>
		
		<summary type="html">&lt;p&gt;Hng2: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{| style=&amp;quot;background-color:transparent;width:100%;border-style:none;border-collapse:collapse&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
| style=&amp;quot;width:50%;vertical-align:top;padding-right:0.2em&amp;quot; |&lt;br /&gt;
&amp;lt;h1 style=&amp;quot;font-size:150%;text-align:left;border-bottom:2px solid #060;margin:0.2em;padding:0.2em&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:200%&amp;quot;&amp;gt;W&amp;lt;/span&amp;gt;elcome to the The Japanese Company Histories (Shashi) Wiki!&amp;lt;/h1&amp;gt;&lt;br /&gt;
{| style=&amp;quot;background-color:transparent;border-style:none;border-collapse:collapse&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
| style=&amp;quot;vertical-align:top&amp;quot; |&lt;br /&gt;
&amp;lt;p&amp;gt;The Japanese Company Histories Wiki project is an initiative of the [http://groups.google.com/group/JCH-Shashi?hl=en ''Shashi'' Interest Group], a group of librarians who, aware of their rich research potential, have been building library collections of Japanese company histories or ''shashi,'' and researchers who are using them. Our hope is to use the Shashi Wiki to reach out to others so that more people will become aware of the potential of shashi as sources for studying Japanese history, culture, business, as well as other topics or fields.&amp;lt;/p&amp;gt;&lt;br /&gt;
&lt;br /&gt;
| style=&amp;quot;width:50%;vertical-align:top;padding-left:0.2em&amp;quot; |&lt;br /&gt;
&amp;lt;p&amp;gt;社史ウィキ・プロジェクトは、研究資料としての社史の重要性を認める司書たちと、実際にそれを利用して研究している研究者たちの集まり、[http://groups.google.com/group/JCH-Shashi?hl=en 社史研究会]によって始められました。この社史wikiが、日本の歴史・文化・ビジネス、その他の研究分野において、大いに役立つ資料であることをより多くの人々に知ってもらえるよう願っています。&lt;br /&gt;
&amp;lt;/P&amp;gt;&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
{| style=&amp;quot;background-color:transparent;width:100%;border-style:none;border-collapse:collapse&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
| style=&amp;quot;width:50%;vertical-align:top;padding-right:0.2em&amp;quot; |&lt;br /&gt;
&amp;lt;h2 style=&amp;quot;font-size:150%;text-align:left;border-bottom:2px solid #c00;margin:0.2em;padding:0.2em&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:200%&amp;quot;&amp;gt;L&amp;lt;/span&amp;gt;et's Join! &amp;lt;/h2&amp;gt;&lt;br /&gt;
{| style=&amp;quot;background-color:transparent;border-style:none;border-collapse:collapse&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
| style=&amp;quot;vertical-align:top&amp;quot; |&lt;br /&gt;
&lt;br /&gt;
&amp;lt;p&amp;gt;Joining the Shashi Wiki project is easy!  To sign up, please send your name, Email, and affiliation by an email to the Administrator (hng2@pitt.edu). We welcome contributions from anyone with research interests in Japanese company histories who wants to join us in building this shared resource.&amp;lt;/P&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;p&amp;gt;Please also join our [http://groups.google.com/group/JCH-Shashi?hl=en discussion group] to discuss how to use Shashi for your research, post your question and make announcements. Please send your name and affiliation by an email to the Group manager (hng2@pitt.edu) to add you to member list.&amp;lt;/P&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;p&amp;gt;'''Please do not create new categories by yourself.''' Please use [[Nagao Bunko Classification]] or [[Nikkei Business Classification]] to determine each category for your entry. If you cannot determine or find category for your entry, please leave it in others.&amp;lt;/p&amp;gt;&lt;br /&gt;
&lt;br /&gt;
| style=&amp;quot;width:48%;vertical-align:top;padding-left:0.2em&amp;quot; |&lt;br /&gt;
社史ウィキ・プロジェクトへの参加は簡単です。管理者(hng2@pitt.edu) に、名前、メールアドレス、所属情報をメールで送付してください。日本の企業の歴史に関心があって、誰もが利用できるこの情報源を一緒に作ってゆきたいという方であれば、どなたの投稿も歓迎します。&lt;br /&gt;
&lt;br /&gt;
[http://groups.google.com/group/JCH-Shashi?hl=en ディスカッション・グループ]にも参加して、どのように社史を研究に使うかを話し合ったり、質問をしたり、アナウンスをしたりしましょう。グループマネジャー(hng2@pitt.edu) に所属とお名前をメールで送ってくだされば、メンバーに追加します。&lt;br /&gt;
&lt;br /&gt;
'''新しいカテゴリーは出来るだけ独自に作らないようにしてください。'''自分の投稿がどのカテゴリーに当てはまるのか、[[Nagao Bunko Classification | 長尾文庫目録]]または[[Nikkei Business Classification | 日経企業分類]](Nikkei Business Classification) を参照してください。もし自分の投稿のカテゴリーを決められない、もしくは見つけられない、という場合は、既存のカテゴリーのいずれかに入れておいてください。&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
{| style=&amp;quot;background-color:transparent;width:100%;border-style:none;border-collapse:collapse&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
| style=&amp;quot;width:50%;vertical-align:top;padding-right:0.2em&amp;quot; |&lt;br /&gt;
&amp;lt;h2 style=&amp;quot;font-size:150%;text-align:left;border-bottom:2px solid #c00;margin:0.2em;padding:0.2em&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:200%&amp;quot;&amp;gt;T&amp;lt;/span&amp;gt;o browse the contents &amp;lt;/h2&amp;gt;&lt;br /&gt;
{| style=&amp;quot;background-color:transparent;border-style:none;border-collapse:collapse&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
| style=&amp;quot;vertical-align:top&amp;quot; |&lt;br /&gt;
&lt;br /&gt;
To browse the contents, &lt;br /&gt;
*Use the SEARCH box at left&lt;br /&gt;
*[[:Category:Shashi(R)|List in Roman alphabetical order]]&lt;br /&gt;
*[[:Category:Shashi(J)|List in Japanese alphabetical (50-on) order]]&lt;br /&gt;
*[[Nikkei Business Classification | Browse by Nikkei Business Classification]]&lt;br /&gt;
*[[Nagao Bunko Classification | Browse by Ryûkoku University Nagao Bunko Classification]]&lt;br /&gt;
*[[List of Shashi Collections in North America | List of Shashi Collections by Universities in North America]]&lt;br /&gt;
*[[Location List | List of Japanese Companies in North America]]&lt;br /&gt;
&lt;br /&gt;
| style=&amp;quot;width:48%;vertical-align:top;padding-left:0.2em&amp;quot; |&lt;br /&gt;
内容をご覧になりたい場合は、以下の方法があります。&lt;br /&gt;
*左にあるSEARCHボックスに直接入力する&lt;br /&gt;
*[[:Category:Shashi(R)|アルファベット順のリスト]]&lt;br /&gt;
*[[:Category:Shashi(J)|５０音順のリスト]]&lt;br /&gt;
*[[Nikkei Business Classification | 日経企業分類]]&lt;br /&gt;
*[[Nagao Bunko Classification | 長尾文庫目録]]&lt;br /&gt;
*[[List of Shashi Collections in North America | 北米大学の社史コレクションリスト]]&lt;br /&gt;
*[[Location List | 北米に進出している日本企業のリストから]]&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
{| style=&amp;quot;background-color:transparent;width:100%;border-style:none;border-collapse:collapse&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
&amp;lt;h2 style=&amp;quot;clear:both;font-size:150%;text-align:left;border-bottom:2px solid #c00;margin:0.2em;padding:0.2em&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:200%&amp;quot;&amp;gt;S&amp;lt;/span&amp;gt;hashi Interest Group Discussion Group &amp;lt;/h2&amp;gt;&lt;br /&gt;
{| style=&amp;quot;background-color:transparent;border-style:none;border-collapse:collapse&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
| style=&amp;quot;vertical-align:top&amp;quot; |&lt;br /&gt;
Please join our [http://groups.google.com/group/JCH-Shashi?hl=en Discussion Group] to discuss potential of Shashi as sources for studying Japanese history, culture, business and other fields.  This is an open discussion group.&lt;br /&gt;
&lt;br /&gt;
| style=&amp;quot;width:50%;vertical-align:top;padding-left:0.2em&amp;quot; |&lt;br /&gt;
私たちの[http://groups.google.com/group/JCH-Shashi?hl=en ディスカッション・グループ]では、日本の歴史・文化・ビジネス、その他の研究分野の研究資料としての社史の可能性をさぐり、そして情報交換しています。参加自由のオープン・ディスカッション・グループですので、ぜひ皆さんもご参加ください！!&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
{| style=&amp;quot;background-color:transparent;width:100%;border-style:none;border-collapse:collapse&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
| style=&amp;quot;width:50%;vertical-align:top;padding-right:0.2em&amp;quot; |&lt;br /&gt;
&amp;lt;h2 style=&amp;quot;clear:both;font-size:150%;text-align:left;border-bottom:2px solid #30c;margin:0.2em;padding:0.2em&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:200%&amp;quot;&amp;gt;R&amp;lt;/span&amp;gt;eferences&amp;lt;/h2&amp;gt;&lt;br /&gt;
{| style=&amp;quot;background-color:transparent;border-style:none;border-collapse:collapse&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
| style=&amp;quot;vertical-align:top&amp;quot; |&lt;br /&gt;
Consult the [http://meta.wikipedia.org/wiki/MediaWiki_User%27s_Guide User's Guide] for information on using the wiki software.&lt;br /&gt;
*[[Getting started]]&lt;br /&gt;
*[[Template | Template for new page]] &lt;br /&gt;
*[http://rwave.lib.ryukoku.ac.jp/opac/nagao/opac_nagao.cgi Nagao Bunko Web]&lt;br /&gt;
*[http://rnavi.ndl.go.jp/research_guide/entry/theme-honbun-102077.php Research Navi of Japanese Company &amp;amp; Organization Histories at National Diet Library]&lt;br /&gt;
* [http://www.mediawiki.org/wiki/Help:Configuration_settings Configuration settings list]&lt;br /&gt;
* [http://www.mediawiki.org/wiki/Help:FAQ MediaWiki FAQ]&lt;br /&gt;
* [http://mail.wikipedia.org/mailman/listinfo/mediawiki-announce MediaWiki release mailing list]&lt;br /&gt;
&lt;br /&gt;
| style=&amp;quot;width:50%;vertical-align:top;padding-left:0.2em&amp;quot; |&lt;br /&gt;
Wikiに関する情報については、[http://meta.wikipedia.org/wiki/MediaWiki_User%27s_Guide User's Guide]を参照してください。&lt;br /&gt;
*[[はじめるには]]&lt;br /&gt;
*[[Template | テンプレート]] &lt;br /&gt;
*[http://rwave.lib.ryukoku.ac.jp/opac/nagao/opac_nagao.cgi 長尾文庫Web目録]&lt;br /&gt;
*[http://rnavi.ndl.go.jp/research_guide/entry/theme-honbun-102077.php 国立国会図書館の「リサーチナビ：社史・経済団体史」]&lt;br /&gt;
* [http://www.mediawiki.org/wiki/Help:Configuration_settings 各種設定に関して]&lt;br /&gt;
* [http://www.mediawiki.org/wiki/Help:FAQ メディアWiki よくある質問]&lt;br /&gt;
* [http://mail.wikipedia.org/mailman/listinfo/mediawiki-announce メディアWiki メーリングリスト]&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
__NOEDITSECTION____NOTOC__&lt;/div&gt;</summary>
		<author><name>Hng2</name></author>	</entry>

	<entry>
		<id>http://www.nccjapan.net/shashiwiki/index.php?title=Main_Page&amp;diff=51788</id>
		<title>Main Page</title>
		<link rel="alternate" type="text/html" href="http://www.nccjapan.net/shashiwiki/index.php?title=Main_Page&amp;diff=51788"/>
				<updated>2016-03-15T15:47:18Z</updated>
		
		<summary type="html">&lt;p&gt;Hng2: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{| style=&amp;quot;background-color:transparent;width:100%;border-style:none;border-collapse:collapse&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
| style=&amp;quot;width:50%;vertical-align:top;padding-right:0.2em&amp;quot; |&lt;br /&gt;
&amp;lt;h1 style=&amp;quot;font-size:150%;text-align:left;border-bottom:2px solid #060;margin:0.2em;padding:0.2em&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:200%&amp;quot;&amp;gt;W&amp;lt;/span&amp;gt;elcome to the The Japanese Company Histories (Shashi) Wiki!&amp;lt;/h1&amp;gt;&lt;br /&gt;
{| style=&amp;quot;background-color:transparent;border-style:none;border-collapse:collapse&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
| style=&amp;quot;vertical-align:top&amp;quot; |&lt;br /&gt;
&amp;lt;p&amp;gt;The Japanese Company Histories Wiki project is an initiative of the [http://groups.google.com/group/JCH-Shashi?hl=en ''Shashi'' Interest Group], a group of librarians who, aware of their rich research potential, have been building library collections of Japanese company histories or ''shashi,'' and researchers who are using them. Our hope is to use the Shashi Wiki to reach out to others so that more people will become aware of the potential of shashi as sources for studying Japanese history, culture, business, as well as other topics or fields.&amp;lt;/p&amp;gt;&lt;br /&gt;
&lt;br /&gt;
| style=&amp;quot;width:50%;vertical-align:top;padding-left:0.2em&amp;quot; |&lt;br /&gt;
&amp;lt;p&amp;gt;社史ウィキ・プロジェクトは、研究資料としての社史の重要性を認める司書たちと、実際にそれを利用して研究している研究者たちの集まり、[http://groups.google.com/group/JCH-Shashi?hl=en 社史研究会]によって始められました。この社史wikiが、日本の歴史・文化・ビジネス、その他の研究分野において、大いに役立つ資料であることをより多くの人々に知ってもらえるよう願っています。&lt;br /&gt;
&amp;lt;/P&amp;gt;&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
{| style=&amp;quot;background-color:transparent;width:100%;border-style:none;border-collapse:collapse&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
| style=&amp;quot;width:50%;vertical-align:top;padding-right:0.2em&amp;quot; |&lt;br /&gt;
&amp;lt;h2 style=&amp;quot;font-size:150%;text-align:left;border-bottom:2px solid #c00;margin:0.2em;padding:0.2em&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:200%&amp;quot;&amp;gt;L&amp;lt;/span&amp;gt;et's Join! &amp;lt;/h2&amp;gt;&lt;br /&gt;
{| style=&amp;quot;background-color:transparent;border-style:none;border-collapse:collapse&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
| style=&amp;quot;vertical-align:top&amp;quot; |&lt;br /&gt;
&lt;br /&gt;
&amp;lt;p&amp;gt;Joining the Shashi Wiki project is easy!  To sign up, please send your name, Email, and affiliation by an email to the Administrator (hng2@pitt.edu). We welcome contributions from anyone with research interests in Japanese company histories who wants to join us in building this shared resource.&amp;lt;/P&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;p&amp;gt;Please also join our [http://groups.google.com/group/JCH-Shashi?hl=en discussion group] to discuss how to use Shashi for your research, post your question and make announcements. Please send your name and affiliation by an email to the Group manager (hng2@pitt.edu) to add you to member list.&amp;lt;/P&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;p&amp;gt;'''Please do not create new categories by yourself.''' Please use [[Nagao Bunko Classification | 長尾文庫目録] or [[Nikkei Business Classification]] to determine each category for your entry. If you cannot determine or find category for your entry, please leave it in others.&amp;lt;/p&amp;gt;&lt;br /&gt;
&lt;br /&gt;
| style=&amp;quot;width:48%;vertical-align:top;padding-left:0.2em&amp;quot; |&lt;br /&gt;
社史ウィキ・プロジェクトへの参加は簡単です。管理者(hng2@pitt.edu) に、名前、メールアドレス、所属情報をメールで送付してください。日本の企業の歴史に関心があって、誰もが利用できるこの情報源を一緒に作ってゆきたいという方であれば、どなたの投稿も歓迎します。&lt;br /&gt;
&lt;br /&gt;
[http://groups.google.com/group/JCH-Shashi?hl=en ディスカッション・グループ]にも参加して、どのように社史を研究に使うかを話し合ったり、質問をしたり、アナウンスをしたりしましょう。グループマネジャー(hng2@pitt.edu) に所属とお名前をメールで送ってくだされば、メンバーに追加します。&lt;br /&gt;
&lt;br /&gt;
'''新しいカテゴリーは出来るだけ独自に作らないようにしてください。'''自分の投稿がどのカテゴリーに当てはまるのか、[[Nagao Bunko Classification | 長尾文庫目録]]または[[Nikkei Business Classification | 日経企業分類]](Nikkei Business Classification) を参照してください。もし自分の投稿のカテゴリーを決められない、もしくは見つけられない、という場合は、既存のカテゴリーのいずれかに入れておいてください。&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
{| style=&amp;quot;background-color:transparent;width:100%;border-style:none;border-collapse:collapse&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
| style=&amp;quot;width:50%;vertical-align:top;padding-right:0.2em&amp;quot; |&lt;br /&gt;
&amp;lt;h2 style=&amp;quot;font-size:150%;text-align:left;border-bottom:2px solid #c00;margin:0.2em;padding:0.2em&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:200%&amp;quot;&amp;gt;T&amp;lt;/span&amp;gt;o browse the contents &amp;lt;/h2&amp;gt;&lt;br /&gt;
{| style=&amp;quot;background-color:transparent;border-style:none;border-collapse:collapse&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
| style=&amp;quot;vertical-align:top&amp;quot; |&lt;br /&gt;
&lt;br /&gt;
To browse the contents, &lt;br /&gt;
*Use the SEARCH box at left&lt;br /&gt;
*[[:Category:Shashi(R)|List in Roman alphabetical order]]&lt;br /&gt;
*[[:Category:Shashi(J)|List in Japanese alphabetical (50-on) order]]&lt;br /&gt;
*[[Nikkei Business Classification | Browse by Nikkei Business Classification]]&lt;br /&gt;
*[[Nagao Bunko Classification | Browse by Ryûkoku University Nagao Bunko Classification]]&lt;br /&gt;
*[[List of Shashi Collections in North America | List of Shashi Collections by Universities in North America]]&lt;br /&gt;
*[[Location List | List of Japanese Companies in North America]]&lt;br /&gt;
&lt;br /&gt;
| style=&amp;quot;width:48%;vertical-align:top;padding-left:0.2em&amp;quot; |&lt;br /&gt;
内容をご覧になりたい場合は、以下の方法があります。&lt;br /&gt;
*左にあるSEARCHボックスに直接入力する&lt;br /&gt;
*[[:Category:Shashi(R)|アルファベット順のリスト]]&lt;br /&gt;
*[[:Category:Shashi(J)|５０音順のリスト]]&lt;br /&gt;
*[[Nikkei Business Classification | 日経企業分類]]&lt;br /&gt;
*[[Nagao Bunko Classification | 長尾文庫目録]]&lt;br /&gt;
*[[List of Shashi Collections in North America | 北米大学の社史コレクションリスト]]&lt;br /&gt;
*[[Location List | 北米に進出している日本企業のリストから]]&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
{| style=&amp;quot;background-color:transparent;width:100%;border-style:none;border-collapse:collapse&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
&amp;lt;h2 style=&amp;quot;clear:both;font-size:150%;text-align:left;border-bottom:2px solid #c00;margin:0.2em;padding:0.2em&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:200%&amp;quot;&amp;gt;S&amp;lt;/span&amp;gt;hashi Interest Group Discussion Group &amp;lt;/h2&amp;gt;&lt;br /&gt;
{| style=&amp;quot;background-color:transparent;border-style:none;border-collapse:collapse&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
| style=&amp;quot;vertical-align:top&amp;quot; |&lt;br /&gt;
Please join our [http://groups.google.com/group/JCH-Shashi?hl=en Discussion Group] to discuss potential of Shashi as sources for studying Japanese history, culture, business and other fields.  This is an open discussion group.&lt;br /&gt;
&lt;br /&gt;
| style=&amp;quot;width:50%;vertical-align:top;padding-left:0.2em&amp;quot; |&lt;br /&gt;
私たちの[http://groups.google.com/group/JCH-Shashi?hl=en ディスカッション・グループ]では、日本の歴史・文化・ビジネス、その他の研究分野の研究資料としての社史の可能性をさぐり、そして情報交換しています。参加自由のオープン・ディスカッション・グループですので、ぜひ皆さんもご参加ください！!&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
{| style=&amp;quot;background-color:transparent;width:100%;border-style:none;border-collapse:collapse&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
| style=&amp;quot;width:50%;vertical-align:top;padding-right:0.2em&amp;quot; |&lt;br /&gt;
&amp;lt;h2 style=&amp;quot;clear:both;font-size:150%;text-align:left;border-bottom:2px solid #30c;margin:0.2em;padding:0.2em&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:200%&amp;quot;&amp;gt;R&amp;lt;/span&amp;gt;eferences&amp;lt;/h2&amp;gt;&lt;br /&gt;
{| style=&amp;quot;background-color:transparent;border-style:none;border-collapse:collapse&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
| style=&amp;quot;vertical-align:top&amp;quot; |&lt;br /&gt;
Consult the [http://meta.wikipedia.org/wiki/MediaWiki_User%27s_Guide User's Guide] for information on using the wiki software.&lt;br /&gt;
*[[Getting started]]&lt;br /&gt;
*[[Template | Template for new page]] &lt;br /&gt;
*[http://rwave.lib.ryukoku.ac.jp/opac/nagao/opac_nagao.cgi Nagao Bunko Web]&lt;br /&gt;
*[http://rnavi.ndl.go.jp/research_guide/entry/theme-honbun-102077.php Research Navi of Japanese Company &amp;amp; Organization Histories at National Diet Library]&lt;br /&gt;
* [http://www.mediawiki.org/wiki/Help:Configuration_settings Configuration settings list]&lt;br /&gt;
* [http://www.mediawiki.org/wiki/Help:FAQ MediaWiki FAQ]&lt;br /&gt;
* [http://mail.wikipedia.org/mailman/listinfo/mediawiki-announce MediaWiki release mailing list]&lt;br /&gt;
&lt;br /&gt;
| style=&amp;quot;width:50%;vertical-align:top;padding-left:0.2em&amp;quot; |&lt;br /&gt;
Wikiに関する情報については、[http://meta.wikipedia.org/wiki/MediaWiki_User%27s_Guide User's Guide]を参照してください。&lt;br /&gt;
*[[はじめるには]]&lt;br /&gt;
*[[Template | テンプレート]] &lt;br /&gt;
*[http://rwave.lib.ryukoku.ac.jp/opac/nagao/opac_nagao.cgi 長尾文庫Web目録]&lt;br /&gt;
*[http://rnavi.ndl.go.jp/research_guide/entry/theme-honbun-102077.php 国立国会図書館の「リサーチナビ：社史・経済団体史」]&lt;br /&gt;
* [http://www.mediawiki.org/wiki/Help:Configuration_settings 各種設定に関して]&lt;br /&gt;
* [http://www.mediawiki.org/wiki/Help:FAQ メディアWiki よくある質問]&lt;br /&gt;
* [http://mail.wikipedia.org/mailman/listinfo/mediawiki-announce メディアWiki メーリングリスト]&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
__NOEDITSECTION____NOTOC__&lt;/div&gt;</summary>
		<author><name>Hng2</name></author>	</entry>

	<entry>
		<id>http://www.nccjapan.net/shashiwiki/index.php?title=Category:Nikkei_classification&amp;diff=51787</id>
		<title>Category:Nikkei classification</title>
		<link rel="alternate" type="text/html" href="http://www.nccjapan.net/shashiwiki/index.php?title=Category:Nikkei_classification&amp;diff=51787"/>
				<updated>2016-03-15T15:28:49Z</updated>
		
		<summary type="html">&lt;p&gt;Hng2: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;*This classification is based on Nikkei.&lt;br /&gt;
&lt;br /&gt;
{{classification}}&lt;/div&gt;</summary>
		<author><name>Hng2</name></author>	</entry>

	<entry>
		<id>http://www.nccjapan.net/shashiwiki/index.php?title=Shiseido&amp;diff=51595</id>
		<title>Shiseido</title>
		<link rel="alternate" type="text/html" href="http://www.nccjapan.net/shashiwiki/index.php?title=Shiseido&amp;diff=51595"/>
				<updated>2013-08-05T18:11:25Z</updated>
		
		<summary type="html">&lt;p&gt;Hng2: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;!-- Start of infobox code.--&amp;gt;&lt;br /&gt;
&amp;lt;table style=&amp;quot;float:right; width:250px; background:#FAFAFA; border: 1px solid #C8C8C8; padding: 2px; font-size:12px&amp;quot;&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Title.--&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background:#A50000&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;td colspan=&amp;quot;2&amp;quot; width=90px style=&amp;quot;text-align: center; font-size:14px; font-weight:bold; color:#FFFFFF&amp;quot;&amp;gt;&lt;br /&gt;
Shiseido Company, Limited&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Subtitle.--&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;font-size:10px; text-align: center;&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;td colspan=&amp;quot;2&amp;quot;&amp;gt;&lt;br /&gt;
株式会社資生堂&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Infobox image.--&amp;gt;&lt;br /&gt;
&amp;lt;tr&amp;gt;&lt;br /&gt;
&amp;lt;td colspan=&amp;quot;2&amp;quot;&amp;gt;[[Image:shiseido.png|center|border|201x310px|]]&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Image subtitle.--&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Divider bar.--&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background:#A50000&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;td colspan=&amp;quot;2&amp;quot; width=90px style=&amp;quot;text-align: center; font-size:12px; font-weight:bold; color:#FFFFFF&amp;quot;&amp;gt;&lt;br /&gt;
 &amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Zebra-striped status bars.--&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background: FAFAFA; font-size:11px&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;td width=86px style=&amp;quot;font-weight:bold&amp;quot;&amp;gt;&lt;br /&gt;
Founded&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;td&amp;gt;&lt;br /&gt;
1872&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background: #f0f0f0; font-size:11px&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;td width=86px style=&amp;quot;font-weight:bold&amp;quot;&amp;gt;&lt;br /&gt;
Founders&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;td&amp;gt;&lt;br /&gt;
Arinobu Fukuhara&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background: FAFAFA; font-size:11px&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;td width=86px style=&amp;quot;font-weight:bold&amp;quot;&amp;gt;&lt;br /&gt;
Type&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;td&amp;gt;&lt;br /&gt;
Public&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background: #f0f0f0; font-size:11px&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;td width=86px style=&amp;quot;font-weight:bold&amp;quot;&amp;gt;&lt;br /&gt;
Industry&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;td&amp;gt;&lt;br /&gt;
Consumer goods&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background: FAFAFA; font-size:11px&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;td width=86px style=&amp;quot;font-weight:bold&amp;quot;&amp;gt;&lt;br /&gt;
Headquarters&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;td&amp;gt;&lt;br /&gt;
Tokyo, Japan&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background: #f0f0f0; font-size:11px&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;td width=86px style=&amp;quot;font-weight:bold&amp;quot;&amp;gt;&lt;br /&gt;
Website&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;td&amp;gt;&lt;br /&gt;
[http://www.shiseido.co.jp/ Japanese] [http://www.shiseido.co.jp/com/ Worldwide]&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/table&amp;gt;&lt;br /&gt;
&amp;lt;!-- End of infobox code.--&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==資生堂==&lt;br /&gt;
&lt;br /&gt;
Shiseidō&lt;br /&gt;
&lt;br /&gt;
Shiseido Company, Limited&lt;br /&gt;
&lt;br /&gt;
==History==&lt;br /&gt;
&lt;br /&gt;
*1872年、東京・銀座に「資生堂薬局」として創業。&lt;br /&gt;
&lt;br /&gt;
*1927年、合資会社を株式会社組織に変更。&lt;br /&gt;
&lt;br /&gt;
[http://www.shiseido.co.jp/corp/company/info/history01.html reference]&lt;br /&gt;
&lt;br /&gt;
==Shashi==&lt;br /&gt;
&lt;br /&gt;
*資生堂社史 : 資生堂と銀座のあゆみ八十五年 1957 (S 32)[http://worldcat.org/oclc/33777365&amp;amp;referer=brief_results OCLC# 33777365]　[Mitsui Collection]&lt;br /&gt;
::財団法人 渋沢栄一記念財団実業史研究情報センターの[http://www.shibusawa.or.jp/center/shashi/shasi_sa.html#01 社史紹介]&lt;br /&gt;
&lt;br /&gt;
*資生堂百年史 1972 (S47) [http://worldcat.org/oclc/12056025&amp;amp;referer=brief_results OCLC #12056025];[http://worldcat.org/oclc/44275568&amp;amp;referer=brief_results OCLC #44275568]　[Mitsui Collection]&lt;br /&gt;
&lt;br /&gt;
*資生堂宣伝史 1979 [http://worldcat.org/oclc/38520834&amp;amp;referer=brief_results OCLC# 38520834]&lt;br /&gt;
&lt;br /&gt;
*資生堂研究所50年史 : 挑戦と創造の步み 1989  [http://worldcat.org/oclc/30861902&amp;amp;referer=brief_results OCLC #30861902]&lt;br /&gt;
&lt;br /&gt;
*資生堂宣伝史 1992 [http://worldcat.org/oclc/29034581&amp;amp;referer=brief_results OCLC# 29034581]&lt;br /&gt;
&lt;br /&gt;
*創ってきたもの・伝えてゆくもの : 資生堂文化の一二〇年 1993 [http://worldcat.org/oclc/29028305&amp;amp;referer=brief_results OCLC #29028305]&lt;br /&gt;
&lt;br /&gt;
*資生堂ギャラリー七十五年史 : 1919-1994 [http://worldcat.org/oclc/34116130&amp;amp;referer=brief_results OCLC #34116130]&lt;br /&gt;
&lt;br /&gt;
==Other Histories==&lt;br /&gt;
&lt;br /&gt;
資生堂 : ヒトを彩るサイエンスで 21世紀へ 1991&lt;br /&gt;
[http://worldcat.org/oclc/27167671&amp;amp;referer=brief_results OCLC #27167671]&lt;br /&gt;
&lt;br /&gt;
資生堂ものがたり : 資生堂企業資料館収蔵品カタログ 1995&lt;br /&gt;
[http://worldcat.org/oclc/47029987&amp;amp;referer=brief_results OCLC# 47029987]&lt;br /&gt;
&lt;br /&gt;
銀座物語 : 福原義春と資生堂文化 / 島森路子編 每日新聞社, 1996&lt;br /&gt;
[http://worldcat.org/oclc/36090204&amp;amp;referer=brief_results OCLC# 36090204]  &lt;br /&gt;
 &lt;br /&gt;
Paris Tokyo Paris, 1897-1997 : Shiseido la beauté 1997&lt;br /&gt;
[http://worldcat.org/oclc/55692030&amp;amp;referer=brief_results OCLC #55692030]&lt;br /&gt;
&lt;br /&gt;
美と知のミ－ム、資生堂 1999  [http://worldcat.org/oclc/48807885 OCLC #48807885] [http://www.worldcat.org/oclc/78612312 OCLC #78612312]&lt;br /&gt;
&lt;br /&gt;
Face to face : Shiseido and the manufacture of beauty, 1900-2000&lt;br /&gt;
[http://worldcat.org/oclc/45223464&amp;amp;referer=brief_results OCLC #45223464]&lt;br /&gt;
&lt;br /&gt;
日本の化粧文化 : 明治維新から平成まで / 資生堂企業文化部 2002&lt;br /&gt;
[http://worldcat.org/oclc/170066462&amp;amp;referer=brief_results OCLC #170066462] [Pitt]&lt;br /&gt;
&lt;br /&gt;
美粧の座標 : 資生堂大船工場物語 2004 [http://worldcat.org/oclc/57567843&amp;amp;referer=brief_results OCLC #57567843]&lt;br /&gt;
&lt;br /&gt;
資生堂 / 和田博文編 (コレクション・モタン都市文化 ; 17)  ゆまに書房, 2006&lt;br /&gt;
[http://worldcat.org/oclc/75270512&amp;amp;referer=brief_results OCLC# 75270512] [Pitt]&lt;br /&gt;
&lt;br /&gt;
銀座と資生堂 : 日本を「モダーン」にした会社 /  新潮社, 2012&lt;br /&gt;
[http://www.worldcat.org/oclc/774274359 OCLC# 774274359]  [Pitt]&lt;br /&gt;
&lt;br /&gt;
==Links==&lt;br /&gt;
&lt;br /&gt;
*Shiseido corporate web page *[http://www.shiseido.co.jp/e/annual/html/index.htm Annual Report]&lt;br /&gt;
&lt;br /&gt;
[[Category:Chemicals]][[Category:F-35：その他化学工業]]&lt;br /&gt;
[[Category:San Diego]][[category:Ohio]][[Category:Yale]][[category:OSU]][[Category:UCLA]]&lt;br /&gt;
[[category:shashi(R)]][[category:Pitt]][[category:Mitsui Collection]]&lt;/div&gt;</summary>
		<author><name>Hng2</name></author>	</entry>

	<entry>
		<id>http://www.nccjapan.net/shashiwiki/index.php?title=Shiseido&amp;diff=51593</id>
		<title>Shiseido</title>
		<link rel="alternate" type="text/html" href="http://www.nccjapan.net/shashiwiki/index.php?title=Shiseido&amp;diff=51593"/>
				<updated>2013-08-05T18:08:42Z</updated>
		
		<summary type="html">&lt;p&gt;Hng2: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;!-- Start of infobox code.--&amp;gt;&lt;br /&gt;
&amp;lt;table style=&amp;quot;float:right; width:250px; background:#FAFAFA; border: 1px solid #C8C8C8; padding: 2px; font-size:12px&amp;quot;&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Title.--&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background:#A50000&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;td colspan=&amp;quot;2&amp;quot; width=90px style=&amp;quot;text-align: center; font-size:14px; font-weight:bold; color:#FFFFFF&amp;quot;&amp;gt;&lt;br /&gt;
Shiseido Company, Limited&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Subtitle.--&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;font-size:10px; text-align: center;&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;td colspan=&amp;quot;2&amp;quot;&amp;gt;&lt;br /&gt;
株式会社資生堂&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Infobox image.--&amp;gt;&lt;br /&gt;
&amp;lt;tr&amp;gt;&lt;br /&gt;
&amp;lt;td colspan=&amp;quot;2&amp;quot;&amp;gt;[[Image:shiseido.png|center|border|201x310px|]]&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Image subtitle.--&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Divider bar.--&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background:#A50000&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;td colspan=&amp;quot;2&amp;quot; width=90px style=&amp;quot;text-align: center; font-size:12px; font-weight:bold; color:#FFFFFF&amp;quot;&amp;gt;&lt;br /&gt;
 &amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Zebra-striped status bars.--&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background: FAFAFA; font-size:11px&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;td width=86px style=&amp;quot;font-weight:bold&amp;quot;&amp;gt;&lt;br /&gt;
Founded&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;td&amp;gt;&lt;br /&gt;
1872&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background: #f0f0f0; font-size:11px&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;td width=86px style=&amp;quot;font-weight:bold&amp;quot;&amp;gt;&lt;br /&gt;
Founders&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;td&amp;gt;&lt;br /&gt;
Arinobu Fukuhara&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background: FAFAFA; font-size:11px&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;td width=86px style=&amp;quot;font-weight:bold&amp;quot;&amp;gt;&lt;br /&gt;
Type&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;td&amp;gt;&lt;br /&gt;
Public&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background: #f0f0f0; font-size:11px&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;td width=86px style=&amp;quot;font-weight:bold&amp;quot;&amp;gt;&lt;br /&gt;
Industry&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;td&amp;gt;&lt;br /&gt;
Consumer goods&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background: FAFAFA; font-size:11px&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;td width=86px style=&amp;quot;font-weight:bold&amp;quot;&amp;gt;&lt;br /&gt;
Headquarters&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;td&amp;gt;&lt;br /&gt;
Tokyo, Japan&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background: #f0f0f0; font-size:11px&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;td width=86px style=&amp;quot;font-weight:bold&amp;quot;&amp;gt;&lt;br /&gt;
Website&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;td&amp;gt;&lt;br /&gt;
[http://www.shiseido.co.jp/ Japanese] [http://www.shiseido.co.jp/com/ Worldwide]&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/table&amp;gt;&lt;br /&gt;
&amp;lt;!-- End of infobox code.--&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==資生堂==&lt;br /&gt;
&lt;br /&gt;
Shiseidō&lt;br /&gt;
&lt;br /&gt;
Shiseido Company, Limited&lt;br /&gt;
&lt;br /&gt;
==History==&lt;br /&gt;
&lt;br /&gt;
*1872年、東京・銀座に「資生堂薬局」として創業。&lt;br /&gt;
&lt;br /&gt;
*1927年、合資会社を株式会社組織に変更。&lt;br /&gt;
&lt;br /&gt;
[http://www.shiseido.co.jp/corp/company/info/history01.html reference]&lt;br /&gt;
&lt;br /&gt;
==Shashi==&lt;br /&gt;
&lt;br /&gt;
*資生堂社史 : 資生堂と銀座のあゆみ八十五年 1957 (S 32)[http://worldcat.org/oclc/33777365&amp;amp;referer=brief_results OCLC# 33777365]　[Mitsui Collection]&lt;br /&gt;
::財団法人 渋沢栄一記念財団実業史研究情報センターの[http://www.shibusawa.or.jp/center/shashi/shasi_sa.html#01 社史紹介]&lt;br /&gt;
&lt;br /&gt;
*資生堂百年史 1972 (S47) [http://worldcat.org/oclc/12056025&amp;amp;referer=brief_results OCLC #12056025];[http://worldcat.org/oclc/44275568&amp;amp;referer=brief_results OCLC #44275568]　[Mitsui Collection]&lt;br /&gt;
&lt;br /&gt;
*資生堂宣伝史 1979 [http://worldcat.org/oclc/38520834&amp;amp;referer=brief_results OCLC# 38520834]&lt;br /&gt;
&lt;br /&gt;
*資生堂研究所50年史 : 挑戦と創造の步み 1989  [http://worldcat.org/oclc/30861902&amp;amp;referer=brief_results OCLC #30861902]&lt;br /&gt;
&lt;br /&gt;
*資生堂宣伝史 1992 [http://worldcat.org/oclc/29034581&amp;amp;referer=brief_results OCLC# 29034581]&lt;br /&gt;
&lt;br /&gt;
*創ってきたもの・伝えてゆくもの : 資生堂文化の一二〇年 1993 [http://worldcat.org/oclc/29028305&amp;amp;referer=brief_results OCLC #29028305]&lt;br /&gt;
&lt;br /&gt;
*資生堂ギャラリー七十五年史 : 1919-1994 [http://worldcat.org/oclc/34116130&amp;amp;referer=brief_results OCLC #34116130]&lt;br /&gt;
&lt;br /&gt;
==Other Histories==&lt;br /&gt;
&lt;br /&gt;
資生堂 : ヒトを彩るサイエンスで 21世紀へ 1991&lt;br /&gt;
[http://worldcat.org/oclc/27167671&amp;amp;referer=brief_results OCLC #27167671]&lt;br /&gt;
&lt;br /&gt;
資生堂ものがたり : 資生堂企業資料館収蔵品カタログ 1995&lt;br /&gt;
[http://worldcat.org/oclc/47029987&amp;amp;referer=brief_results OCLC# 47029987]&lt;br /&gt;
&lt;br /&gt;
銀座物語 : 福原義春と資生堂文化 / 島森路子編 每日新聞社, 1996&lt;br /&gt;
[http://worldcat.org/oclc/36090204&amp;amp;referer=brief_results OCLC# 36090204]  &lt;br /&gt;
 &lt;br /&gt;
Paris Tokyo Paris, 1897-1997 : Shiseido la beauté 1997&lt;br /&gt;
[http://worldcat.org/oclc/55692030&amp;amp;referer=brief_results OCLC #55692030]&lt;br /&gt;
&lt;br /&gt;
美と知のミ－ム、資生堂 1999  [http://worldcat.org/oclc/48807885 OCLC #48807885] [http://www.worldcat.org/oclc/78612312 OCLC #78612312]&lt;br /&gt;
&lt;br /&gt;
Face to face : Shiseido and the manufacture of beauty, 1900-2000&lt;br /&gt;
[http://worldcat.org/oclc/45223464&amp;amp;referer=brief_results OCLC #45223464]&lt;br /&gt;
&lt;br /&gt;
日本の化粧文化 : 明治維新から平成まで / 資生堂企業文化部 2002&lt;br /&gt;
[http://worldcat.org/oclc/170066462&amp;amp;referer=brief_results OCLC #170066462] [Pitt]&lt;br /&gt;
&lt;br /&gt;
美粧の座標 : 資生堂大船工場物語 2004 [http://worldcat.org/oclc/57567843&amp;amp;referer=brief_results OCLC #57567843]&lt;br /&gt;
&lt;br /&gt;
資生堂 / 和田博文編  ゆまに書房, 2006&lt;br /&gt;
[http://worldcat.org/oclc/75270512&amp;amp;referer=brief_results OCLC# 75270512] &lt;br /&gt;
&lt;br /&gt;
銀座と資生堂 : 日本を「モダーン」にした会社 /  新潮社, 2012&lt;br /&gt;
[http://www.worldcat.org/oclc/774274359 OCLC# 774274359]  [Pitt]&lt;br /&gt;
&lt;br /&gt;
==Links==&lt;br /&gt;
&lt;br /&gt;
*Shiseido corporate web page *[http://www.shiseido.co.jp/e/annual/html/index.htm Annual Report]&lt;br /&gt;
&lt;br /&gt;
[[Category:Chemicals]][[Category:F-35：その他化学工業]]&lt;br /&gt;
[[Category:San Diego]][[category:Ohio]][[Category:Yale]][[category:OSU]][[Category:UCLA]]&lt;br /&gt;
[[category:shashi(R)]][[category:Pitt]][[category:Mitsui Collection]]&lt;/div&gt;</summary>
		<author><name>Hng2</name></author>	</entry>

	<entry>
		<id>http://www.nccjapan.net/shashiwiki/index.php?title=Kao&amp;diff=51591</id>
		<title>Kao</title>
		<link rel="alternate" type="text/html" href="http://www.nccjapan.net/shashiwiki/index.php?title=Kao&amp;diff=51591"/>
				<updated>2013-08-04T23:14:40Z</updated>
		
		<summary type="html">&lt;p&gt;Hng2: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==花王株式会社==&lt;br /&gt;
&lt;br /&gt;
Kaō Kabushiki Gaisha&lt;br /&gt;
&lt;br /&gt;
Kao Corporation&lt;br /&gt;
&lt;br /&gt;
==History==&lt;br /&gt;
&lt;br /&gt;
[http://www.kao.com/jp/corp_about/history_00.html 会社の歴史 at Kao Official Website]&lt;br /&gt;
&lt;br /&gt;
==Shashi==&lt;br /&gt;
&lt;br /&gt;
*花王石鹸五十年史　[1940] [http://www.worldcat.org/title/kao-sekken-gojunenshi/oclc/33740634&amp;amp;referer=brief_results OCLC: 33740634], [http://www.worldcat.org/title/kao-sekken-gojunenshi/oclc/29831717&amp;amp;referer=brief_results 29831717] [Pitt] &lt;br /&gt;
::財団法人 渋沢栄一記念財団実業史研究情報センターの[http://www.shibusawa.or.jp/center/shashi/shasi_ka.html#01 社史紹介]&lt;br /&gt;
&lt;br /&gt;
*花王石鹸七十年史　[1960] [http://www.worldcat.org/title/kao-sekken-nanajunenshi/oclc/29832120&amp;amp;referer=brief_results OCLC: 29832120], [http://www.worldcat.org/title/kao-sekken-shichijunenshi/oclc/12085960&amp;amp;referer=brief_results 12085960], [http://www.worldcat.org/title/kao-sekken-shichijunenshi/oclc/33671724&amp;amp;referer=brief_results 33671724], [http://www.worldcat.org/title/kao-sekken-shichijunenshi/oclc/607935471&amp;amp;referer=brief_results 607935471] [Pitt] &lt;br /&gt;
&lt;br /&gt;
*花王石鹸の歩み：目でみる70年史　[1960] (no record in OCLC) [Pitt] &lt;br /&gt;
&lt;br /&gt;
*花王石鹼八十年史 1971 OCLC: [http://www.worldcat.org/title/kao-sekken-hachijunenshi-eighty-years-history-of-kao-soap/oclc/12086002 12086002]&lt;br /&gt;
&lt;br /&gt;
*四〇〇〇人の軌跡：花王石鹸九十周年記念出版　[1980] [http://www.worldcat.org/title/4000-nin-no-kiseki-kao-sekken-90-shunen-kinen-shuppan/oclc/26687527&amp;amp;referer=brief_results OCLC: 26687527] [Pitt] &lt;br /&gt;
&lt;br /&gt;
*年表・花王90年のあゆみ [1980] [http://www.worldcat.org/oclc/47427848&amp;amp;referer=brief_results OCLC: 47427848]&lt;br /&gt;
&lt;br /&gt;
*花王史100年:1890-1990 [1993] [http://www.worldcat.org/oclc/33012390&amp;amp;referer=brief_results OCLC: 33012390] [Pitt] &lt;br /&gt;
&lt;br /&gt;
*花王石鹼五十年史 [1997] [http://www.worldcat.org/title/kao-sekken-50-nenshi/oclc/42626431&amp;amp;referer=brief_results OCLC: 42626431]&lt;br /&gt;
&lt;br /&gt;
*花王史年表:1990-2000 [2000] [http://www.worldcat.org/oclc/45865386&amp;amp;referer=brief_results OCLC:45865386] [Pitt] &lt;br /&gt;
&lt;br /&gt;
*花王120年: Kao, 120 years: 1890-2010 [2012] [http://www.worldcat.org/title/kao-120-nen-kao-120-years-1890-2010/oclc/820020510 OCLC: 820020510] [Pitt]&lt;br /&gt;
&lt;br /&gt;
==Links==&lt;br /&gt;
*Corporate Website: [http://www.kao.com/group/ja/group/index.html Japanese] [http://www.kao.com/group/en/group/index.html English]&lt;br /&gt;
&lt;br /&gt;
*Kao Museum [http://www.kao.com/jp/corp_info/factories_18.html Japanese] [http://www.kao.com/jp/en/corp_info/factories_18.html English]&lt;br /&gt;
&lt;br /&gt;
:花王「百年・愚直」のものづくり / 高井尚之著 -- 日本経済新聞社, 2007.3, 267p. -- (日経ビジネス人文庫 ; 385) [http://www.worldcat.org/oclc/187709226&amp;amp;referer=brief_results OCLC: 187709226] [http://webcatplus-equal.nii.ac.jp/libportal/DocDetail?txt_docid=NCID%3ABA81008330 BA81008330]&lt;br /&gt;
:花王史年表(1990〜2000年) / 花王株式会社社史編纂室編纂 -- 花王, 2000.11, 279p. [http://webcatplus-equal.nii.ac.jp/libportal/DocDetail?txt_docid=NCID%3ABA4969079X BA4969079X]&lt;br /&gt;
:花王史100年(1890年-1990年) / 日本経営史研究所, 花王株式会社社史編纂室編纂 ; [本文] , 年表/資料 -- 花王, 1993.3, 2冊. [http://webcatplus-equal.nii.ac.jp/libportal/DocDetail?txt_docid=NCID%3ABN09034721 BN09034721]&lt;br /&gt;
:台湾花王20年史 : 日本語訳 / 台湾花王股份有限公司, 花王株式会社編 -- 台湾花王股份有限公司, 1986.4, 140, xxviiip. [http://webcatplus-equal.nii.ac.jp/libportal/DocDetail?txt_docid=NCID%3ABA37859827 BA37859827]&lt;br /&gt;
:タイ花王実業20年史 : 日本語訳 / タイ花王実業株式会社, 花王株式会社編 -- タイ花王実業株式会社, 1986.2, 92, xivp. [http://webcatplus-equal.nii.ac.jp/libportal/DocDetail?txt_docid=NCID%3ABA40461851 BA40461851]&lt;br /&gt;
&lt;br /&gt;
*[http://opac.ndl.go.jp/ NDL OPAC]- National Diet Library Online Public Access Catalog (国立国会図書館蔵書検索・申込システム)&lt;br /&gt;
&lt;br /&gt;
[[Category:Chemicals]]&lt;br /&gt;
[[Category:F-33：油脂加工製品製造業]]&lt;br /&gt;
[[category:shashi(R)]]&lt;br /&gt;
[[category:社史で見る日本経済史]]&lt;br /&gt;
[[Category:OSU]]&lt;br /&gt;
[[category:Pitt]]&lt;br /&gt;
[[category:Mitsui Collection]]&lt;br /&gt;
[[Category:UIUC]]&lt;/div&gt;</summary>
		<author><name>Hng2</name></author>	</entry>

	<entry>
		<id>http://www.nccjapan.net/shashiwiki/index.php?title=Shiseido&amp;diff=51577</id>
		<title>Shiseido</title>
		<link rel="alternate" type="text/html" href="http://www.nccjapan.net/shashiwiki/index.php?title=Shiseido&amp;diff=51577"/>
				<updated>2013-07-21T03:45:03Z</updated>
		
		<summary type="html">&lt;p&gt;Hng2: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;!-- Start of infobox code.--&amp;gt;&lt;br /&gt;
&amp;lt;table style=&amp;quot;float:right; width:250px; background:#FAFAFA; border: 1px solid #C8C8C8; padding: 2px; font-size:12px&amp;quot;&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Title.--&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background:#A50000&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;td colspan=&amp;quot;2&amp;quot; width=90px style=&amp;quot;text-align: center; font-size:14px; font-weight:bold; color:#FFFFFF&amp;quot;&amp;gt;&lt;br /&gt;
Shiseido Company, Limited&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Subtitle.--&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;font-size:10px; text-align: center;&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;td colspan=&amp;quot;2&amp;quot;&amp;gt;&lt;br /&gt;
株式会社資生堂&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Infobox image.--&amp;gt;&lt;br /&gt;
&amp;lt;tr&amp;gt;&lt;br /&gt;
&amp;lt;td colspan=&amp;quot;2&amp;quot;&amp;gt;[[Image:shiseido.png|center|border|201x310px|]]&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Image subtitle.--&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Divider bar.--&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background:#A50000&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;td colspan=&amp;quot;2&amp;quot; width=90px style=&amp;quot;text-align: center; font-size:12px; font-weight:bold; color:#FFFFFF&amp;quot;&amp;gt;&lt;br /&gt;
 &amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Zebra-striped status bars.--&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background: FAFAFA; font-size:11px&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;td width=86px style=&amp;quot;font-weight:bold&amp;quot;&amp;gt;&lt;br /&gt;
Founded&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;td&amp;gt;&lt;br /&gt;
1872&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background: #f0f0f0; font-size:11px&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;td width=86px style=&amp;quot;font-weight:bold&amp;quot;&amp;gt;&lt;br /&gt;
Founders&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;td&amp;gt;&lt;br /&gt;
Arinobu Fukuhara&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background: FAFAFA; font-size:11px&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;td width=86px style=&amp;quot;font-weight:bold&amp;quot;&amp;gt;&lt;br /&gt;
Type&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;td&amp;gt;&lt;br /&gt;
Public&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background: #f0f0f0; font-size:11px&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;td width=86px style=&amp;quot;font-weight:bold&amp;quot;&amp;gt;&lt;br /&gt;
Industry&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;td&amp;gt;&lt;br /&gt;
Consumer goods&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background: FAFAFA; font-size:11px&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;td width=86px style=&amp;quot;font-weight:bold&amp;quot;&amp;gt;&lt;br /&gt;
Headquarters&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;td&amp;gt;&lt;br /&gt;
Tokyo, Japan&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background: #f0f0f0; font-size:11px&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;td width=86px style=&amp;quot;font-weight:bold&amp;quot;&amp;gt;&lt;br /&gt;
Website&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;td&amp;gt;&lt;br /&gt;
[http://www.shiseido.co.jp/ Japanese] [http://www.shiseido.co.jp/com/ Worldwide]&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/table&amp;gt;&lt;br /&gt;
&amp;lt;!-- End of infobox code.--&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==資生堂==&lt;br /&gt;
&lt;br /&gt;
Shiseidō&lt;br /&gt;
&lt;br /&gt;
Shiseido Company, Limited&lt;br /&gt;
&lt;br /&gt;
==History==&lt;br /&gt;
&lt;br /&gt;
*1872年、東京・銀座に「資生堂薬局」として創業。&lt;br /&gt;
&lt;br /&gt;
*1927年、合資会社を株式会社組織に変更。&lt;br /&gt;
&lt;br /&gt;
[http://www.shiseido.co.jp/corp/company/info/history01.html reference]&lt;br /&gt;
&lt;br /&gt;
==Shashi==&lt;br /&gt;
&lt;br /&gt;
*資生堂社史 : 資生堂と銀座のあゆみ八十五年 1957 (S 32)[http://worldcat.org/oclc/33777365&amp;amp;referer=brief_results OCLC# 33777365]　[Mitsui Collection]&lt;br /&gt;
::財団法人 渋沢栄一記念財団実業史研究情報センターの[http://www.shibusawa.or.jp/center/shashi/shasi_sa.html#01 社史紹介]&lt;br /&gt;
&lt;br /&gt;
*資生堂百年史 1972 (S47) [http://worldcat.org/oclc/12056025&amp;amp;referer=brief_results OCLC #12056025];[http://worldcat.org/oclc/44275568&amp;amp;referer=brief_results OCLC #44275568]　[Mitsui Collection]&lt;br /&gt;
&lt;br /&gt;
*資生堂宣伝史 1979 [http://worldcat.org/oclc/38520834&amp;amp;referer=brief_results OCLC# 38520834]&lt;br /&gt;
&lt;br /&gt;
*資生堂研究所50年史 : 挑戦と創造の步み 1989  [http://worldcat.org/oclc/30861902&amp;amp;referer=brief_results OCLC #30861902]&lt;br /&gt;
&lt;br /&gt;
*資生堂宣伝史 1992 [http://worldcat.org/oclc/29034581&amp;amp;referer=brief_results OCLC# 29034581]&lt;br /&gt;
&lt;br /&gt;
*創ってきたもの・伝えてゆくもの : 資生堂文化の一二〇年 1993 [http://worldcat.org/oclc/29028305&amp;amp;referer=brief_results OCLC #29028305]&lt;br /&gt;
&lt;br /&gt;
*資生堂ギャラリー七十五年史 : 1919-1994 [http://worldcat.org/oclc/34116130&amp;amp;referer=brief_results OCLC #34116130]&lt;br /&gt;
&lt;br /&gt;
==Other Histories==&lt;br /&gt;
&lt;br /&gt;
資生堂 : ヒトを彩るサイエンスで 21世紀へ 1991&lt;br /&gt;
[http://worldcat.org/oclc/27167671&amp;amp;referer=brief_results OCLC #27167671]&lt;br /&gt;
&lt;br /&gt;
資生堂ものがたり : 資生堂企業資料館収蔵品カタログ 1995&lt;br /&gt;
[http://worldcat.org/oclc/47029987&amp;amp;referer=brief_results OCLC# 47029987]&lt;br /&gt;
&lt;br /&gt;
銀座物語 : 福原義春と資生堂文化 / 島森路子編 每日新聞社, 1996&lt;br /&gt;
[http://worldcat.org/oclc/36090204&amp;amp;referer=brief_results OCLC# 36090204]  &lt;br /&gt;
 &lt;br /&gt;
Paris Tokyo Paris, 1897-1997 : Shiseido la beauté 1997&lt;br /&gt;
[http://worldcat.org/oclc/55692030&amp;amp;referer=brief_results OCLC #55692030]&lt;br /&gt;
&lt;br /&gt;
美と知のミ－ム、資生堂 1999  [http://worldcat.org/oclc/48807885 OCLC #48807885] [http://www.worldcat.org/oclc/78612312 OCLC #78612312]&lt;br /&gt;
&lt;br /&gt;
Face to face : Shiseido and the manufacture of beauty, 1900-2000&lt;br /&gt;
[http://worldcat.org/oclc/45223464&amp;amp;referer=brief_results OCLC #45223464]&lt;br /&gt;
&lt;br /&gt;
日本の化粧文化 : 明治維新から平成まで / 資生堂企業文化部 2002&lt;br /&gt;
[http://worldcat.org/oclc/170066462&amp;amp;referer=brief_results OCLC #170066462]&lt;br /&gt;
&lt;br /&gt;
美粧の座標 : 資生堂大船工場物語 2004 [http://worldcat.org/oclc/57567843&amp;amp;referer=brief_results OCLC #57567843]&lt;br /&gt;
&lt;br /&gt;
資生堂 / 和田博文編  ゆまに書房, 2006&lt;br /&gt;
[http://worldcat.org/oclc/75270512&amp;amp;referer=brief_results OCLC# 75270512]&lt;br /&gt;
&lt;br /&gt;
銀座と資生堂 : 日本を「モダーン」にした会社 /  新潮社, 2012&lt;br /&gt;
[http://www.worldcat.org/oclc/774274359 OCLC# 774274359]  [Pitt]&lt;br /&gt;
&lt;br /&gt;
==Links==&lt;br /&gt;
&lt;br /&gt;
*Shiseido corporate web page *[http://www.shiseido.co.jp/e/annual/html/index.htm Annual Report]&lt;br /&gt;
&lt;br /&gt;
[[Category:Chemicals]][[Category:F-35：その他化学工業]]&lt;br /&gt;
[[Category:San Diego]][[category:Ohio]][[Category:Yale]][[category:OSU]][[Category:UCLA]]&lt;br /&gt;
[[category:shashi(R)]][[category:Pitt]][[category:Mitsui Collection]]&lt;/div&gt;</summary>
		<author><name>Hng2</name></author>	</entry>

	<entry>
		<id>http://www.nccjapan.net/shashiwiki/index.php?title=Category:Pitt&amp;diff=51575</id>
		<title>Category:Pitt</title>
		<link rel="alternate" type="text/html" href="http://www.nccjapan.net/shashiwiki/index.php?title=Category:Pitt&amp;diff=51575"/>
				<updated>2013-07-20T10:42:58Z</updated>
		
		<summary type="html">&lt;p&gt;Hng2: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;This category reflects holdings of shashi available in [http://www.library.pitt.edu/ University of Pittsburgh] collections.&lt;br /&gt;
&lt;br /&gt;
Pitt have about 3,000 volumes of shashi, which were published by more than 1300 companies. However, shashi published after 1945 in the Mitsui Collection are not cataloged yet in PittCat nor OCLC WorldCat.  If you find [Mitsui Collection] after the title or as categories on the bottom of each page, it is indicates that Pitt has the Shashi in the Mitsui Collection but it is not cataloged to Pitt Online Catalog and may no be on the OCLC WorldCat yet.  Please contact Hiro Good at hng2@pitt.edu if you want to borrow by Interlibrary Loan.&lt;br /&gt;
&lt;br /&gt;
[http://library.osu.edu/wikis/shashidb/index.php/University_of_Pittsburgh's_Shashi_Collection University of Pittsburgh's Shashi Collection Top page]&lt;br /&gt;
&lt;br /&gt;
{{categoryTOCR}}&lt;/div&gt;</summary>
		<author><name>Hng2</name></author>	</entry>

	<entry>
		<id>http://www.nccjapan.net/shashiwiki/index.php?title=Shiseido&amp;diff=51573</id>
		<title>Shiseido</title>
		<link rel="alternate" type="text/html" href="http://www.nccjapan.net/shashiwiki/index.php?title=Shiseido&amp;diff=51573"/>
				<updated>2013-07-20T10:36:14Z</updated>
		
		<summary type="html">&lt;p&gt;Hng2: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;!-- Start of infobox code.--&amp;gt;&lt;br /&gt;
&amp;lt;table style=&amp;quot;float:right; width:250px; background:#FAFAFA; border: 1px solid #C8C8C8; padding: 2px; font-size:12px&amp;quot;&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Title.--&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background:#A50000&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;td colspan=&amp;quot;2&amp;quot; width=90px style=&amp;quot;text-align: center; font-size:14px; font-weight:bold; color:#FFFFFF&amp;quot;&amp;gt;&lt;br /&gt;
Shiseido Company, Limited&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Subtitle.--&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;font-size:10px; text-align: center;&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;td colspan=&amp;quot;2&amp;quot;&amp;gt;&lt;br /&gt;
株式会社資生堂&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Infobox image.--&amp;gt;&lt;br /&gt;
&amp;lt;tr&amp;gt;&lt;br /&gt;
&amp;lt;td colspan=&amp;quot;2&amp;quot;&amp;gt;[[Image:shiseido.png|center|border|201x310px|]]&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Image subtitle.--&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Divider bar.--&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background:#A50000&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;td colspan=&amp;quot;2&amp;quot; width=90px style=&amp;quot;text-align: center; font-size:12px; font-weight:bold; color:#FFFFFF&amp;quot;&amp;gt;&lt;br /&gt;
 &amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Zebra-striped status bars.--&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background: FAFAFA; font-size:11px&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;td width=86px style=&amp;quot;font-weight:bold&amp;quot;&amp;gt;&lt;br /&gt;
Founded&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;td&amp;gt;&lt;br /&gt;
1872&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background: #f0f0f0; font-size:11px&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;td width=86px style=&amp;quot;font-weight:bold&amp;quot;&amp;gt;&lt;br /&gt;
Founders&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;td&amp;gt;&lt;br /&gt;
Arinobu Fukuhara&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background: FAFAFA; font-size:11px&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;td width=86px style=&amp;quot;font-weight:bold&amp;quot;&amp;gt;&lt;br /&gt;
Type&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;td&amp;gt;&lt;br /&gt;
Public&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background: #f0f0f0; font-size:11px&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;td width=86px style=&amp;quot;font-weight:bold&amp;quot;&amp;gt;&lt;br /&gt;
Industry&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;td&amp;gt;&lt;br /&gt;
Consumer goods&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background: FAFAFA; font-size:11px&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;td width=86px style=&amp;quot;font-weight:bold&amp;quot;&amp;gt;&lt;br /&gt;
Headquarters&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;td&amp;gt;&lt;br /&gt;
Tokyo, Japan&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background: #f0f0f0; font-size:11px&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;td width=86px style=&amp;quot;font-weight:bold&amp;quot;&amp;gt;&lt;br /&gt;
Website&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;td&amp;gt;&lt;br /&gt;
[http://www.shiseido.co.jp/ Japanese] [http://www.shiseido.co.jp/com/ Worldwide]&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/table&amp;gt;&lt;br /&gt;
&amp;lt;!-- End of infobox code.--&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==資生堂==&lt;br /&gt;
&lt;br /&gt;
Shiseidō&lt;br /&gt;
&lt;br /&gt;
Shiseido Company, Limited&lt;br /&gt;
&lt;br /&gt;
==History==&lt;br /&gt;
&lt;br /&gt;
*1872年、東京・銀座に「資生堂薬局」として創業。&lt;br /&gt;
&lt;br /&gt;
*1927年、合資会社を株式会社組織に変更。&lt;br /&gt;
&lt;br /&gt;
[http://www.shiseido.co.jp/corp/company/info/history01.html reference]&lt;br /&gt;
&lt;br /&gt;
==Shashi==&lt;br /&gt;
&lt;br /&gt;
*資生堂社史 : 資生堂と銀座のあゆみ八十五年 1957 (S 32)[http://worldcat.org/oclc/33777365&amp;amp;referer=brief_results OCLC# 33777365]　[Mitsui Collection]&lt;br /&gt;
::財団法人 渋沢栄一記念財団実業史研究情報センターの[http://www.shibusawa.or.jp/center/shashi/shasi_sa.html#01 社史紹介]&lt;br /&gt;
&lt;br /&gt;
*資生堂百年史 1972 (S47) [http://worldcat.org/oclc/12056025&amp;amp;referer=brief_results OCLC #12056025];[http://worldcat.org/oclc/44275568&amp;amp;referer=brief_results OCLC #44275568]　[Mitsui Collection]&lt;br /&gt;
&lt;br /&gt;
*資生堂宣伝史 1979 [http://worldcat.org/oclc/38520834&amp;amp;referer=brief_results OCLC# 38520834]&lt;br /&gt;
&lt;br /&gt;
*資生堂宣伝史 1992 [http://worldcat.org/oclc/29034581&amp;amp;referer=brief_results OCLC# 29034581]&lt;br /&gt;
&lt;br /&gt;
*創ってきたもの・伝えてゆくもの : 資生堂文化の一二〇年 1993 [http://worldcat.org/oclc/29028305&amp;amp;referer=brief_results OCLC #29028305]&lt;br /&gt;
&lt;br /&gt;
*資生堂ギャラリー七十五年史 : 1919-1994 [http://worldcat.org/oclc/34116130&amp;amp;referer=brief_results OCLC #34116130]&lt;br /&gt;
&lt;br /&gt;
*美と知のミ－ム、資生堂 1999 [http://worldcat.org/oclc/48807885&amp;amp;referer=brief_results OCLC #48807885]&lt;br /&gt;
&lt;br /&gt;
*美粧の座標 : 資生堂大船工場物語 2004 [http://worldcat.org/oclc/57567843&amp;amp;referer=brief_results OCLC #57567843]&lt;br /&gt;
&lt;br /&gt;
==Other Histories==&lt;br /&gt;
&lt;br /&gt;
資生堂研究所50年史 : 挑戦と創造の步み 1989&lt;br /&gt;
[http://worldcat.org/oclc/30861902&amp;amp;referer=brief_results OCLC #30861902]&lt;br /&gt;
&lt;br /&gt;
資生堂 : ヒトを彩るサイエンスで 21世紀へ 1991&lt;br /&gt;
[http://worldcat.org/oclc/27167671&amp;amp;referer=brief_results OCLC #27167671]&lt;br /&gt;
&lt;br /&gt;
資生堂ものがたり : 資生堂企業資料館収蔵品カタログ 1995&lt;br /&gt;
[http://worldcat.org/oclc/47029987&amp;amp;referer=brief_results OCLC# 47029987]&lt;br /&gt;
&lt;br /&gt;
銀座物語 : 福原義春と資生堂文化 / 島森路子編 每日新聞社, 1996&lt;br /&gt;
[http://worldcat.org/oclc/36090204&amp;amp;referer=brief_results OCLC# 36090204]  &lt;br /&gt;
 &lt;br /&gt;
Paris Tokyo Paris, 1897-1997 : Shiseido la beauté 1997&lt;br /&gt;
[http://worldcat.org/oclc/55692030&amp;amp;referer=brief_results OCLC #55692030]&lt;br /&gt;
&lt;br /&gt;
Face to face : Shiseido and the manufacture of beauty, 1900-2000&lt;br /&gt;
[http://worldcat.org/oclc/45223464&amp;amp;referer=brief_results OCLC #45223464]&lt;br /&gt;
&lt;br /&gt;
日本の化粧文化 : 明治維新から平成まで / 資生堂企業文化部 2002&lt;br /&gt;
[http://worldcat.org/oclc/170066462&amp;amp;referer=brief_results OCLC #170066462]&lt;br /&gt;
&lt;br /&gt;
資生堂 / 和田博文編  ゆまに書房, 2006&lt;br /&gt;
[http://worldcat.org/oclc/75270512&amp;amp;referer=brief_results OCLC# 75270512]&lt;br /&gt;
&lt;br /&gt;
銀座と資生堂 : 日本を「モダーン」にした会社 /  新潮社, 2012&lt;br /&gt;
[http://www.worldcat.org/oclc/774274359 OCLC# 774274359]  [Pitt]&lt;br /&gt;
&lt;br /&gt;
==Links==&lt;br /&gt;
&lt;br /&gt;
*Shiseido corporate web page *[http://www.shiseido.co.jp/e/annual/html/index.htm Annual Report]&lt;br /&gt;
&lt;br /&gt;
[[Category:Chemicals]][[Category:F-35：その他化学工業]]&lt;br /&gt;
[[Category:San Diego]][[category:Ohio]][[Category:Yale]][[category:OSU]][[Category:UCLA]]&lt;br /&gt;
[[category:shashi(R)]][[category:Pitt]][[category:Mitsui Collection]]&lt;/div&gt;</summary>
		<author><name>Hng2</name></author>	</entry>

	<entry>
		<id>http://www.nccjapan.net/shashiwiki/index.php?title=Kenso_Kogyo&amp;diff=51571</id>
		<title>Kenso Kogyo</title>
		<link rel="alternate" type="text/html" href="http://www.nccjapan.net/shashiwiki/index.php?title=Kenso_Kogyo&amp;diff=51571"/>
				<updated>2013-07-15T14:27:56Z</updated>
		
		<summary type="html">&lt;p&gt;Hng2: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==建装工業株式会社==&lt;br /&gt;
&lt;br /&gt;
Kensō Kōgyō Kabushiki Kaisha&lt;br /&gt;
&lt;br /&gt;
==History==&lt;br /&gt;
&lt;br /&gt;
*1903年、高橋塗装店創業。&lt;br /&gt;
&lt;br /&gt;
*1946年、合資会社建装工業社設立。&lt;br /&gt;
&lt;br /&gt;
*1954年、建装工業株式会社に改称。&lt;br /&gt;
&lt;br /&gt;
[http://www.kenso.co.jp/corporate/history.html reference]&lt;br /&gt;
&lt;br /&gt;
==Shashi==&lt;br /&gt;
*建装工業七十五年史　1981　OCLC#:[http://worldcat.org/oclc/42713602&amp;amp;referer=brief_results 42713602]   Webcat Plus:[http://webcatplus-equal.nii.ac.jp/libportal/DocDetail?hdn_if_lang=jpn&amp;amp;txt_docid=NCID:BN04008167 ID BN04008167]&lt;br /&gt;
&lt;br /&gt;
==Links==&lt;br /&gt;
Corporate Website: [http://www.kenso.co.jp/ Japanese]&lt;br /&gt;
&lt;br /&gt;
[[Category:E：建設業]]&lt;br /&gt;
[[Category:E-1：総合工事業]]&lt;br /&gt;
[[Category:Pitt]]&lt;br /&gt;
[[category:shashi(R)]]&lt;/div&gt;</summary>
		<author><name>Hng2</name></author>	</entry>

	<entry>
		<id>http://www.nccjapan.net/shashiwiki/index.php?title=Isseido_Shoten&amp;diff=51569</id>
		<title>Isseido Shoten</title>
		<link rel="alternate" type="text/html" href="http://www.nccjapan.net/shashiwiki/index.php?title=Isseido_Shoten&amp;diff=51569"/>
				<updated>2013-07-10T12:44:50Z</updated>
		
		<summary type="html">&lt;p&gt;Hng2: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==合名会社　一誠堂書店==&lt;br /&gt;
&lt;br /&gt;
Isseido Booksellers&lt;br /&gt;
&lt;br /&gt;
==Shashi==&lt;br /&gt;
&lt;br /&gt;
古書肆 100年一誠堂書店 2004 [http://www.worldcat.org/oclc/56423770&amp;amp;referer=brief_results OCLC: #56423770]&lt;br /&gt;
&lt;br /&gt;
==Catalogs==&lt;br /&gt;
&lt;br /&gt;
一誠堂古書目錄. Isseidō kosho mokuroku.[http://osu.worldcat.org/oclc/44073418?tab=holdings#tabs OCLC: #44073418]&lt;br /&gt;
&lt;br /&gt;
映画・演劇目錄. Eiga, engeki mokuroku. [http://osu.worldcat.org/oclc/71341753&amp;amp;referer=brief_results OCLC: #71341753]&lt;br /&gt;
&lt;br /&gt;
映画・演劇・風俗目錄. Eiga, engeki, fūzoku mokuroku. [http://osu.worldcat.org/oclc/57717101&amp;amp;referer=brief_results OCLC: #57717101]&lt;br /&gt;
&lt;br /&gt;
映画・演劇 江戶東京・風俗目錄. Eiga, engeki, Edo Tōkyō, fūzoku mokuroku.[http://osu.worldcat.org/oclc/50484256&amp;amp;referer=brief_results OCLC: #50484256]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Links==&lt;br /&gt;
&lt;br /&gt;
Corporate website [http://www.isseido-books.co.jp/]&lt;br /&gt;
&lt;br /&gt;
Corporate profile [http://www.isseido-books.co.jp/about/index.html J] [http://www.isseido-books.co.jp/about/en_index.html E]&lt;br /&gt;
&lt;br /&gt;
[http://webcatplus.nii.ac.jp/ Webcat Plus]&lt;br /&gt;
&lt;br /&gt;
[http://opac.ndl.go.jp/ NDL OPAC]- National Diet Library Online Public Access Catalog (国立国会図書館蔵書検索・申込システム)&lt;br /&gt;
&lt;br /&gt;
[[Category:Communication]]&lt;br /&gt;
[[category:OSU]]&lt;br /&gt;
[[category:shashi(R)]]&lt;br /&gt;
[[category:Pitt]]&lt;/div&gt;</summary>
		<author><name>Hng2</name></author>	</entry>

	<entry>
		<id>http://www.nccjapan.net/shashiwiki/index.php?title=Kao&amp;diff=51567</id>
		<title>Kao</title>
		<link rel="alternate" type="text/html" href="http://www.nccjapan.net/shashiwiki/index.php?title=Kao&amp;diff=51567"/>
				<updated>2013-07-10T12:39:22Z</updated>
		
		<summary type="html">&lt;p&gt;Hng2: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==花王株式会社==&lt;br /&gt;
&lt;br /&gt;
Kaō Kabushiki Gaisha&lt;br /&gt;
&lt;br /&gt;
Kao Corporation&lt;br /&gt;
&lt;br /&gt;
==History==&lt;br /&gt;
&lt;br /&gt;
[http://www.kao.com/jp/corp_about/history_00.html 会社の歴史 at Kao Official Website]&lt;br /&gt;
&lt;br /&gt;
==Shashi==&lt;br /&gt;
&lt;br /&gt;
*花王石鹸五十年史　[1940] [http://www.worldcat.org/title/kao-sekken-gojunenshi/oclc/33740634&amp;amp;referer=brief_results OCLC: 33740634], [http://www.worldcat.org/title/kao-sekken-gojunenshi/oclc/29831717&amp;amp;referer=brief_results 29831717] [Pitt] &lt;br /&gt;
::財団法人 渋沢栄一記念財団実業史研究情報センターの[http://www.shibusawa.or.jp/center/shashi/shasi_ka.html#01 社史紹介]&lt;br /&gt;
&lt;br /&gt;
*花王石鹸七十年史　[1960] [http://www.worldcat.org/title/kao-sekken-nanajunenshi/oclc/29832120&amp;amp;referer=brief_results OCLC: 29832120], [http://www.worldcat.org/title/kao-sekken-shichijunenshi/oclc/12085960&amp;amp;referer=brief_results 12085960], [http://www.worldcat.org/title/kao-sekken-shichijunenshi/oclc/33671724&amp;amp;referer=brief_results 33671724], [http://www.worldcat.org/title/kao-sekken-shichijunenshi/oclc/607935471&amp;amp;referer=brief_results 607935471] [Pitt] &lt;br /&gt;
&lt;br /&gt;
*花王石鹸の歩み：目でみる70年史　[1960] (no record in OCLC) [Pitt] &lt;br /&gt;
&lt;br /&gt;
*花王石鹼八十年史 1971 OCLC: [http://www.worldcat.org/title/kao-sekken-hachijunenshi-eighty-years-history-of-kao-soap/oclc/12086002 12086002]&lt;br /&gt;
&lt;br /&gt;
*四〇〇〇人の軌跡：花王石鹸九十周年記念出版　[1980] [http://www.worldcat.org/title/4000-nin-no-kiseki-kao-sekken-90-shunen-kinen-shuppan/oclc/26687527&amp;amp;referer=brief_results OCLC: 26687527] [Pitt] &lt;br /&gt;
&lt;br /&gt;
*年表・花王90年のあゆみ [1980] [http://www.worldcat.org/oclc/47427848&amp;amp;referer=brief_results OCLC: 47427848]&lt;br /&gt;
&lt;br /&gt;
*花王史100年:1890-1990 [1993] [http://www.worldcat.org/oclc/33012390&amp;amp;referer=brief_results OCLC: 33012390] [Pitt] &lt;br /&gt;
&lt;br /&gt;
*花王石鹼五十年史 [1997] [http://www.worldcat.org/title/kao-sekken-50-nenshi/oclc/42626431&amp;amp;referer=brief_results OCLC: 42626431]&lt;br /&gt;
&lt;br /&gt;
*花王史年表:1990-2000 [2000] [http://www.worldcat.org/oclc/45865386&amp;amp;referer=brief_results OCLC:45865386] [Pitt] &lt;br /&gt;
&lt;br /&gt;
*花王120年: Kao, 120 years: 1890-2010 [2012] [http://www.worldcat.org/title/kao-120-nen-kao-120-years-1890-2010/oclc/820020510 OCLC: 820020510] [Pitt]&lt;br /&gt;
&lt;br /&gt;
==Links==&lt;br /&gt;
*Corporate Website: [http://www.kao.com/group/ja/group/index.html Japanese] [http://www.kao.com/group/en/group/index.html English]&lt;br /&gt;
&lt;br /&gt;
*Kao Museum [http://www.kao.com/jp/corp_info/factories_18.html Japanese] [http://www.kao.com/jp/en/corp_info/factories_18.html English]&lt;br /&gt;
&lt;br /&gt;
:花王「百年・愚直」のものづくり / 高井尚之著 -- 日本経済新聞社, 2007.3, 267p. -- (日経ビジネス人文庫 ; 385) [http://www.worldcat.org/oclc/187709226&amp;amp;referer=brief_results OCLC: 187709226] [http://webcatplus-equal.nii.ac.jp/libportal/DocDetail?txt_docid=NCID%3ABA81008330 BA81008330]&lt;br /&gt;
:花王史年表(1990〜2000年) / 花王株式会社社史編纂室編纂 -- 花王, 2000.11, 279p. [http://webcatplus-equal.nii.ac.jp/libportal/DocDetail?txt_docid=NCID%3ABA4969079X BA4969079X]&lt;br /&gt;
:花王史100年(1890年-1990年) / 日本経営史研究所, 花王株式会社社史編纂室編纂 ; [本文] , 年表/資料 -- 花王, 1993.3, 2冊. [http://webcatplus-equal.nii.ac.jp/libportal/DocDetail?txt_docid=NCID%3ABN09034721 BN09034721]&lt;br /&gt;
:台湾花王20年史 : 日本語訳 / 台湾花王股份有限公司, 花王株式会社編 -- 台湾花王股份有限公司, 1986.4, 140, xxviiip. [http://webcatplus-equal.nii.ac.jp/libportal/DocDetail?txt_docid=NCID%3ABA37859827 BA37859827]&lt;br /&gt;
:タイ花王実業20年史 : 日本語訳 / タイ花王実業株式会社, 花王株式会社編 -- タイ花王実業株式会社, 1986.2, 92, xivp. [http://webcatplus-equal.nii.ac.jp/libportal/DocDetail?txt_docid=NCID%3ABA40461851 BA40461851]&lt;br /&gt;
&lt;br /&gt;
*[http://opac.ndl.go.jp/ NDL OPAC]- National Diet Library Online Public Access Catalog (国立国会図書館蔵書検索・申込システム)&lt;br /&gt;
&lt;br /&gt;
[[Category:Chemicals]][[Category:F-33：油脂加工製品製造業]]&lt;br /&gt;
[[category:shashi(R)]][[Category:OSU]][[category:Pitt]][[category:社史で見る日本経済史]][[category:Mitsui Collection]][[Category:UIUC]]&lt;/div&gt;</summary>
		<author><name>Hng2</name></author>	</entry>

	<entry>
		<id>http://www.nccjapan.net/shashiwiki/index.php?title=Nippon_Suisan&amp;diff=51565</id>
		<title>Nippon Suisan</title>
		<link rel="alternate" type="text/html" href="http://www.nccjapan.net/shashiwiki/index.php?title=Nippon_Suisan&amp;diff=51565"/>
				<updated>2013-07-10T12:25:17Z</updated>
		
		<summary type="html">&lt;p&gt;Hng2: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==日本水産株式会社==&lt;br /&gt;
Nippon Suisan Kabushiki Gaisha&lt;br /&gt;
&lt;br /&gt;
Nippon Suisan Kaisha, Ltd.&lt;br /&gt;
&lt;br /&gt;
==History==&lt;br /&gt;
&lt;br /&gt;
*1908年、創業者田村市郎が国産初の鋼製トロール船第一丸（199総トン）を建造。&lt;br /&gt;
&lt;br /&gt;
*1911年、田村市郎、田村汽船漁業部を下関に創立。&lt;br /&gt;
&lt;br /&gt;
*1919年、共同漁業として株式会社に改組。&lt;br /&gt;
&lt;br /&gt;
*1937年、日本水産に社名変更。&lt;br /&gt;
&lt;br /&gt;
==Shashi==&lt;br /&gt;
&lt;br /&gt;
*日本水產50年史 1961 [http://worldcat.org/oclc/16186800&amp;amp;referer=brief_results OCLC: #16186800]    Webcat Plus ID: [http://webcatplus-equal.nii.ac.jp/webcatplus/details/book/8035410.html BN08579523]&lt;br /&gt;
&lt;br /&gt;
*日本水產の70年 1981 [http://worldcat.org/oclc/31001306&amp;amp;referer=brief_results OCLC: #31001306]&lt;br /&gt;
&lt;br /&gt;
*日本水産百年史 Nihon Suisan hyakunenshi 2011 [http://www.worldcat.org/title/nihon-suisan-hyakunenshi/oclc/755703889&amp;amp;referer=brief_results OCLC: #755703889]&lt;br /&gt;
&lt;br /&gt;
* A history of hundred years of Nippon Suisan Kaisha, Ltd. Nippon Suisan Kaisha, Ltd, 2012 [http://www.worldcat.org/title/history-of-hundred-years-of-nippon-suisan-kaisha-ltd/oclc/826022828 OCLC: #826022828]&lt;br /&gt;
&lt;br /&gt;
==Links==&lt;br /&gt;
&lt;br /&gt;
Corporate website [http://www.nissui.co.jp/ Japanese], [http://www.nissui.co.jp/english/top.html English]&lt;br /&gt;
&lt;br /&gt;
Corporate profile [http://www.nissui.co.jp/corporate/overview/index.html]&lt;br /&gt;
&lt;br /&gt;
Corporate [http://www.nissui.co.jp/corporate/history/index.html]&lt;br /&gt;
&lt;br /&gt;
[http://opac.ndl.go.jp/ NDL OPAC]- National Diet Library Online Public Access Catalog (国立国会図書館蔵書検索・申込システム)&lt;br /&gt;
&lt;br /&gt;
[[Category:Fishery]][[category:F-1：畜産・水産・農産食料品製造業]][[category:shashi(R)]]&lt;br /&gt;
[[category:OSU]][[category:Pitt]][[category:Mitsui Collection]]&lt;br /&gt;
&lt;br /&gt;
[http://www.nissui.co.jp/corporate/history/index.html ニッスイ　Nissui webpage]&lt;/div&gt;</summary>
		<author><name>Hng2</name></author>	</entry>

	<entry>
		<id>http://www.nccjapan.net/shashiwiki/index.php?title=Okurasho&amp;diff=51563</id>
		<title>Okurasho</title>
		<link rel="alternate" type="text/html" href="http://www.nccjapan.net/shashiwiki/index.php?title=Okurasho&amp;diff=51563"/>
				<updated>2013-07-09T16:28:31Z</updated>
		
		<summary type="html">&lt;p&gt;Hng2: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==大蔵省==&lt;br /&gt;
Okurasho&lt;br /&gt;
&lt;br /&gt;
Ministry of Finance Japan&lt;br /&gt;
&lt;br /&gt;
==Shashi==&lt;br /&gt;
*大蔵省百年史[上巻/下巻/別巻] 1969    OCLC#: [http://www.worldcat.org/title/okurasho-hyakunenshi/oclc/18935274　18935274]    Webcat Plus: [http://webcatplus.nii.ac.jp/webcatplus/details/book/7501323.html　BN01574237]&lt;br /&gt;
&lt;br /&gt;
*大蔵省百七年の記録資料 1977    OCLC#: [http://www.worldcat.org/title/okurasho-hyaku-shichinen-no-kiroku-shiryo/oclc/22820378 22820378]    Webcat Plus: [http://webcatplus-equal.nii.ac.jp/webcatplus/details/book/7538501.html BN02052882]&lt;br /&gt;
&lt;br /&gt;
[印刷局]&lt;br /&gt;
&lt;br /&gt;
*大蔵省印刷局史 1962    OCLC#: [http://www.worldcat.org/title/okurasho-insatsukyoku-shi/oclc/33676167 33676167],[http://www.worldcat.org/title/okurasho-insatsukyokushi/oclc/674338707 674338707]   Webcat Plus: [http://webcatplus-equal.nii.ac.jp/webcatplus/details/book/8149781.html BN10102137]&lt;br /&gt;
&lt;br /&gt;
*大蔵省印刷局　写真でみる100年のあゆみ 1972    OCLC#: [http://www.worldcat.org/title/okurasho-insatsukyoku-shashin-de-miru-hyakunen-no-ayumi/oclc/33555412 33555412],[http://www.worldcat.org/title/okurasho-insatsukyoku/oclc/673327310 673327310]    Webcat Plus: [http://webcatplus-equal.nii.ac.jp/webcatplus/details/book/7501347.html BN01574532]&lt;br /&gt;
&lt;br /&gt;
*大蔵省印刷局百年史　全3巻　1971-1974　 OCLC# [http://www.worldcat.org/title/okurasho-insatsukyoku-hyakunenshi/oclc/11759471 11759471]&lt;br /&gt;
&lt;br /&gt;
[[Category:Banking]][[Category:M-1：国家事務]]&lt;br /&gt;
[[Category:Pitt]][[Category:Mitsui Collection]]&lt;br /&gt;
[[category:shashi(R)]]&lt;/div&gt;</summary>
		<author><name>Hng2</name></author>	</entry>

	<entry>
		<id>http://www.nccjapan.net/shashiwiki/index.php?title=Current_events&amp;diff=51381</id>
		<title>Current events</title>
		<link rel="alternate" type="text/html" href="http://www.nccjapan.net/shashiwiki/index.php?title=Current_events&amp;diff=51381"/>
				<updated>2013-01-25T23:04:21Z</updated>
		
		<summary type="html">&lt;p&gt;Hng2: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;='''The Shiseido Culture: Design, Fashion and Marketing '''=&lt;br /&gt;
&lt;br /&gt;
Sponsored by Japanese Company Histories Interest Group (Shashi Group)&amp;lt;br&amp;gt;&lt;br /&gt;
Sunday, March 24, 2013 10:15 am – 12:15 pm, Session# 357&amp;lt;br&amp;gt;&lt;br /&gt;
Manchester Grand Hyatt / Madeline D&amp;lt;br&amp;gt;&lt;br /&gt;
San Diego, CA&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Abstract of Panel:&amp;lt;br&amp;gt;&lt;br /&gt;
Shiseido Cosmetics Company commemorated 140 years anniversary in 2012.  The company has built originality that is worthy of being called the Shiseido Culture with its excellent business sense and design and becomes world renowned brand.  The company has cultivated and re-edit and continually communicate the Shiseido Culture within and outside of the company and it makes contributions to society through design and marketing.  The company has also considers the Shiseido Culture and its history to be an important management asset and has published more than 60 titles of Shashi, or company history books, and publications related to design and advertisement since 1957.  For researchers who study art history, cultural history and business history, these publications are very important primary resources. This panel invites four researchers to discuss how the Shiseido Culture have had effects on history of design and advertisements in Japan, relationship between imperial Japan and women’s fashion, and Japanese marketing in colonies.  &amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Chair: Gennifer Weisenfeld, Duke University&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
Paper 1. Rebecca Nickerson, Ph.D., Independent Scholar&amp;lt;br&amp;gt;&lt;br /&gt;
Designing Women: Miss Shiseido, Tanaka Chiyo, and the Making of Imperial Style in Japan&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Abstract &lt;br /&gt;
This paper analyzes how Komai Reiko—the first “Miss Shiseido”—and Tanaka Chiyo—“Japan’s first fashion designer”—shaped modern ideals of femininity and transformed women’s cosmetic and fashion practices in 1930s Japan. In 1933, Shiseido recruited Komai to work as a full-time consultant to launch the company’s “Miss Shiseido” marketing campaign, designed to bring Shiseido’s image of feminine beauty directly to consumers through beauty demonstrations.  A prominent advocate for working women’s rights, Komai accepted Shiseido’s offer precisely because she knew it would increase her visibility as an example of the progressive Japanese woman—she subsequently gained fame as a beauty expert who was at once a wife, mother, and successful, working woman. In 1932, Tanaka began her career at Kanebo, where she taught women how to use the company’s textiles to make Western-style clothes and quickly became a leading expert on women’s fashion. Like Komai, Tanaka balanced her career with her duties as a wife and mother and she fiercely disagreed with the notion that Japanese women should wear kimono for the sake of the nation or Japanese tradition, arguing instead that women deserved the right to choose clothes that suited their modern lifestyles. Komai and Tanaka did not identify themselves as feminists, but their careers enabled them to challenge traditional feminine norms and empower Japanese women to act as subjects with the capacity to shape ideals of femininity through their consumption practices and the choices they made in assembling their appearance. &amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
Paper 2.  Annika A. Culver, University of North Carolina at Pembroke&amp;lt;br&amp;gt;&lt;br /&gt;
Shiseido’s ‘Empire of Beauty’: Marketing Japanese Modernity in Manchukuo, 1932-1945&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Abstract&amp;lt;br&amp;gt;&lt;br /&gt;
During the 1931-45 Japanese occupation of northeast China, Japanese businesses, including Shiseidô, extended their reach into Manchukuo, where the Japanese modernity they sold communicated success and prosperity under imperial Japan's auspices. In 1931, the company's first outlet opened in Dairen, and by 1937, its Mobile Beauty Salons traversed the Japanese empire with &amp;quot;Miss Shiseidô&amp;quot; representatives passing through Manchurian cities.  Throughout the colonies, Shiseidô expanded a view of Japanese women's flawless white skin, along with their willingness to embrace modern, scientific rational practices to improve domestic life.  The company's vision of imperial beauty for the continent emphasized a harmonious melding of Japanese science and Chinese tradition, beginning with the Blue Bird line (seichô in Japanese, qingniao in Chinese) of soaps, detergents, and toothpaste made by Mitsui for &amp;quot;Manchurian&amp;quot; customers and exported to Manchukuo after 1932.  Shiseidô targeted marketing strategies specifically to colonial Japanese and “Manchurian” consumers, with Blue Bird's signature yellow boxes featuring Japanese script instead of English to communicate Japanese modernity.  In 1940, after the company built its own Manchukuo-based factory, Japanese-born Manchurian Film Association star Ri Kôran even posed for cosmetics posters as the archetypal Chinese modern girl with bobbed, permed hair. Shiseidô’s unique modernist visual culture sold images of an empire of beauty, where women consumers on the continent helped support an emerging politics of national identity in their product choices. The company's intersection of modernist advertising and national propaganda reveals the multifaceted interests of organizations like Shiseidô involved in marketing the Japanese empire and its appealing modernity.&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
Paper 3. Gennifer Weisenfeld, Duke University&amp;lt;br&amp;gt;&lt;br /&gt;
Shiseido and Transwar Design: The Case of Yamana Ayao&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Abstract&amp;lt;br&amp;gt;&lt;br /&gt;
Renowned designer and art director, Yamana Ayao (1897-1980) worked for Shiseido on and off from 1929 until 1969. When he first joined the Shiseido design division, critics humorously asked, “Will Yamana become Shiseido-ized or will Shiseido become Yamana-ized?” They quickly came to the conclusion that Shiseido was Yamana-ized, as the designer’s distinctive style became synonymous with Shiseido advertising all the way through the early postwar period. While the war often stands as an insurmountable divide that seemingly severs cultural developments in Japan right at mid century, the transwar continuities can be more striking than the ruptures. This divide is particularly apparent in the history of design, despite the fact that advertising and propaganda production seamlessly traded places through the war, and the same roster of professional designers and advertising specialists who worked throughout the 1930s and 40s reconstituted the design world immediately after the end of the Occupation. As a founding member of the important advertising design associations: the Tokyo Advertising Art Association (1931), Nippon Kōbō (1933), and the influential Japan Advertising Artists Club (1951), and as a key designer for Shiseido and many major corporations into the postwar period, Yamana’s enormous contribution to the public visual sphere across the twentieth century is indisputable. Thus, his work for Shiseido provides a valuable opportunity to explore often neglected transwar connections, illuminating how postwar design and advertising was built on a deep foundation of practice and a professional network developed in the prewar and wartime periods.&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
Discussant: Sarah Frederick, Boston University&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
Organizer and contact parson: Hiroyuki N. Good, hng2@pitt.edu, University of Pittsburgh&amp;lt;br&amp;gt;&lt;/div&gt;</summary>
		<author><name>Hng2</name></author>	</entry>

	<entry>
		<id>http://www.nccjapan.net/shashiwiki/index.php?title=Current_events&amp;diff=51379</id>
		<title>Current events</title>
		<link rel="alternate" type="text/html" href="http://www.nccjapan.net/shashiwiki/index.php?title=Current_events&amp;diff=51379"/>
				<updated>2013-01-25T22:52:04Z</updated>
		
		<summary type="html">&lt;p&gt;Hng2: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;='''2013 Shashi Group Panel at AAS in San Diego'''=&lt;br /&gt;
&lt;br /&gt;
'''The Shiseido Culture: Design, Fashion and Marketing'''&amp;lt;br&amp;gt;&lt;br /&gt;
Sponsored by Japanese Company Histories Interest Group (Shashi Group)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Sunday, March 24, 2013 10:15 am – 12:15 pm, Session# 357&amp;lt;br&amp;gt;&lt;br /&gt;
Manchester Grand Hyatt / Madeline D&amp;lt;br&amp;gt;&lt;br /&gt;
San Diego, CA&amp;lt;br&amp;gt;&lt;br /&gt;
Contact parson: Hiroyuki N. Good hng2@pitt.edu&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Abstract of Panel:&amp;lt;br&amp;gt;&lt;br /&gt;
Shiseido Cosmetics Company commemorated 140 years anniversary in 2012.  The company has built originality that is worthy of being called the Shiseido Culture with its excellent business sense and design and becomes world renowned brand.  The company has cultivated and re-edit and continually communicate the Shiseido Culture within and outside of the company and it makes contributions to society through design and marketing.  The company has also considers the Shiseido Culture and its history to be an important management asset and has published more than 60 titles of Shashi, or company history books, and publications related to design and advertisement since 1957.  For researchers who study art history, cultural history and business history, these publications are very important primary resources. This panel invites four researchers to discuss how the Shiseido Culture have had effects on history of design and advertisements in Japan, relationship between imperial Japan and women’s fashion, and Japanese marketing in colonies.  &amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
Organizer: &lt;br /&gt;
Hiroyuki N. Good&amp;lt;br&amp;gt;&lt;br /&gt;
Japanese Studies Librarian&amp;lt;br&amp;gt;&lt;br /&gt;
University of Pittsburgh&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
Chair: &lt;br /&gt;
Gennifer Weisenfeld&amp;lt;br&amp;gt;&lt;br /&gt;
Associate Professor, Department of Art, Art History &amp;amp; Visual Studies&amp;lt;br&amp;gt;&lt;br /&gt;
Duke University&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
Paper 1. Rebecca Nickerson, Ph.D., Independent Scholar&amp;lt;br&amp;gt;&lt;br /&gt;
Designing Women: Miss Shiseido, Tanaka Chiyo, and the Making of Imperial Style in Japan&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Abstract &lt;br /&gt;
This paper analyzes how Komai Reiko—the first “Miss Shiseido”—and Tanaka Chiyo—“Japan’s first fashion designer”—shaped modern ideals of femininity and transformed women’s cosmetic and fashion practices in 1930s Japan. In 1933, Shiseido recruited Komai to work as a full-time consultant to launch the company’s “Miss Shiseido” marketing campaign, designed to bring Shiseido’s image of feminine beauty directly to consumers through beauty demonstrations.  A prominent advocate for working women’s rights, Komai accepted Shiseido’s offer precisely because she knew it would increase her visibility as an example of the progressive Japanese woman—she subsequently gained fame as a beauty expert who was at once a wife, mother, and successful, working woman. In 1932, Tanaka began her career at Kanebo, where she taught women how to use the company’s textiles to make Western-style clothes and quickly became a leading expert on women’s fashion. Like Komai, Tanaka balanced her career with her duties as a wife and mother and she fiercely disagreed with the notion that Japanese women should wear kimono for the sake of the nation or Japanese tradition, arguing instead that women deserved the right to choose clothes that suited their modern lifestyles. Komai and Tanaka did not identify themselves as feminists, but their careers enabled them to challenge traditional feminine norms and empower Japanese women to act as subjects with the capacity to shape ideals of femininity through their consumption practices and the choices they made in assembling their appearance. &amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
Paper 2.  Annika A. Culver, Ph.D., Assistant Professor, Department of History, University of North Carolina at Pembroke&amp;lt;br&amp;gt;&lt;br /&gt;
Shiseido’s ‘Empire of Beauty’: Marketing Japanese Modernity in Manchukuo, 1932-1945&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Abstract&amp;lt;br&amp;gt;&lt;br /&gt;
During the 1931-45 Japanese occupation of northeast China, Japanese businesses, including Shiseidô, extended their reach into Manchukuo, where the Japanese modernity they sold communicated success and prosperity under imperial Japan's auspices. In 1931, the company's first outlet opened in Dairen, and by 1937, its Mobile Beauty Salons traversed the Japanese empire with &amp;quot;Miss Shiseidô&amp;quot; representatives passing through Manchurian cities.  Throughout the colonies, Shiseidô expanded a view of Japanese women's flawless white skin, along with their willingness to embrace modern, scientific rational practices to improve domestic life.  The company's vision of imperial beauty for the continent emphasized a harmonious melding of Japanese science and Chinese tradition, beginning with the Blue Bird line (seichô in Japanese, qingniao in Chinese) of soaps, detergents, and toothpaste made by Mitsui for &amp;quot;Manchurian&amp;quot; customers and exported to Manchukuo after 1932.  Shiseidô targeted marketing strategies specifically to colonial Japanese and “Manchurian” consumers, with Blue Bird's signature yellow boxes featuring Japanese script instead of English to communicate Japanese modernity.  In 1940, after the company built its own Manchukuo-based factory, Japanese-born Manchurian Film Association star Ri Kôran even posed for cosmetics posters as the archetypal Chinese modern girl with bobbed, permed hair. Shiseidô’s unique modernist visual culture sold images of an empire of beauty, where women consumers on the continent helped support an emerging politics of national identity in their product choices. The company's intersection of modernist advertising and national propaganda reveals the multifaceted interests of organizations like Shiseidô involved in marketing the Japanese empire and its appealing modernity.&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
Paper 3. Gennifer Weisenfeld, Associate Professor, Department of Art, Art History &amp;amp; Visual Studies, Duke University&amp;lt;br&amp;gt;&lt;br /&gt;
Shiseido and Transwar Design: The Case of Yamana Ayao&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Abstract&amp;lt;br&amp;gt;&lt;br /&gt;
Renowned designer and art director, Yamana Ayao (1897-1980) worked for Shiseido on and off from 1929 until 1969. When he first joined the Shiseido design division, critics humorously asked, “Will Yamana become Shiseido-ized or will Shiseido become Yamana-ized?” They quickly came to the conclusion that Shiseido was Yamana-ized, as the designer’s distinctive style became synonymous with Shiseido advertising all the way through the early postwar period. While the war often stands as an insurmountable divide that seemingly severs cultural developments in Japan right at mid century, the transwar continuities can be more striking than the ruptures. This divide is particularly apparent in the history of design, despite the fact that advertising and propaganda production seamlessly traded places through the war, and the same roster of professional designers and advertising specialists who worked throughout the 1930s and 40s reconstituted the design world immediately after the end of the Occupation. As a founding member of the important advertising design associations: the Tokyo Advertising Art Association (1931), Nippon Kōbō (1933), and the influential Japan Advertising Artists Club (1951), and as a key designer for Shiseido and many major corporations into the postwar period, Yamana’s enormous contribution to the public visual sphere across the twentieth century is indisputable. Thus, his work for Shiseido provides a valuable opportunity to explore often neglected transwar connections, illuminating how postwar design and advertising was built on a deep foundation of practice and a professional network developed in the prewar and wartime periods.&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
Discussant: Sarah Frederick&amp;lt;br&amp;gt;&lt;br /&gt;
Associate Professor, Department of Modern Languages and Comparative Literature&amp;lt;br&amp;gt;&lt;br /&gt;
Boston University&amp;lt;br&amp;gt;&lt;/div&gt;</summary>
		<author><name>Hng2</name></author>	</entry>

	<entry>
		<id>http://www.nccjapan.net/shashiwiki/index.php?title=Obayashigumi&amp;diff=51377</id>
		<title>Obayashigumi</title>
		<link rel="alternate" type="text/html" href="http://www.nccjapan.net/shashiwiki/index.php?title=Obayashigumi&amp;diff=51377"/>
				<updated>2013-01-21T04:16:02Z</updated>
		
		<summary type="html">&lt;p&gt;Hng2: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==株式会社 大林組==&lt;br /&gt;
&lt;br /&gt;
Kabushiki Gaisha Ōbayashigumi&lt;br /&gt;
&lt;br /&gt;
Obayashi Corporation&lt;br /&gt;
&lt;br /&gt;
==History==&lt;br /&gt;
&lt;br /&gt;
*1892年、大林芳五郎が土木建築請負業「大林店」を創業。&lt;br /&gt;
&lt;br /&gt;
*1904年、店名を「大林組」と改称。&lt;br /&gt;
&lt;br /&gt;
*1918年、株式会社大林組が創立。&lt;br /&gt;
&lt;br /&gt;
[http://www.obayashi.co.jp/history/search_from_year reference]&lt;br /&gt;
&lt;br /&gt;
==Shashi==&lt;br /&gt;
&lt;br /&gt;
*工事画報：創業六十年記念(昭和27年版)　1952 (No record in OCLC)     Webcat Plus: [http://webcatplus-equal.nii.ac.jp/webcatplus/details/book/2880568.html BA4289876X,AN10426196]&lt;br /&gt;
&lt;br /&gt;
*工事画報：昭和36年版　1961 (No record in OCLC and Webcat Plus)&lt;br /&gt;
&lt;br /&gt;
*工事画報：昭和37年版　1962 (No record in OCLC and Webcat Plus)&lt;br /&gt;
&lt;br /&gt;
*工事画報：昭和38年版 1963 (No record in OCLC and Webcat Plus)&lt;br /&gt;
&lt;br /&gt;
*工事画報：昭和39年版 1964 (No record in OCLC and Webcat Plus)&lt;br /&gt;
&lt;br /&gt;
*工事画報：昭和40年版 1965 (No record in OCLC and Webcat Plus)&lt;br /&gt;
&lt;br /&gt;
*大林組70年略史　1961 [http://www.worldcat.org/title/obayashigumi-70-nen-ryakushi/oclc/33671465&amp;amp;referer=brief_results OCLC: #33671465]     Webcat Plus: [http://webcatplus-equal.nii.ac.jp/webcatplus/details/book/8100101.html BN09438946]&lt;br /&gt;
&lt;br /&gt;
*大林組八十年史 1972 [http://www.worldcat.org/oclc/24887092&amp;amp;referer=brief_results OCLC: #24887092]     Webcat Plus: [http://webcatplus-equal.nii.ac.jp/webcatplus/details/book/7501275.html BN01573551]&lt;br /&gt;
::財団法人 渋沢栄一記念財団実業史研究情報センターの[http://www.shibusawa.or.jp/center/shashi/shasi_a.html#05 社史紹介]&lt;br /&gt;
&lt;br /&gt;
*時・人・大林, 1892-1991 = The history of Obayashi : a century in photos 1991 [http://www.worldcat.org/oclc/29034450&amp;amp;referer=brief_results OCLC: #29034450]&lt;br /&gt;
&lt;br /&gt;
*大林組百年史 : 1892-1991. 1993 [http://www.worldcat.org/oclc/29964791&amp;amp;referer=brief_results OCLC: #29964791]&lt;br /&gt;
::財団法人 渋沢栄一記念財団実業史研究情報センターの[http://www.shibusawa.or.jp/center/shashi/shasi_a.html#05 社史紹介]&lt;br /&gt;
&lt;br /&gt;
*大林組120年史 2013 [http://www.obayashi.co.jp/chronicle/120th/index.html Online Shashi]&lt;br /&gt;
&lt;br /&gt;
==Links==&lt;br /&gt;
&lt;br /&gt;
*Corporate website [http://www.obayashi.co.jp/ Japanese] [http://www.obayashi.co.jp/english/index.html English]&lt;br /&gt;
&lt;br /&gt;
*Corporate profile [http://www.obayashi.co.jp/company/profile.html Japanese] [http://www.obayashi.co.jp/english/company/data/index.html English]&lt;br /&gt;
&lt;br /&gt;
*Corporate history [http://www.obayashi.co.jp/company/history.html Japanese]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
*[http://webcatplus.nii.ac.jp/ Webcat Plus]&lt;br /&gt;
:大林組林友会百年史 / 大林組林友会百年史編纂準備室編集 -- 大林組林友会連合会, 2006.3, 400p. [http://webcatplus-equal.nii.ac.jp/libportal/DocDetail?txt_docid=NCID%3ABA79490199 BA79490199]&lt;br /&gt;
:大林組百年史 : 1892-1991 / 大林組社史編集委員会編集 ; [本編] , 資料編 -- 大林組, 1993.6, 2冊. [http://webcatplus-equal.nii.ac.jp/libportal/DocDetail?txt_docid=NCID%3ABN09359293 BN09359293]&lt;br /&gt;
:時・人・大林 : 1892-1991 / 大林組東京本社広報室編 -- 大林組, 1991.10, 200p(主に図). [http://webcatplus-equal.nii.ac.jp/libportal/EqualFromForm BN07556078]&lt;br /&gt;
:大林組職員組合25年史 : 1947-1971 -- 大林組職員組合, 1972.2, 207,53p. [http://webcatplus-equal.nii.ac.jp/libportal/DocDetail?txt_docid=NCID%3ABA40718903 BA40718903]&lt;br /&gt;
:大林組八十年史 / 大林組社史編集委員会編 -- 大林組, 1972.10, 990, 21p. [http://webcatplus-equal.nii.ac.jp/libportal/DocDetail?txt_docid=NCID%3ABN01573551 BN01573551]&lt;br /&gt;
:回顧70年 : 大林組とともに / 白杉嘉明三談 ; 大林組社史編集室編 -- 大林組, 1968, 147p 図版. [http://webcatplus-equal.nii.ac.jp/libportal/DocDetail?txt_docid=NCID%3ABN03537344 BN03537344]&lt;br /&gt;
:大林組職員組合15年史 : 1947-1961 -- 大林組職員組合, 1962, 122p. [http://webcatplus-equal.nii.ac.jp/libportal/DocDetail?txt_docid=NCID%3ABN13436376 BN13436376]&lt;br /&gt;
:大林組70年略史 -- 大林組, [1961], 213p, 図版71枚. [http://webcatplus-equal.nii.ac.jp/libportal/DocDetail?txt_docid=NCID%3ABN09438946 BN09438946]&lt;br /&gt;
:創業五十年記念帖 / 大林組[編], 白田喜八郎編纂 -- 大林組編纂会, 1941.5, 1冊. [http://webcatplus-equal.nii.ac.jp/libportal/DocDetail?txt_docid=NCID%3ABN14733639 BN14733639]&lt;br /&gt;
:技術研究所30年のあゆみ : 大林組技術研究所報特別号 / 大林組技術研究所(30年史編集委員会)編集 -- 大林組東京本社, 1995.8, 80p. [http://webcatplus-equal.nii.ac.jp/libportal/DocDetail?txt_docid=NCID%3ABA61721677 BA61721677]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
*[http://opac.ndl.go.jp/ NDL OPAC]- National Diet Library Online Public Access Catalog (国立国会図書館蔵書検索・申込システム)&lt;br /&gt;
:大林組林友会百年史 / 大林組林友会百年編纂準備室. -- 大林組林友会連合会, 2006.3 &lt;br /&gt;
:大林組百年史 / 大林組社史編集委員会. -- 大林組, 1993.6 &lt;br /&gt;
:時・人・大林. -- 大林組, 1991.10 &lt;br /&gt;
:大林組八十年史 / 編集:大林組社史編集委員会. -- 大林組, 1972  &lt;br /&gt;
:回顧70年 / 白杉嘉明三[他]. -- 大林組, 1968  &lt;br /&gt;
:大林組職員組合15年史. -- 大林組職員組合, 1962 &lt;br /&gt;
:大林組70年略史. -- 大林組, 1961&lt;br /&gt;
:大林組五十年記念帖. -- 大林組編纂会, 昭和16&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Construction]][[Category:E-2：一般土木建築工事業]][[category:shashi(R)]]&lt;br /&gt;
[[category:OSU]][[category:Kansas]][[category:Pitt]][[category:UIUC]][[category:Mitsui Collection]]&lt;/div&gt;</summary>
		<author><name>Hng2</name></author>	</entry>

	<entry>
		<id>http://www.nccjapan.net/shashiwiki/index.php?title=Category:Pitt&amp;diff=51375</id>
		<title>Category:Pitt</title>
		<link rel="alternate" type="text/html" href="http://www.nccjapan.net/shashiwiki/index.php?title=Category:Pitt&amp;diff=51375"/>
				<updated>2013-01-17T21:59:07Z</updated>
		
		<summary type="html">&lt;p&gt;Hng2: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;This category reflects holdings of shashi available in [http://www.library.pitt.edu/ University of Pittsburgh] collections.&lt;br /&gt;
&lt;br /&gt;
Pitt have about 3,000 volumes of shashi, which were published by more than 1300 companies. However, shashi published after 1945 in the Mitsui Collection are not cataloged yet in PittCat nor OCLC WorldCat.  If you find [Mitsui Collection] after the title or as categories on the bottom of each page, it is indicates that the Shashi is in the Mitsui Collection but not on the OCLC WorldCat yet.  Please contact Hiro Good at hng2@pitt.edu to do rush catalog  so that you can reqeust by ILL.&lt;br /&gt;
&lt;br /&gt;
[http://library.osu.edu/wikis/shashidb/index.php/University_of_Pittsburgh's_Shashi_Collection University of Pittsburgh's Shashi Collection Top page]&lt;br /&gt;
&lt;br /&gt;
{{categoryTOCR}}&lt;/div&gt;</summary>
		<author><name>Hng2</name></author>	</entry>

	<entry>
		<id>http://www.nccjapan.net/shashiwiki/index.php?title=Suehiro_Shuzo&amp;diff=51365</id>
		<title>Suehiro Shuzo</title>
		<link rel="alternate" type="text/html" href="http://www.nccjapan.net/shashiwiki/index.php?title=Suehiro_Shuzo&amp;diff=51365"/>
				<updated>2012-12-30T00:44:50Z</updated>
		
		<summary type="html">&lt;p&gt;Hng2: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==末廣酒造株式会社==&lt;br /&gt;
Suehiro Shuzō Kabushiki Gaisha&lt;br /&gt;
&lt;br /&gt;
Suehiro Sake Co., Ltd.&lt;br /&gt;
&lt;br /&gt;
==Shashi==&lt;br /&gt;
&lt;br /&gt;
*酒業四十年思い出す儘 [1961]  OCLC: [http://www.worldcat.org/title/shugyo-shijunen-omoidasu-mama/oclc/672686602 672686602]     CiNii Book: [http://ci.nii.ac.jp/ncid/BN14737560 BN14737560] [Mitsui Collection]&lt;br /&gt;
&lt;br /&gt;
==Links==&lt;br /&gt;
Corporate website: [http://www.sake-suehiro.jp/top.html Japanese]&lt;br /&gt;
&lt;br /&gt;
[[category:Food]][[category:F-6：飲料製造業]][[category:shashi(R)]]&lt;br /&gt;
[[category:Pitt]][[category:Mitsui Collection]]&lt;/div&gt;</summary>
		<author><name>Hng2</name></author>	</entry>

	<entry>
		<id>http://www.nccjapan.net/shashiwiki/index.php?title=Yamanashi-ken_Wain_Shuzo_Kumiai&amp;diff=51363</id>
		<title>Yamanashi-ken Wain Shuzo Kumiai</title>
		<link rel="alternate" type="text/html" href="http://www.nccjapan.net/shashiwiki/index.php?title=Yamanashi-ken_Wain_Shuzo_Kumiai&amp;diff=51363"/>
				<updated>2012-12-30T00:37:12Z</updated>
		
		<summary type="html">&lt;p&gt;Hng2: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==山梨県ワイン酒造組合==&lt;br /&gt;
&lt;br /&gt;
Yamanashi Prefecture Wine Manufacturers' Association&lt;br /&gt;
&lt;br /&gt;
==Shashi==&lt;br /&gt;
*山梨県ワイン酒造組合50周年記念誌 [2005] [http://www.worldcat.org/oclc/74146887&amp;amp;referer=brief_results OCLC: 74146887]&lt;br /&gt;
&lt;br /&gt;
==Links==&lt;br /&gt;
*Association's Website [http://www.wine.or.jp/]&lt;br /&gt;
*[http://webcatplus.nii.ac.jp/ Webcat Plus]&lt;br /&gt;
:山梨県ワイン酒造組合50周年記念誌 [2005][http://webcatplus-equal.nii.ac.jp/libportal/DocDetail?hdn_if_lang=jpn&amp;amp;txt_docid=NCID:BA75180214]&lt;br /&gt;
*[http://opac.ndl.go.jp/ NDL OPAC]- National Diet Library Online Public Access Catalog (国立国会図書館蔵書検索・申込システム)&lt;br /&gt;
:山梨県ワイン酒造組合50周年記念誌 [2005] [http://opac.ndl.go.jp/Process?MODE_10100001=ON&amp;amp;SEARCH_WINDOW_INFO=01&amp;amp;THN=1&amp;amp;INDEX_POSITION=0&amp;amp;DB_HEAD=01&amp;amp;SORT_ORDER=01&amp;amp;SHRS=RUSR&amp;amp;QUERY_FILE=7796866160_4075411&amp;amp;TA_LIBRARY_DRP=99&amp;amp;DS=0&amp;amp;CID=000007679154&amp;amp;SS=01&amp;amp;SSI=0&amp;amp;SHN=1&amp;amp;SIP=1&amp;amp;LS=7796866160]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Food]][[Category:F-6：飲料製造業]]&lt;br /&gt;
[[category:OSU]]&lt;br /&gt;
[[category:shashi(R)]]&lt;/div&gt;</summary>
		<author><name>Hng2</name></author>	</entry>

	<entry>
		<id>http://www.nccjapan.net/shashiwiki/index.php?title=Asahi_Shuzo&amp;diff=51361</id>
		<title>Asahi Shuzo</title>
		<link rel="alternate" type="text/html" href="http://www.nccjapan.net/shashiwiki/index.php?title=Asahi_Shuzo&amp;diff=51361"/>
				<updated>2012-12-30T00:34:50Z</updated>
		
		<summary type="html">&lt;p&gt;Hng2: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;!-- Start of infobox code.--&amp;gt;&lt;br /&gt;
&amp;lt;table style=&amp;quot;float:right; width:250px; background:#FAFAFA; border: 1px solid #C8C8C8; padding: 2px; font-size:12px&amp;quot;&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Title.--&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background:#A50000&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;td colspan=&amp;quot;2&amp;quot; width=90px style=&amp;quot;text-align: center; font-size:14px; font-weight:bold; color:#FFFFFF&amp;quot;&amp;gt;&lt;br /&gt;
朝日酒造株式会社&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Subtitle.--&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;font-size:10px; text-align: center;&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;td colspan=&amp;quot;2&amp;quot;&amp;gt;&lt;br /&gt;
Asahi-Shuzo Sake Brewery Co., Ltd&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Infobox image.--&amp;gt;&lt;br /&gt;
&amp;lt;tr&amp;gt;&lt;br /&gt;
&amp;lt;td colspan=&amp;quot;2&amp;quot;&amp;gt;[[Image:sashi.png|center|border|201x310px|]]&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Image subtitle.--&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Divider bar.--&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background:#A50000&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;td colspan=&amp;quot;2&amp;quot; width=90px style=&amp;quot;text-align: center; font-size:12px; font-weight:bold; color:#FFFFFF&amp;quot;&amp;gt;&lt;br /&gt;
 &amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Zebra-striped status bars.--&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background: FAFAFA; font-size:11px&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;td width=86px style=&amp;quot;font-weight:bold&amp;quot;&amp;gt;&lt;br /&gt;
Founded&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;td&amp;gt;&lt;br /&gt;
1920&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background: #f0f0f0; font-size:11px&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;td width=86px style=&amp;quot;font-weight:bold&amp;quot;&amp;gt;&lt;br /&gt;
Type&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;td&amp;gt;&lt;br /&gt;
Public&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background: FAFAFA; font-size:11px&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;td width=86px style=&amp;quot;font-weight:bold&amp;quot;&amp;gt;&lt;br /&gt;
Industry&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;td&amp;gt;&lt;br /&gt;
Alcoholic Beverages&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background: #f0f0f0; font-size:11px&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;td width=86px style=&amp;quot;font-weight:bold&amp;quot;&amp;gt;&lt;br /&gt;
Headquarters&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;td&amp;gt;&lt;br /&gt;
Niigata, Nagaoka City, Japan&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background: FAFAFA; font-size:11px&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;td width=86px style=&amp;quot;font-weight:bold&amp;quot;&amp;gt;&lt;br /&gt;
Website&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;td&amp;gt;&lt;br /&gt;
[http://www.asahi-shuzo.co.jp/index.php Japanese]&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/table&amp;gt;&lt;br /&gt;
&amp;lt;!-- End of infobox code.--&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==朝日酒造株式会社==&lt;br /&gt;
&lt;br /&gt;
==Shashi==&lt;br /&gt;
*正道を歩む : 朝日酒造創立八十年記念誌 [1999] [http://www.worldcat.org/oclc/45497345&amp;amp;referer=brief_results OCLC: 45497345]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Links==&lt;br /&gt;
*[http://webcatplus.nii.ac.jp/ Webcat Plus]&lt;br /&gt;
:朝日酒造七十年史 [1990] [http://webcatplus-equal.nii.ac.jp/libportal/DocDetail?hdn_if_lang=jpn&amp;amp;txt_docid=NCID:BN11290699]&lt;br /&gt;
:正道を歩む : 朝日酒造創立八十年記念誌 [1999] [http://webcatplus-equal.nii.ac.jp/libportal/DocDetail?hdn_if_lang=jpn&amp;amp;txt_docid=NCID:BA41780709]&lt;br /&gt;
:久保田から越州へ : 朝日酒造の目指すもの [2003] [http://webcatplus-equal.nii.ac.jp/libportal/DocDetail?hdn_if_lang=jpn&amp;amp;txt_docid=NCID:BA62285967]&lt;br /&gt;
*[http://opac.ndl.go.jp/ NDL OPAC]- National Diet Library Online Public Access Catalog (国立国会図書館蔵書検索・申込システム)&lt;br /&gt;
:久保田から越州へ : 朝日酒造の目指すもの [2003][http://opac.ndl.go.jp/Process?MODE_10100001=ON&amp;amp;SEARCH_WINDOW_INFO=01&amp;amp;THN=1&amp;amp;INDEX_POSITION=0&amp;amp;DB_HEAD=01&amp;amp;SORT_ORDER=01&amp;amp;SHRS=RUSR&amp;amp;QUERY_FILE=7796948107_4075904&amp;amp;TA_LIBRARY_DRP=99&amp;amp;DS=0&amp;amp;CID=000004113023&amp;amp;SS=01&amp;amp;SSI=0&amp;amp;SHN=1&amp;amp;SIP=1&amp;amp;LS=7796948107]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Food]][[Category:F-6：飲料製造業]]&lt;br /&gt;
[[category:OSU]]&lt;br /&gt;
[[category:shashi(R)]]&lt;br /&gt;
[[category:Niigata]]&lt;/div&gt;</summary>
		<author><name>Hng2</name></author>	</entry>

	<entry>
		<id>http://www.nccjapan.net/shashiwiki/index.php?title=Nihon_Shuzo_Kumiai_Chuokai&amp;diff=51359</id>
		<title>Nihon Shuzo Kumiai Chuokai</title>
		<link rel="alternate" type="text/html" href="http://www.nccjapan.net/shashiwiki/index.php?title=Nihon_Shuzo_Kumiai_Chuokai&amp;diff=51359"/>
				<updated>2012-12-30T00:30:28Z</updated>
		
		<summary type="html">&lt;p&gt;Hng2: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==日本酒造組合中央会==&lt;br /&gt;
&lt;br /&gt;
Japan Sake Brewers Association&lt;br /&gt;
&lt;br /&gt;
==Shashi==&lt;br /&gt;
*酒造組合中央會沿革史 [1972-] [http://www.worldcat.org/oclc/12188399&amp;amp;referer=brief_results OCLC: 50778611]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Links==&lt;br /&gt;
*Association's website [http://www.japansake.or.jp/]&lt;br /&gt;
*[http://webcatplus.nii.ac.jp/ Webcat Plus]&lt;br /&gt;
:酒造組合中央會沿革史 [1942] [http://webcatplus-equal.nii.ac.jp/libportal/DocDetail?hdn_if_lang=jpn&amp;amp;txt_docid=NCID:BN08159878]&lt;br /&gt;
:酒造組合中央會沿革史 [1972-2001] [http://webcatplus-equal.nii.ac.jp/libportal/DocDetail?hdn_if_lang=jpn&amp;amp;txt_docid=NCID:BN03353997]&lt;br /&gt;
[http://opac.ndl.go.jp/ NDL OPAC]- National Diet Library Online Public Access Catalog (国立国会図書館蔵書検索・申込システム)&lt;br /&gt;
:酒造組合中央会沿革史. 第1-8編 / 〔酒造組合中央会沿革史編集室. -- 日本酒造組合中央会, 〔1972-2001〕[http://opac.ndl.go.jp/Process?MODE_10100001=ON&amp;amp;SEARCH_WINDOW_INFO=01&amp;amp;THN=29&amp;amp;INDEX_POSITION=7&amp;amp;DB_HEAD=01&amp;amp;SORT_ORDER=01&amp;amp;SHRS=RUSR&amp;amp;QUERY_FILE=7796948107_4075738&amp;amp;TA_LIBRARY_DRP=99&amp;amp;DS=0&amp;amp;CID=000001156707&amp;amp;SS=01&amp;amp;SSI=0&amp;amp;SHN=29&amp;amp;SIP=8&amp;amp;LS=7796948107][http://opac.ndl.go.jp/Process?MODE_10100001=ON&amp;amp;SEARCH_WINDOW_INFO=01&amp;amp;THN=29&amp;amp;INDEX_POSITION=8&amp;amp;DB_HEAD=01&amp;amp;SORT_ORDER=01&amp;amp;SHRS=RUSR&amp;amp;QUERY_FILE=7796948107_4075738&amp;amp;TA_LIBRARY_DRP=99&amp;amp;DS=0&amp;amp;CID=000001156708&amp;amp;SS=01&amp;amp;SSI=0&amp;amp;SHN=29&amp;amp;SIP=9&amp;amp;LS=7796948107][http://opac.ndl.go.jp/Process?MODE_10100001=ON&amp;amp;SEARCH_WINDOW_INFO=01&amp;amp;THN=29&amp;amp;INDEX_POSITION=9&amp;amp;DB_HEAD=01&amp;amp;SORT_ORDER=01&amp;amp;SHRS=RUSR&amp;amp;QUERY_FILE=7796948107_4075738&amp;amp;TA_LIBRARY_DRP=99&amp;amp;DS=0&amp;amp;CID=000001156709&amp;amp;SS=01&amp;amp;SSI=0&amp;amp;SHN=29&amp;amp;SIP=10&amp;amp;LS=7796948107][http://opac.ndl.go.jp/Process?MODE_10100001=ON&amp;amp;SEARCH_WINDOW_INFO=01&amp;amp;THN=29&amp;amp;INDEX_POSITION=10&amp;amp;DB_HEAD=01&amp;amp;SORT_ORDER=01&amp;amp;SHRS=RUSR&amp;amp;QUERY_FILE=7796948107_4075738&amp;amp;TA_LIBRARY_DRP=99&amp;amp;DS=0&amp;amp;CID=000001489135&amp;amp;SS=01&amp;amp;SSI=0&amp;amp;SHN=29&amp;amp;SIP=11&amp;amp;LS=7796948107][http://opac.ndl.go.jp/Process?MODE_10100001=ON&amp;amp;SEARCH_WINDOW_INFO=01&amp;amp;THN=29&amp;amp;INDEX_POSITION=11&amp;amp;DB_HEAD=01&amp;amp;SORT_ORDER=01&amp;amp;SHRS=RUSR&amp;amp;QUERY_FILE=7796948107_4075738&amp;amp;TA_LIBRARY_DRP=99&amp;amp;DS=0&amp;amp;CID=000001656997&amp;amp;SS=01&amp;amp;SSI=0&amp;amp;SHN=29&amp;amp;SIP=12&amp;amp;LS=7796948107][http://opac.ndl.go.jp/Process?MODE_10100001=ON&amp;amp;SEARCH_WINDOW_INFO=01&amp;amp;THN=29&amp;amp;INDEX_POSITION=12&amp;amp;DB_HEAD=01&amp;amp;SORT_ORDER=01&amp;amp;SHRS=RUSR&amp;amp;QUERY_FILE=7796948107_4075738&amp;amp;TA_LIBRARY_DRP=99&amp;amp;DS=0&amp;amp;CID=000002339401&amp;amp;SS=01&amp;amp;SSI=0&amp;amp;SHN=29&amp;amp;SIP=13&amp;amp;LS=7796948107][http://opac.ndl.go.jp/Process?MODE_10100001=ON&amp;amp;SEARCH_WINDOW_INFO=01&amp;amp;THN=29&amp;amp;INDEX_POSITION=13&amp;amp;DB_HEAD=01&amp;amp;SORT_ORDER=01&amp;amp;SHRS=RUSR&amp;amp;QUERY_FILE=7796948107_4075738&amp;amp;TA_LIBRARY_DRP=99&amp;amp;DS=0&amp;amp;CID=000002803918&amp;amp;SS=01&amp;amp;SSI=0&amp;amp;SHN=29&amp;amp;SIP=14&amp;amp;LS=7796948107][http://opac.ndl.go.jp/Process?MODE_10100001=ON&amp;amp;SEARCH_WINDOW_INFO=01&amp;amp;THN=29&amp;amp;INDEX_POSITION=14&amp;amp;DB_HEAD=01&amp;amp;SORT_ORDER=01&amp;amp;SHRS=RUSR&amp;amp;QUERY_FILE=7796948107_4075738&amp;amp;TA_LIBRARY_DRP=99&amp;amp;DS=0&amp;amp;CID=000003028909&amp;amp;SS=01&amp;amp;SSI=0&amp;amp;SHN=29&amp;amp;SIP=15&amp;amp;LS=7796948107]&lt;br /&gt;
&lt;br /&gt;
[[Category:Food]][[Category:F-6：飲料製造業]]&lt;br /&gt;
[[category:OSU]]&lt;br /&gt;
[[category:Kansas]]&lt;br /&gt;
[[category:shashi(R)]]&lt;/div&gt;</summary>
		<author><name>Hng2</name></author>	</entry>

	<entry>
		<id>http://www.nccjapan.net/shashiwiki/index.php?title=Takara_Shuzo&amp;diff=51357</id>
		<title>Takara Shuzo</title>
		<link rel="alternate" type="text/html" href="http://www.nccjapan.net/shashiwiki/index.php?title=Takara_Shuzo&amp;diff=51357"/>
				<updated>2012-12-30T00:22:42Z</updated>
		
		<summary type="html">&lt;p&gt;Hng2: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==宝酒造株式会社==&lt;br /&gt;
&lt;br /&gt;
Takara Shuzō Kabushiki Gaisha&lt;br /&gt;
&lt;br /&gt;
Takara Shuzo Co., Ltd.&lt;br /&gt;
&lt;br /&gt;
==History==&lt;br /&gt;
&lt;br /&gt;
*1953年、佐藤加工所を設立。&lt;br /&gt;
&lt;br /&gt;
*1955年、（有）佐藤ビール工業所に社名変更。&lt;br /&gt;
&lt;br /&gt;
*1959年、（株）佐藤ビール工業所に社名変更。&lt;br /&gt;
&lt;br /&gt;
*1960年、（株）宝ビール工業所に社名変更。&lt;br /&gt;
&lt;br /&gt;
*1961年、（株）タカラビールに社名変更。&lt;br /&gt;
&lt;br /&gt;
*1962年、（株）タカラに社名変更。&lt;br /&gt;
&lt;br /&gt;
[reference: 結城智里『企業名変遷要覧』，日外アソシエーツ，紀伊國屋書店, 2006]&lt;br /&gt;
&lt;br /&gt;
[http://www.takara.co.jp/company/history/index.html reference]&lt;br /&gt;
&lt;br /&gt;
==Shashi==&lt;br /&gt;
&lt;br /&gt;
*寶酒造株式會社三十年史 [1958] [http://www.worldcat.org/oclc/30983267&amp;amp;referer=brief_results OCLC: 30983267]     Webcat plus: [http://webcatplus-equal.nii.ac.jp/webcatplus/details/book/7712668.html BN04362541]&lt;br /&gt;
&lt;br /&gt;
*宝酒造60周年記念誌 [1985] [http://www.worldcat.org/oclc/31001280&amp;amp;referer=brief_results OCLC: 31001280]&lt;br /&gt;
&lt;br /&gt;
==Links==&lt;br /&gt;
*Corporate Website [http://www.takarashuzo.co.jp/ Japanese]&lt;br /&gt;
*[http://webcatplus.nii.ac.jp/ Webcat Plus]&lt;br /&gt;
:寶酒造三十年の概要 [1955] [http://webcatplus-equal.nii.ac.jp/libportal/DocDetail?hdn_if_lang=jpn&amp;amp;txt_docid=NCID:BA34271556]&lt;br /&gt;
:宝酒造株式会社三十年史 [1958] [http://webcatplus-equal.nii.ac.jp/libportal/DocDetail?hdn_if_lang=jpn&amp;amp;txt_docid=NCID:BN04362541]&lt;br /&gt;
:寶酒造創立50周年記念 [http://webcatplus-equal.nii.ac.jp/libportal/DocDetail?hdn_if_lang=jpn&amp;amp;txt_docid=NCID:BA37314269]&lt;br /&gt;
:宝酒造60周年記念誌 [1985] [http://webcatplus-equal.nii.ac.jp/libportal/DocDetail?hdn_if_lang=jpn&amp;amp;txt_docid=NCID:BN14733865]&lt;br /&gt;
&lt;br /&gt;
:十年史 / 宝酒造労働組合十年史編纂委員会 [1970] [http://webcatplus-equal.nii.ac.jp/libportal/DocDetail?hdn_if_lang=jpn&amp;amp;txt_docid=NCID:BN11576283]&lt;br /&gt;
&lt;br /&gt;
*[http://opac.ndl.go.jp/ NDL OPAC]- National Diet Library Online Public Access Catalog (国立国会図書館蔵書検索・申込システム)&lt;br /&gt;
:宝酒造株式会社三十年史 [1958] [http://opac.ndl.go.jp/Process?MODE_10100001=ON&amp;amp;SEARCH_WINDOW_INFO=01&amp;amp;THN=6&amp;amp;INDEX_POSITION=5&amp;amp;DB_HEAD=01&amp;amp;SORT_ORDER=01&amp;amp;SHRS=RUSR&amp;amp;QUERY_FILE=7796948107_4075566&amp;amp;TA_LIBRARY_DRP=99&amp;amp;DS=0&amp;amp;CID=000001031729&amp;amp;SS=01&amp;amp;SSI=0&amp;amp;SHN=6&amp;amp;SIP=6&amp;amp;LS=7796948107]&lt;br /&gt;
:十年史 / 宝酒造労働組合十年史編纂委員会 [1970] [http://opac.ndl.go.jp/Process?MODE_10100001=ON&amp;amp;SEARCH_WINDOW_INFO=01&amp;amp;THN=6&amp;amp;INDEX_POSITION=4&amp;amp;DB_HEAD=01&amp;amp;SORT_ORDER=01&amp;amp;SHRS=RUSR&amp;amp;QUERY_FILE=7796948107_4075566&amp;amp;TA_LIBRARY_DRP=99&amp;amp;DS=0&amp;amp;CID=000001176330&amp;amp;SS=01&amp;amp;SSI=0&amp;amp;SHN=6&amp;amp;SIP=5&amp;amp;LS=7796948107]&lt;br /&gt;
&lt;br /&gt;
[[Category:Food]][[Category:F-6：飲料製造業]]&lt;br /&gt;
[[category:OSU]][[category:Pitt]][[category:Mitsui Collection]]&lt;/div&gt;</summary>
		<author><name>Hng2</name></author>	</entry>

	<entry>
		<id>http://www.nccjapan.net/shashiwiki/index.php?title=Takara_Shuzo&amp;diff=51355</id>
		<title>Takara Shuzo</title>
		<link rel="alternate" type="text/html" href="http://www.nccjapan.net/shashiwiki/index.php?title=Takara_Shuzo&amp;diff=51355"/>
				<updated>2012-12-30T00:20:58Z</updated>
		
		<summary type="html">&lt;p&gt;Hng2: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==宝酒造株式会社==&lt;br /&gt;
&lt;br /&gt;
Takara Shuzō Kabushiki Gaisha&lt;br /&gt;
&lt;br /&gt;
Takara Shuzo Co., Ltd.&lt;br /&gt;
&lt;br /&gt;
==History==&lt;br /&gt;
&lt;br /&gt;
*1953年、佐藤加工所を設立。&lt;br /&gt;
&lt;br /&gt;
*1955年、（有）佐藤ビール工業所に社名変更。&lt;br /&gt;
&lt;br /&gt;
*1959年、（株）佐藤ビール工業所に社名変更。&lt;br /&gt;
&lt;br /&gt;
*1960年、（株）宝ビール工業所に社名変更。&lt;br /&gt;
&lt;br /&gt;
*1961年、（株）タカラビールに社名変更。&lt;br /&gt;
&lt;br /&gt;
*1962年、（株）タカラに社名変更。&lt;br /&gt;
&lt;br /&gt;
[reference: 結城智里『企業名変遷要覧』，日外アソシエーツ，紀伊國屋書店, 2006]&lt;br /&gt;
&lt;br /&gt;
[http://www.takara.co.jp/company/history/index.html reference]&lt;br /&gt;
&lt;br /&gt;
==Shashi==&lt;br /&gt;
&lt;br /&gt;
*寶酒造株式會社三十年史 [1958] [http://www.worldcat.org/oclc/30983267&amp;amp;referer=brief_results OCLC: 30983267]     Webcat plus: [http://webcatplus-equal.nii.ac.jp/webcatplus/details/book/7712668.html BN04362541]&lt;br /&gt;
&lt;br /&gt;
*宝酒造60周年記念誌 [1985] [http://osu.worldcat.org/oclc/31001280&amp;amp;referer=brief_results OCLC: 31001280]&lt;br /&gt;
&lt;br /&gt;
==Links==&lt;br /&gt;
*Corporate Website [http://www.takarashuzo.co.jp/ Japanese]&lt;br /&gt;
*[http://webcatplus.nii.ac.jp/ Webcat Plus]&lt;br /&gt;
:寶酒造三十年の概要 [1955] [http://webcatplus-equal.nii.ac.jp/libportal/DocDetail?hdn_if_lang=jpn&amp;amp;txt_docid=NCID:BA34271556]&lt;br /&gt;
:宝酒造株式会社三十年史 [1958] [http://webcatplus-equal.nii.ac.jp/libportal/DocDetail?hdn_if_lang=jpn&amp;amp;txt_docid=NCID:BN04362541]&lt;br /&gt;
:寶酒造創立50周年記念 [http://webcatplus-equal.nii.ac.jp/libportal/DocDetail?hdn_if_lang=jpn&amp;amp;txt_docid=NCID:BA37314269]&lt;br /&gt;
:宝酒造60周年記念誌 [1985] [http://webcatplus-equal.nii.ac.jp/libportal/DocDetail?hdn_if_lang=jpn&amp;amp;txt_docid=NCID:BN14733865]&lt;br /&gt;
&lt;br /&gt;
:十年史 / 宝酒造労働組合十年史編纂委員会 [1970] [http://webcatplus-equal.nii.ac.jp/libportal/DocDetail?hdn_if_lang=jpn&amp;amp;txt_docid=NCID:BN11576283]&lt;br /&gt;
&lt;br /&gt;
*[http://opac.ndl.go.jp/ NDL OPAC]- National Diet Library Online Public Access Catalog (国立国会図書館蔵書検索・申込システム)&lt;br /&gt;
:宝酒造株式会社三十年史 [1958] [http://opac.ndl.go.jp/Process?MODE_10100001=ON&amp;amp;SEARCH_WINDOW_INFO=01&amp;amp;THN=6&amp;amp;INDEX_POSITION=5&amp;amp;DB_HEAD=01&amp;amp;SORT_ORDER=01&amp;amp;SHRS=RUSR&amp;amp;QUERY_FILE=7796948107_4075566&amp;amp;TA_LIBRARY_DRP=99&amp;amp;DS=0&amp;amp;CID=000001031729&amp;amp;SS=01&amp;amp;SSI=0&amp;amp;SHN=6&amp;amp;SIP=6&amp;amp;LS=7796948107]&lt;br /&gt;
:十年史 / 宝酒造労働組合十年史編纂委員会 [1970] [http://opac.ndl.go.jp/Process?MODE_10100001=ON&amp;amp;SEARCH_WINDOW_INFO=01&amp;amp;THN=6&amp;amp;INDEX_POSITION=4&amp;amp;DB_HEAD=01&amp;amp;SORT_ORDER=01&amp;amp;SHRS=RUSR&amp;amp;QUERY_FILE=7796948107_4075566&amp;amp;TA_LIBRARY_DRP=99&amp;amp;DS=0&amp;amp;CID=000001176330&amp;amp;SS=01&amp;amp;SSI=0&amp;amp;SHN=6&amp;amp;SIP=5&amp;amp;LS=7796948107]&lt;br /&gt;
&lt;br /&gt;
[[Category:Food]][[Category:F-6：飲料製造業]]&lt;br /&gt;
[[category:OSU]][[category:Pitt]][[category:Mitsui Collection]]&lt;/div&gt;</summary>
		<author><name>Hng2</name></author>	</entry>

	<entry>
		<id>http://www.nccjapan.net/shashiwiki/index.php?title=Gekkeikan&amp;diff=51353</id>
		<title>Gekkeikan</title>
		<link rel="alternate" type="text/html" href="http://www.nccjapan.net/shashiwiki/index.php?title=Gekkeikan&amp;diff=51353"/>
				<updated>2012-12-30T00:17:17Z</updated>
		
		<summary type="html">&lt;p&gt;Hng2: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;!-- Start of infobox code.--&amp;gt;&lt;br /&gt;
&amp;lt;table style=&amp;quot;float:right; width:250px; background:#FAFAFA; border: 1px solid #C8C8C8; padding: 2px; font-size:12px&amp;quot;&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Title.--&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background:#A50000&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;td colspan=&amp;quot;2&amp;quot; width=90px style=&amp;quot;text-align: center; font-size:14px; font-weight:bold; color:#FFFFFF&amp;quot;&amp;gt;&lt;br /&gt;
Gekkeikan Sake Co., Ltd&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Subtitle.--&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;font-size:10px; text-align: center;&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;td colspan=&amp;quot;2&amp;quot;&amp;gt;&lt;br /&gt;
月桂冠株式会社&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Infobox image.--&amp;gt;&lt;br /&gt;
&amp;lt;tr&amp;gt;&lt;br /&gt;
&amp;lt;td colspan=&amp;quot;2&amp;quot;&amp;gt;[[Image:Gekkei.jpg|center|border|201x310px|]]&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Image subtitle.--&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Divider bar.--&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background:#A50000&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;td colspan=&amp;quot;2&amp;quot; width=90px style=&amp;quot;text-align: center; font-size:12px; font-weight:bold; color:#FFFFFF&amp;quot;&amp;gt;&lt;br /&gt;
 &amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Zebra-striped status bars.--&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background: FAFAFA; font-size:11px&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;td width=86px style=&amp;quot;font-weight:bold&amp;quot;&amp;gt;&lt;br /&gt;
Founded&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;td&amp;gt;&lt;br /&gt;
1637&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background: #f0f0f0; font-size:11px&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;td width=86px style=&amp;quot;font-weight:bold&amp;quot;&amp;gt;&lt;br /&gt;
Founder&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;td&amp;gt;&lt;br /&gt;
Jiemon Okura&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background: FAFAFA; font-size:11px&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;td width=86px style=&amp;quot;font-weight:bold&amp;quot;&amp;gt;&lt;br /&gt;
Industry&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;td&amp;gt;&lt;br /&gt;
Alcoholic beverages&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background: #f0f0f0; font-size:11px&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;td width=86px style=&amp;quot;font-weight:bold&amp;quot;&amp;gt;&lt;br /&gt;
Headquarters&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;td&amp;gt;&lt;br /&gt;
Kyoto, Japan&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background: FAFAFA; font-size:11px&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;td width=86px style=&amp;quot;font-weight:bold&amp;quot;&amp;gt;&lt;br /&gt;
Website&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;td&amp;gt;&lt;br /&gt;
[http://www.gekkeikan.co.jp/ Japanese] [http://www.gekkeikan.co.jp/english/index.html English]&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/table&amp;gt;&lt;br /&gt;
&amp;lt;!-- End of infobox code.--&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==月桂冠株式会社==&lt;br /&gt;
&lt;br /&gt;
Gekkeikan Kabushiki Gaisha&lt;br /&gt;
&lt;br /&gt;
Gekkeikan Sake Co., Ltd.&lt;br /&gt;
&lt;br /&gt;
==History==&lt;br /&gt;
&lt;br /&gt;
*1637年、初代・大倉治右衛門が京都伏見に出て来て創業。屋号は「笠置屋」。&lt;br /&gt;
&lt;br /&gt;
*1905年、勝利と栄光のシンボル「月桂冠」を酒銘に採用。&lt;br /&gt;
&lt;br /&gt;
*1927年、「株式会社大倉恒吉商店」を設立。&lt;br /&gt;
&lt;br /&gt;
*1944年、「大倉酒造株式会社」に社名変更。&lt;br /&gt;
&lt;br /&gt;
*1987年、創業350年、会社設立60年を機に、社名を「月桂冠株式会社」とする。&lt;br /&gt;
&lt;br /&gt;
[http://www.gekkeikan.co.jp/company/guide/history.html reference]&lt;br /&gt;
&lt;br /&gt;
==Shashi==&lt;br /&gt;
*大倉家沿革誌　1957 (No record in OCLC)     Webcat plus: [http://webcatplus-equal.nii.ac.jp/webcatplus/details/book/8041541.html BN08662296] [Mitsui Collection]&lt;br /&gt;
&lt;br /&gt;
*月桂冠三百六十年史　1999 [http://www.worldcat.org/oclc/47619206&amp;amp;referer=brief_results OCLC#:47619206]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category: Food]][[category:F-6：飲料製造業]][[category:shashi(R)]]&lt;br /&gt;
[[category: Pitt]][[category:Mitsui Collection]]&lt;/div&gt;</summary>
		<author><name>Hng2</name></author>	</entry>

	<entry>
		<id>http://www.nccjapan.net/shashiwiki/index.php?title=Gekkeikan&amp;diff=51351</id>
		<title>Gekkeikan</title>
		<link rel="alternate" type="text/html" href="http://www.nccjapan.net/shashiwiki/index.php?title=Gekkeikan&amp;diff=51351"/>
				<updated>2012-12-30T00:14:50Z</updated>
		
		<summary type="html">&lt;p&gt;Hng2: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;!-- Start of infobox code.--&amp;gt;&lt;br /&gt;
&amp;lt;table style=&amp;quot;float:right; width:250px; background:#FAFAFA; border: 1px solid #C8C8C8; padding: 2px; font-size:12px&amp;quot;&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Title.--&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background:#A50000&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;td colspan=&amp;quot;2&amp;quot; width=90px style=&amp;quot;text-align: center; font-size:14px; font-weight:bold; color:#FFFFFF&amp;quot;&amp;gt;&lt;br /&gt;
Gekkeikan Sake Co., Ltd&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Subtitle.--&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;font-size:10px; text-align: center;&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;td colspan=&amp;quot;2&amp;quot;&amp;gt;&lt;br /&gt;
月桂冠株式会社&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Infobox image.--&amp;gt;&lt;br /&gt;
&amp;lt;tr&amp;gt;&lt;br /&gt;
&amp;lt;td colspan=&amp;quot;2&amp;quot;&amp;gt;[[Image:Gekkei.jpg|center|border|201x310px|]]&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Image subtitle.--&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Divider bar.--&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background:#A50000&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;td colspan=&amp;quot;2&amp;quot; width=90px style=&amp;quot;text-align: center; font-size:12px; font-weight:bold; color:#FFFFFF&amp;quot;&amp;gt;&lt;br /&gt;
 &amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Zebra-striped status bars.--&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background: FAFAFA; font-size:11px&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;td width=86px style=&amp;quot;font-weight:bold&amp;quot;&amp;gt;&lt;br /&gt;
Founded&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;td&amp;gt;&lt;br /&gt;
1637&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background: #f0f0f0; font-size:11px&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;td width=86px style=&amp;quot;font-weight:bold&amp;quot;&amp;gt;&lt;br /&gt;
Founder&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;td&amp;gt;&lt;br /&gt;
Jiemon Okura&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background: FAFAFA; font-size:11px&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;td width=86px style=&amp;quot;font-weight:bold&amp;quot;&amp;gt;&lt;br /&gt;
Industry&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;td&amp;gt;&lt;br /&gt;
Alcoholic beverages&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background: #f0f0f0; font-size:11px&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;td width=86px style=&amp;quot;font-weight:bold&amp;quot;&amp;gt;&lt;br /&gt;
Headquarters&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;td&amp;gt;&lt;br /&gt;
Kyoto, Japan&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background: FAFAFA; font-size:11px&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;td width=86px style=&amp;quot;font-weight:bold&amp;quot;&amp;gt;&lt;br /&gt;
Website&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;td&amp;gt;&lt;br /&gt;
[http://www.gekkeikan.co.jp/ Japanese] [http://www.gekkeikan.co.jp/english/index.html English]&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/table&amp;gt;&lt;br /&gt;
&amp;lt;!-- End of infobox code.--&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==月桂冠株式会社==&lt;br /&gt;
&lt;br /&gt;
Gekkeikan Kabushiki Gaisha&lt;br /&gt;
&lt;br /&gt;
Gekkeikan Sake Co., Ltd.&lt;br /&gt;
&lt;br /&gt;
==History==&lt;br /&gt;
&lt;br /&gt;
*1637年、初代・大倉治右衛門が京都伏見に出て来て創業。屋号は「笠置屋」。&lt;br /&gt;
&lt;br /&gt;
*1905年、勝利と栄光のシンボル「月桂冠」を酒銘に採用。&lt;br /&gt;
&lt;br /&gt;
*1927年、「株式会社大倉恒吉商店」を設立。&lt;br /&gt;
&lt;br /&gt;
*1944年、「大倉酒造株式会社」に社名変更。&lt;br /&gt;
&lt;br /&gt;
*1987年、創業350年、会社設立60年を機に、社名を「月桂冠株式会社」とする。&lt;br /&gt;
&lt;br /&gt;
[http://www.gekkeikan.co.jp/company/guide/history.html reference]&lt;br /&gt;
&lt;br /&gt;
==Shashi==&lt;br /&gt;
*大倉家沿革誌　1957 (No record in OCLC)     Webcat plus: [http://webcatplus-equal.nii.ac.jp/webcatplus/details/book/8041541.html BN08662296]&lt;br /&gt;
&lt;br /&gt;
*月桂冠三百六十年史　1999 [http://www.worldcat.org/oclc/47619206&amp;amp;referer=brief_results OCLC#:47619206]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category: Food]][[category:F-6：飲料製造業]][[category:shashi(R)]]&lt;br /&gt;
[[category: Pitt]][[category:Mitsui Collection]]&lt;/div&gt;</summary>
		<author><name>Hng2</name></author>	</entry>

	<entry>
		<id>http://www.nccjapan.net/shashiwiki/index.php?title=Gekkeikan&amp;diff=51349</id>
		<title>Gekkeikan</title>
		<link rel="alternate" type="text/html" href="http://www.nccjapan.net/shashiwiki/index.php?title=Gekkeikan&amp;diff=51349"/>
				<updated>2012-12-30T00:13:33Z</updated>
		
		<summary type="html">&lt;p&gt;Hng2: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;!-- Start of infobox code.--&amp;gt;&lt;br /&gt;
&amp;lt;table style=&amp;quot;float:right; width:250px; background:#FAFAFA; border: 1px solid #C8C8C8; padding: 2px; font-size:12px&amp;quot;&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Title.--&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background:#A50000&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;td colspan=&amp;quot;2&amp;quot; width=90px style=&amp;quot;text-align: center; font-size:14px; font-weight:bold; color:#FFFFFF&amp;quot;&amp;gt;&lt;br /&gt;
Gekkeikan Sake Co., Ltd&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Subtitle.--&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;font-size:10px; text-align: center;&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;td colspan=&amp;quot;2&amp;quot;&amp;gt;&lt;br /&gt;
月桂冠株式会社&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Infobox image.--&amp;gt;&lt;br /&gt;
&amp;lt;tr&amp;gt;&lt;br /&gt;
&amp;lt;td colspan=&amp;quot;2&amp;quot;&amp;gt;[[Image:Gekkei.jpg|center|border|201x310px|]]&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Image subtitle.--&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Divider bar.--&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background:#A50000&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;td colspan=&amp;quot;2&amp;quot; width=90px style=&amp;quot;text-align: center; font-size:12px; font-weight:bold; color:#FFFFFF&amp;quot;&amp;gt;&lt;br /&gt;
 &amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Zebra-striped status bars.--&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background: FAFAFA; font-size:11px&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;td width=86px style=&amp;quot;font-weight:bold&amp;quot;&amp;gt;&lt;br /&gt;
Founded&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;td&amp;gt;&lt;br /&gt;
1637&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background: #f0f0f0; font-size:11px&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;td width=86px style=&amp;quot;font-weight:bold&amp;quot;&amp;gt;&lt;br /&gt;
Founder&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;td&amp;gt;&lt;br /&gt;
Jiemon Okura&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background: FAFAFA; font-size:11px&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;td width=86px style=&amp;quot;font-weight:bold&amp;quot;&amp;gt;&lt;br /&gt;
Industry&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;td&amp;gt;&lt;br /&gt;
Alcoholic beverages&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background: #f0f0f0; font-size:11px&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;td width=86px style=&amp;quot;font-weight:bold&amp;quot;&amp;gt;&lt;br /&gt;
Headquarters&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;td&amp;gt;&lt;br /&gt;
Kyoto, Japan&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background: FAFAFA; font-size:11px&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;td width=86px style=&amp;quot;font-weight:bold&amp;quot;&amp;gt;&lt;br /&gt;
Website&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;td&amp;gt;&lt;br /&gt;
[http://www.gekkeikan.co.jp/ Japanese] [http://www.gekkeikan.co.jp/english/index.html English]&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/table&amp;gt;&lt;br /&gt;
&amp;lt;!-- End of infobox code.--&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==月桂冠株式会社==&lt;br /&gt;
&lt;br /&gt;
Gekkeikan Kabushiki Gaisha&lt;br /&gt;
&lt;br /&gt;
Gekkeikan Sake Co., Ltd.&lt;br /&gt;
&lt;br /&gt;
==History==&lt;br /&gt;
&lt;br /&gt;
*1637年、初代・大倉治右衛門が京都伏見に出て来て創業。屋号は「笠置屋」。&lt;br /&gt;
&lt;br /&gt;
*1905年、勝利と栄光のシンボル「月桂冠」を酒銘に採用。&lt;br /&gt;
&lt;br /&gt;
*1927年、「株式会社大倉恒吉商店」を設立。&lt;br /&gt;
&lt;br /&gt;
*1944年、「大倉酒造株式会社」に社名変更。&lt;br /&gt;
&lt;br /&gt;
*1987年、創業350年、会社設立60年を機に、社名を「月桂冠株式会社」とする。&lt;br /&gt;
&lt;br /&gt;
[http://www.gekkeikan.co.jp/company/guide/history.html reference]&lt;br /&gt;
&lt;br /&gt;
==Shashi==&lt;br /&gt;
*大倉家沿革誌　1957 (No record in OCLC)     Webcat plus: [http://webcatplus-equal.nii.ac.jp/webcatplus/details/book/8041541.html BN08662296]&lt;br /&gt;
&lt;br /&gt;
*月桂冠三百六十年史　1999 [http://www.worldcat.org/oclc/47619206&amp;amp;referer=brief_results OCLC#:47619206] [Mitsui Collection]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category: Food]][[category:F-6：飲料製造業]][[category:shashi(R)]]&lt;br /&gt;
[[category: Pitt]][[category:Mitsui Collection]]&lt;/div&gt;</summary>
		<author><name>Hng2</name></author>	</entry>

	<entry>
		<id>http://www.nccjapan.net/shashiwiki/index.php?title=Hakutsuru_Shuzo_Kabushiki_Kaisha&amp;diff=51347</id>
		<title>Hakutsuru Shuzo Kabushiki Kaisha</title>
		<link rel="alternate" type="text/html" href="http://www.nccjapan.net/shashiwiki/index.php?title=Hakutsuru_Shuzo_Kabushiki_Kaisha&amp;diff=51347"/>
				<updated>2012-12-30T00:09:10Z</updated>
		
		<summary type="html">&lt;p&gt;Hng2: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==白鶴酒造株式会社==&lt;br /&gt;
&lt;br /&gt;
Hakutsuru Shuzō Kabushiki Kaisha&lt;br /&gt;
&lt;br /&gt;
Hakutsuru Sake Brewing Co., Ltd.&lt;br /&gt;
&lt;br /&gt;
==History==&lt;br /&gt;
&lt;br /&gt;
*1743年、材木屋嘉納治兵衛、酒造業を開始。&lt;br /&gt;
&lt;br /&gt;
*1747年、酒銘「白鶴」が命名。&lt;br /&gt;
&lt;br /&gt;
*1897年、嘉納合名会社に改称。&lt;br /&gt;
&lt;br /&gt;
*1947年、商号を「白鶴酒造株式会社」と改称。&lt;br /&gt;
&lt;br /&gt;
[http://www.hakutsuru.co.jp/corporate/enkaku.shtml reference]&lt;br /&gt;
&lt;br /&gt;
==Shashi==&lt;br /&gt;
*白鶴二百三十年の步み  1977 OCLC#:[http://www.worldcat.org/oclc/22789136?referer=brief_results 22789136]Webcat Plus:[http://webcatplus-equal.nii.ac.jp/libportal/en/DocDetail?txt_docid=NCID%3ABN01562497&amp;amp;hdn_if_lang=eng ID:01562497]&lt;br /&gt;
&lt;br /&gt;
==Links==&lt;br /&gt;
Corporate Website:[http://www.hakutsuru.co.jp/ Japanese]&lt;br /&gt;
&lt;br /&gt;
Corporate Website:[http://www.hakutsuru-sake.com/top.html English]&lt;br /&gt;
&lt;br /&gt;
[[Category:Food]][[Category:F-6：飲料製造業]]&lt;br /&gt;
[[Category:Pitt]][[category:UCLA]]&lt;br /&gt;
[[category:shashi(R)]]&lt;/div&gt;</summary>
		<author><name>Hng2</name></author>	</entry>

	<entry>
		<id>http://www.nccjapan.net/shashiwiki/index.php?title=Hakutsuru_Shuzo_Kabushiki_Kaisha&amp;diff=51345</id>
		<title>Hakutsuru Shuzo Kabushiki Kaisha</title>
		<link rel="alternate" type="text/html" href="http://www.nccjapan.net/shashiwiki/index.php?title=Hakutsuru_Shuzo_Kabushiki_Kaisha&amp;diff=51345"/>
				<updated>2012-12-30T00:07:58Z</updated>
		
		<summary type="html">&lt;p&gt;Hng2: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==白鶴酒造株式会社==&lt;br /&gt;
&lt;br /&gt;
Hakutsuru Shuzō Kabushiki Kaisha&lt;br /&gt;
&lt;br /&gt;
Hakutsuru Sake Brewing Co., Ltd.&lt;br /&gt;
&lt;br /&gt;
==History==&lt;br /&gt;
&lt;br /&gt;
*1743年、材木屋嘉納治兵衛、酒造業を開始。&lt;br /&gt;
&lt;br /&gt;
*1747年、酒銘「白鶴」が命名。&lt;br /&gt;
&lt;br /&gt;
*1897年、嘉納合名会社に改称。&lt;br /&gt;
&lt;br /&gt;
*1947年、商号を「白鶴酒造株式会社」と改称。&lt;br /&gt;
&lt;br /&gt;
[http://www.hakutsuru.co.jp/corporate/enkaku.shtml reference]&lt;br /&gt;
&lt;br /&gt;
==Shashi==&lt;br /&gt;
*白鶴二百三十年の步み  1977 OCLC#:[www.worldcat.org/oclc/22789136?referer=brief_results 22789136]Webcat Plus:[http://webcatplus-equal.nii.ac.jp/libportal/en/DocDetail?txt_docid=NCID%3ABN01562497&amp;amp;hdn_if_lang=eng ID:01562497]&lt;br /&gt;
&lt;br /&gt;
==Links==&lt;br /&gt;
Corporate Website:[http://www.hakutsuru.co.jp/ Japanese]&lt;br /&gt;
&lt;br /&gt;
Corporate Website:[http://www.hakutsuru-sake.com/top.html English]&lt;br /&gt;
&lt;br /&gt;
[[Category:Food]][[Category:F-6：飲料製造業]]&lt;br /&gt;
[[Category:Pitt]][[category:UCLA]]&lt;br /&gt;
[[category:shashi(R)]]&lt;/div&gt;</summary>
		<author><name>Hng2</name></author>	</entry>

	<entry>
		<id>http://www.nccjapan.net/shashiwiki/index.php?title=2011_Workshop&amp;diff=51343</id>
		<title>2011 Workshop</title>
		<link rel="alternate" type="text/html" href="http://www.nccjapan.net/shashiwiki/index.php?title=2011_Workshop&amp;diff=51343"/>
				<updated>2012-12-26T01:37:49Z</updated>
		
		<summary type="html">&lt;p&gt;Hng2: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;='''2011 Shashi Group Workshop at AAS in Hawai'i'''=&lt;br /&gt;
&lt;br /&gt;
==='''Researching With Shashi: A Workshop on Using Japanese Company and Institutional Histories and Archives'''===&lt;br /&gt;
Sponsored by the Japanese Company Histories Interest Group (Shashi Group)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Thursday, March 31&amp;lt;br&amp;gt;&lt;br /&gt;
7:00PM-9:00PM, Room 303A, SESSION# 191&amp;lt;br&amp;gt;&lt;br /&gt;
Hawaii Convention Center, Level 3&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
ABSTRACT&amp;lt;br&amp;gt;&lt;br /&gt;
Japanese company and institutional histories open windows into the past.  Richly illustrated and packed with information, chronologies and data while layered with corporate and societal values, shashi provide rich research value.  Corporate and institutional archives preserve sources used for the histories along with extensive primary resources of administration.  While most corporate archives in Japan are not open, some have moved to collective repositories, now accessible to researchers. Shashi are useful for research in many fields and disciplines as well, providing information that creates context, allows three-dimensional views of individuals, and illuminates case studies.  This workshop explores the research potential of shashi and archives, as well as the limitations that make them challenging to use, along with practical workarounds that can help.&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Organizer&amp;lt;br&amp;gt; &lt;br /&gt;
Hiroyuki N. Good&amp;lt;br&amp;gt;&lt;br /&gt;
Japanese Studies Librarian&amp;lt;br&amp;gt;&lt;br /&gt;
University of Pittsburgh&amp;lt;br&amp;gt;&lt;br /&gt;
Chair, Japanese Company Histories (Shashi) Interest Group&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
Chair &amp;amp; Discussant&amp;lt;br&amp;gt;&lt;br /&gt;
Tokiko Bazzell&amp;lt;br&amp;gt;&lt;br /&gt;
Japanese Studies Librarian&amp;lt;br&amp;gt;&lt;br /&gt;
University of Hawaii at Manoa&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
1. 	Yasuhiro Eguchi, Professor, Department of Intercultural Communication, Gakushûin Women’s College, Japan&amp;lt;br&amp;gt;&lt;br /&gt;
Paper title: A Study of Practical Uses of Company Histories (Shashi)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
First, my paper will discuss approaches to increase the collecting of shashi, a challenging task due to their autobiographical nature and their distribution via non-commercial channels.  Strategic actions (IR • PR, CS R, M &amp;amp; A, branding, etc) are required of today's companies, so the strategic implications (mission) for shashi has increased.  Therefore, I will discuss what meaning shashi hold for users, and reconsider the position and meaning of shashi for stakeholders. My analysis will show that by considering three types of value creation (pleasure), namely the pleasure of discovering and collecting, the pleasure of cataloging, and the pleasure of being used by users, we can recognize the importance of switching from archeological values to marketing values when discussing shashi.&lt;br /&gt;
&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
2. 	Masataka Yano, Archivist, Resources and Historical Collections Office, Library of Economics, University of Tokyo&amp;lt;br&amp;gt;&lt;br /&gt;
Paper title: Corporate data (kigyô shiryô) and Archives, focus on company histories&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
First, from a viewpoint of an archivist, I will differentiate corporate data (kigyô shiryô) from its function (creating entity, contents, etc) and form (media, etc).  From this differentiation, I will show that there are many different levels of kigyô shiryô. Then, I will introduce the kigyô shiryô which are held by the Resources and Historical Collections Office, Library of Economics, University of Tokyo, according to such differentiation.  I will also introduce trends related to the material collected, the state of preservation, and the status of access to the library by the public.  Pros and cons related to external institutions holding kigyô shiryô are discussed.  The relationship between shashi compilation project and external archives will be discussed using selected materials from the collection. &lt;br /&gt;
&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
3. 	Maureen Donovan, Japanese Studies Librarian, Associate Professor, Ohio State University &amp;lt;br&amp;gt;&lt;br /&gt;
Paper title: Japanese Company Histories as Repositories of Tacit Knowledge&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
With the Japanese economy continuing to languish in the doldrums, a special issue of The Weekly Toyo Keizai (commemorating 115 years of publication) carried an article urging businessmen to consult Japanese company histories to find the tacit know-how they need to re-start the economic engines of the country.  This paper examines the role that Japanese corporate histories play in preserving a company’s hard-earned tacit knowledge, embedded in stories meant to last for generations, and why this is making them increasingly relevant in the 21st century, not only for businessmen but also for scholars.&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
4.	Dr. Ann Sherif, Professor, Oberlin College&amp;lt;br&amp;gt;&lt;br /&gt;
Paper title: Technologies of Printing and Regional Literatures in Hiroshima, 1945&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
When war, political upheaval, and economic and material scarcity disrupt a publishing industry, how do writers find their way back into print? I will explore the ways that technologies of printing and politics intersected with literary and media discourses in World War II and post-atomic bomb Hiroshima. An examination of the regional publisher Chugoku Shimbun and renowned poet Toge Sankichi allows us to see the dynamics of regional publishing and cultural consumption, in contrast to the dominance of the Tokyo literary establishment and publishing industry.&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;/div&gt;</summary>
		<author><name>Hng2</name></author>	</entry>

	<entry>
		<id>http://www.nccjapan.net/shashiwiki/index.php?title=Current_events&amp;diff=51341</id>
		<title>Current events</title>
		<link rel="alternate" type="text/html" href="http://www.nccjapan.net/shashiwiki/index.php?title=Current_events&amp;diff=51341"/>
				<updated>2012-12-26T00:52:53Z</updated>
		
		<summary type="html">&lt;p&gt;Hng2: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;='''2013 Shashi Group Panel at AAS in San Diego'''=&lt;br /&gt;
&lt;br /&gt;
'''The Shiseido Culture: Design, Fashion and Marketing'''&amp;lt;br&amp;gt;&lt;br /&gt;
Sponsored by Japanese Company Histories Interest Group (Shashi Group)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Sunday, March 24, 2013 10:15 am – 12:15 pm, Session# 357&amp;lt;br&amp;gt;&lt;br /&gt;
Manchester Grand Hyatt, San Diego, CA&amp;lt;br&amp;gt;&lt;br /&gt;
Contact parson: Hiroyuki N. Good hng2@pitt.edu&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Abstract of Panel:&amp;lt;br&amp;gt;&lt;br /&gt;
Shiseido Cosmetics Company commemorated 140 years anniversary in 2012.  The company has built originality that is worthy of being called the Shiseido Culture with its excellent business sense and design and becomes world renowned brand.  The company has cultivated and re-edit and continually communicate the Shiseido Culture within and outside of the company and it makes contributions to society through design and marketing.  The company has also considers the Shiseido Culture and its history to be an important management asset and has published more than 60 titles of Shashi, or company history books, and publications related to design and advertisement since 1957.  For researchers who study art history, cultural history and business history, these publications are very important primary resources. This panel invites four researchers to discuss how the Shiseido Culture have had effects on history of design and advertisements in Japan, relationship between imperial Japan and women’s fashion, and Japanese marketing in colonies.  &amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
Organizer: &lt;br /&gt;
Hiroyuki N. Good&amp;lt;br&amp;gt;&lt;br /&gt;
Japanese Studies Librarian&amp;lt;br&amp;gt;&lt;br /&gt;
University of Pittsburgh&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
Chair: &lt;br /&gt;
Gennifer Weisenfeld&amp;lt;br&amp;gt;&lt;br /&gt;
Associate Professor, Department of Art, Art History &amp;amp; Visual Studies&amp;lt;br&amp;gt;&lt;br /&gt;
Duke University&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
Paper 1. Rebecca Nickerson, Ph.D., Independent Scholar&amp;lt;br&amp;gt;&lt;br /&gt;
Designing Women: Miss Shiseido, Tanaka Chiyo, and the Making of Imperial Style in Japan&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Abstract &lt;br /&gt;
This paper analyzes how Komai Reiko—the first “Miss Shiseido”—and Tanaka Chiyo—“Japan’s first fashion designer”—shaped modern ideals of femininity and transformed women’s cosmetic and fashion practices in 1930s Japan. In 1933, Shiseido recruited Komai to work as a full-time consultant to launch the company’s “Miss Shiseido” marketing campaign, designed to bring Shiseido’s image of feminine beauty directly to consumers through beauty demonstrations.  A prominent advocate for working women’s rights, Komai accepted Shiseido’s offer precisely because she knew it would increase her visibility as an example of the progressive Japanese woman—she subsequently gained fame as a beauty expert who was at once a wife, mother, and successful, working woman. In 1932, Tanaka began her career at Kanebo, where she taught women how to use the company’s textiles to make Western-style clothes and quickly became a leading expert on women’s fashion. Like Komai, Tanaka balanced her career with her duties as a wife and mother and she fiercely disagreed with the notion that Japanese women should wear kimono for the sake of the nation or Japanese tradition, arguing instead that women deserved the right to choose clothes that suited their modern lifestyles. Komai and Tanaka did not identify themselves as feminists, but their careers enabled them to challenge traditional feminine norms and empower Japanese women to act as subjects with the capacity to shape ideals of femininity through their consumption practices and the choices they made in assembling their appearance. &amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
Paper 2.  Annika A. Culver, Ph.D., Assistant Professor, Department of History, University of North Carolina at Pembroke&amp;lt;br&amp;gt;&lt;br /&gt;
Shiseido’s ‘Empire of Beauty’: Marketing Japanese Modernity in Manchukuo, 1932-1945&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Abstract&amp;lt;br&amp;gt;&lt;br /&gt;
During the 1931-45 Japanese occupation of northeast China, Japanese businesses, including Shiseidô, extended their reach into Manchukuo, where the Japanese modernity they sold communicated success and prosperity under imperial Japan's auspices. In 1931, the company's first outlet opened in Dairen, and by 1937, its Mobile Beauty Salons traversed the Japanese empire with &amp;quot;Miss Shiseidô&amp;quot; representatives passing through Manchurian cities.  Throughout the colonies, Shiseidô expanded a view of Japanese women's flawless white skin, along with their willingness to embrace modern, scientific rational practices to improve domestic life.  The company's vision of imperial beauty for the continent emphasized a harmonious melding of Japanese science and Chinese tradition, beginning with the Blue Bird line (seichô in Japanese, qingniao in Chinese) of soaps, detergents, and toothpaste made by Mitsui for &amp;quot;Manchurian&amp;quot; customers and exported to Manchukuo after 1932.  Shiseidô targeted marketing strategies specifically to colonial Japanese and “Manchurian” consumers, with Blue Bird's signature yellow boxes featuring Japanese script instead of English to communicate Japanese modernity.  In 1940, after the company built its own Manchukuo-based factory, Japanese-born Manchurian Film Association star Ri Kôran even posed for cosmetics posters as the archetypal Chinese modern girl with bobbed, permed hair. Shiseidô’s unique modernist visual culture sold images of an empire of beauty, where women consumers on the continent helped support an emerging politics of national identity in their product choices. The company's intersection of modernist advertising and national propaganda reveals the multifaceted interests of organizations like Shiseidô involved in marketing the Japanese empire and its appealing modernity.&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
Paper 3. Gennifer Weisenfeld, Associate Professor, Department of Art, Art History &amp;amp; Visual Studies, Duke University&amp;lt;br&amp;gt;&lt;br /&gt;
Shiseido and Transwar Design: The Case of Yamana Ayao&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Abstract&amp;lt;br&amp;gt;&lt;br /&gt;
Renowned designer and art director, Yamana Ayao (1897-1980) worked for Shiseido on and off from 1929 until 1969. When he first joined the Shiseido design division, critics humorously asked, “Will Yamana become Shiseido-ized or will Shiseido become Yamana-ized?” They quickly came to the conclusion that Shiseido was Yamana-ized, as the designer’s distinctive style became synonymous with Shiseido advertising all the way through the early postwar period. While the war often stands as an insurmountable divide that seemingly severs cultural developments in Japan right at mid century, the transwar continuities can be more striking than the ruptures. This divide is particularly apparent in the history of design, despite the fact that advertising and propaganda production seamlessly traded places through the war, and the same roster of professional designers and advertising specialists who worked throughout the 1930s and 40s reconstituted the design world immediately after the end of the Occupation. As a founding member of the important advertising design associations: the Tokyo Advertising Art Association (1931), Nippon Kōbō (1933), and the influential Japan Advertising Artists Club (1951), and as a key designer for Shiseido and many major corporations into the postwar period, Yamana’s enormous contribution to the public visual sphere across the twentieth century is indisputable. Thus, his work for Shiseido provides a valuable opportunity to explore often neglected transwar connections, illuminating how postwar design and advertising was built on a deep foundation of practice and a professional network developed in the prewar and wartime periods.&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
Discussant: Sarah Frederick&amp;lt;br&amp;gt;&lt;br /&gt;
Associate Professor, Department of Modern Languages and Comparative Literature&amp;lt;br&amp;gt;&lt;br /&gt;
Boston University&amp;lt;br&amp;gt;&lt;/div&gt;</summary>
		<author><name>Hng2</name></author>	</entry>

	<entry>
		<id>http://www.nccjapan.net/shashiwiki/index.php?title=2011_Workshop&amp;diff=51339</id>
		<title>2011 Workshop</title>
		<link rel="alternate" type="text/html" href="http://www.nccjapan.net/shashiwiki/index.php?title=2011_Workshop&amp;diff=51339"/>
				<updated>2012-12-26T00:06:07Z</updated>
		
		<summary type="html">&lt;p&gt;Hng2: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;='''2011 Shashi Group Workshop at AAS in Hawai'i'''=&lt;br /&gt;
&lt;br /&gt;
'''Researching With Shashi: A Workshop on Using Japanese Company and Institutional Histories and Archives'''&amp;lt;br&amp;gt;&lt;br /&gt;
Sponsored by the Japanese Company Histories Interest Group (Shashi Group)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Thursday, March 31&amp;lt;br&amp;gt;&lt;br /&gt;
7:00PM-9:00PM, Room 303A, SESSION# 191&amp;lt;br&amp;gt;&lt;br /&gt;
Hawaii Convention Center, Level 3&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
ABSTRACT&amp;lt;br&amp;gt;&lt;br /&gt;
Japanese company and institutional histories open windows into the past.  Richly illustrated and packed with information, chronologies and data while layered with corporate and societal values, shashi provide rich research value.  Corporate and institutional archives preserve sources used for the histories along with extensive primary resources of administration.  While most corporate archives in Japan are not open, some have moved to collective repositories, now accessible to researchers. Shashi are useful for research in many fields and disciplines as well, providing information that creates context, allows three-dimensional views of individuals, and illuminates case studies.  This workshop explores the research potential of shashi and archives, as well as the limitations that make them challenging to use, along with practical workarounds that can help.&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Organizer&amp;lt;br&amp;gt; &lt;br /&gt;
Hiroyuki N. Good&amp;lt;br&amp;gt;&lt;br /&gt;
Japanese Studies Librarian&amp;lt;br&amp;gt;&lt;br /&gt;
University of Pittsburgh&amp;lt;br&amp;gt;&lt;br /&gt;
Chair, Japanese Company Histories (Shashi) Interest Group&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
Chair &amp;amp; Discussant&amp;lt;br&amp;gt;&lt;br /&gt;
Tokiko Bazzell&amp;lt;br&amp;gt;&lt;br /&gt;
Japanese Studies Librarian&amp;lt;br&amp;gt;&lt;br /&gt;
University of Hawaii at Manoa&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
1. 	Yasuhiro Eguchi, Professor, Department of Intercultural Communication, Gakushûin Women’s College, Japan&amp;lt;br&amp;gt;&lt;br /&gt;
Paper title: A Study of Practical Uses of Company Histories (Shashi)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
First, my paper will discuss approaches to increase the collecting of shashi, a challenging task due to their autobiographical nature and their distribution via non-commercial channels.  Strategic actions (IR • PR, CS R, M &amp;amp; A, branding, etc) are required of today's companies, so the strategic implications (mission) for shashi has increased.  Therefore, I will discuss what meaning shashi hold for users, and reconsider the position and meaning of shashi for stakeholders. My analysis will show that by considering three types of value creation (pleasure), namely the pleasure of discovering and collecting, the pleasure of cataloging, and the pleasure of being used by users, we can recognize the importance of switching from archeological values to marketing values when discussing shashi.&lt;br /&gt;
&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
2. 	Masataka Yano, Archivist, Resources and Historical Collections Office, Library of Economics, University of Tokyo&amp;lt;br&amp;gt;&lt;br /&gt;
Paper title: Corporate data (kigyô shiryô) and Archives, focus on company histories&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
First, from a viewpoint of an archivist, I will differentiate corporate data (kigyô shiryô) from its function (creating entity, contents, etc) and form (media, etc).  From this differentiation, I will show that there are many different levels of kigyô shiryô. Then, I will introduce the kigyô shiryô which are held by the Resources and Historical Collections Office, Library of Economics, University of Tokyo, according to such differentiation.  I will also introduce trends related to the material collected, the state of preservation, and the status of access to the library by the public.  Pros and cons related to external institutions holding kigyô shiryô are discussed.  The relationship between shashi compilation project and external archives will be discussed using selected materials from the collection. &lt;br /&gt;
&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
3. 	Maureen Donovan, Japanese Studies Librarian, Associate Professor, Ohio State University &amp;lt;br&amp;gt;&lt;br /&gt;
Paper title: Japanese Company Histories as Repositories of Tacit Knowledge&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
With the Japanese economy continuing to languish in the doldrums, a special issue of The Weekly Toyo Keizai (commemorating 115 years of publication) carried an article urging businessmen to consult Japanese company histories to find the tacit know-how they need to re-start the economic engines of the country.  This paper examines the role that Japanese corporate histories play in preserving a company’s hard-earned tacit knowledge, embedded in stories meant to last for generations, and why this is making them increasingly relevant in the 21st century, not only for businessmen but also for scholars.&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
4.	Dr. Ann Sherif, Professor, Oberlin College&amp;lt;br&amp;gt;&lt;br /&gt;
Paper title: Technologies of Printing and Regional Literatures in Hiroshima, 1945&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
When war, political upheaval, and economic and material scarcity disrupt a publishing industry, how do writers find their way back into print? I will explore the ways that technologies of printing and politics intersected with literary and media discourses in World War II and post-atomic bomb Hiroshima. An examination of the regional publisher Chugoku Shimbun and renowned poet Toge Sankichi allows us to see the dynamics of regional publishing and cultural consumption, in contrast to the dominance of the Tokyo literary establishment and publishing industry.&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;/div&gt;</summary>
		<author><name>Hng2</name></author>	</entry>

	<entry>
		<id>http://www.nccjapan.net/shashiwiki/index.php?title=2011_Workshop&amp;diff=51337</id>
		<title>2011 Workshop</title>
		<link rel="alternate" type="text/html" href="http://www.nccjapan.net/shashiwiki/index.php?title=2011_Workshop&amp;diff=51337"/>
				<updated>2012-12-25T23:56:09Z</updated>
		
		<summary type="html">&lt;p&gt;Hng2: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;='''2011 Shashi Group Workshop at AAS in Hawai'i'''=&lt;br /&gt;
&lt;br /&gt;
Researching With Shashi: A Workshop on Using Japanese Company&amp;lt;br&amp;gt;&lt;br /&gt;
and Institutional Histories and Archives&amp;lt;br&amp;gt;&lt;br /&gt;
Sponsored by the Japanese Company Histories Interest Group (Shashi Group)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Thursday, March 31&amp;lt;br&amp;gt;&lt;br /&gt;
7:00PM-9:00PM, Room 303A, SESSION# 191&amp;lt;br&amp;gt;&lt;br /&gt;
Hawaii Convention Center, Level 3&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
ABSTRACT&amp;lt;br&amp;gt;&lt;br /&gt;
Japanese company and institutional histories open windows into the past.  Richly illustrated and packed with information, chronologies and data while layered with corporate and societal values, shashi provide rich research value.  Corporate and institutional archives preserve sources used for the histories along with extensive primary resources of administration.  While most corporate archives in Japan are not open, some have moved to collective repositories, now accessible to researchers. Shashi are useful for research in many fields and disciplines as well, providing information that creates context, allows three-dimensional views of individuals, and illuminates case studies.  This workshop explores the research potential of shashi and archives, as well as the limitations that make them challenging to use, along with practical workarounds that can help.&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
1. 	Yasuhiro Eguchi, Professor, Department of Intercultural Communication, Gakushûin Women’s College, Japan&amp;lt;br&amp;gt;&lt;br /&gt;
Paper title: A Study of Practical Uses of Company Histories (Shashi)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
First, my paper will discuss approaches to increase the collecting of shashi, a challenging task due to their autobiographical nature and their distribution via non-commercial channels.  Strategic actions (IR • PR, CS R, M &amp;amp; A, branding, etc) are required of today's companies, so the strategic implications (mission) for shashi has increased.  Therefore, I will discuss what meaning shashi hold for users, and reconsider the position and meaning of shashi for stakeholders. My analysis will show that by considering three types of value creation (pleasure), namely the pleasure of discovering and collecting, the pleasure of cataloging, and the pleasure of being used by users, we can recognize the importance of switching from archeological values to marketing values when discussing shashi.&lt;br /&gt;
&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
2. 	Masataka Yano, Archivist, Resources and Historical Collections Office, Library of Economics, University of Tokyo&amp;lt;br&amp;gt;&lt;br /&gt;
Paper title: Corporate data (kigyô shiryô) and Archives, focus on company histories&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
First, from a viewpoint of an archivist, I will differentiate corporate data (kigyô shiryô) from its function (creating entity, contents, etc) and form (media, etc).  From this differentiation, I will show that there are many different levels of kigyô shiryô. Then, I will introduce the kigyô shiryô which are held by the Resources and Historical Collections Office, Library of Economics, University of Tokyo, according to such differentiation.  I will also introduce trends related to the material collected, the state of preservation, and the status of access to the library by the public.  Pros and cons related to external institutions holding kigyô shiryô are discussed.  The relationship between shashi compilation project and external archives will be discussed using selected materials from the collection. &lt;br /&gt;
&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
3. 	Maureen Donovan, Japanese Studies Librarian, Associate Professor, Ohio State University &amp;lt;br&amp;gt;&lt;br /&gt;
Paper title: Japanese Company Histories as Repositories of Tacit Knowledge&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
With the Japanese economy continuing to languish in the doldrums, a special issue of The Weekly Toyo Keizai (commemorating 115 years of publication) carried an article urging businessmen to consult Japanese company histories to find the tacit know-how they need to re-start the economic engines of the country.  This paper examines the role that Japanese corporate histories play in preserving a company’s hard-earned tacit knowledge, embedded in stories meant to last for generations, and why this is making them increasingly relevant in the 21st century, not only for businessmen but also for scholars.&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
4.	Dr. Ann Sherif, Professor, Oberlin College&amp;lt;br&amp;gt;&lt;br /&gt;
Paper title: Technologies of Printing and Regional Literatures in Hiroshima, 1945&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
When war, political upheaval, and economic and material scarcity disrupt a publishing industry, how do writers find their way back into print? I will explore the ways that technologies of printing and politics intersected with literary and media discourses in World War II and post-atomic bomb Hiroshima. An examination of the regional publisher Chugoku Shimbun and renowned poet Toge Sankichi allows us to see the dynamics of regional publishing and cultural consumption, in contrast to the dominance of the Tokyo literary establishment and publishing industry.&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
5. Tokiko Bazzell, Japanese Studies Librarian, University of Hawaii at Manoa&lt;/div&gt;</summary>
		<author><name>Hng2</name></author>	</entry>

	<entry>
		<id>http://www.nccjapan.net/shashiwiki/index.php?title=2011_Workshop&amp;diff=51325</id>
		<title>2011 Workshop</title>
		<link rel="alternate" type="text/html" href="http://www.nccjapan.net/shashiwiki/index.php?title=2011_Workshop&amp;diff=51325"/>
				<updated>2012-12-20T06:03:37Z</updated>
		
		<summary type="html">&lt;p&gt;Hng2: Created page with &amp;quot;='''2011 Shashi Group Workshop at AAS in Hawai'i'''=  Researching With Shashi: A Workshop on Using Japanese Company&amp;lt;br&amp;gt; and Institutional Histories and Archives&amp;lt;br&amp;gt; Sponsored by ...&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;='''2011 Shashi Group Workshop at AAS in Hawai'i'''=&lt;br /&gt;
&lt;br /&gt;
Researching With Shashi: A Workshop on Using Japanese Company&amp;lt;br&amp;gt;&lt;br /&gt;
and Institutional Histories and Archives&amp;lt;br&amp;gt;&lt;br /&gt;
Sponsored by the Japanese Company Histories Interest Group (Shashi Group)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Thursday, March 31&amp;lt;br&amp;gt;&lt;br /&gt;
7:00PM-9:00PM, Room 303A, SESSION# 191&amp;lt;br&amp;gt;&lt;br /&gt;
Hawaii Convention Center, Level 3&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
ABSTRACT&amp;lt;br&amp;gt;&lt;br /&gt;
Japanese company and institutional histories open windows into the past.  Richly illustrated and packed with information, chronologies and data while layered with corporate and societal values, shashi provide rich research value.  Corporate and institutional archives preserve sources used for the histories along with extensive primary resources of administration.  While most corporate archives in Japan are not open, some have moved to collective repositories, now accessible to researchers. Shashi are useful for research in many fields and disciplines as well, providing information that creates context, allows three-dimensional views of individuals, and illuminates case studies.  This workshop explores the research potential of shashi and archives, as well as the limitations that make them challenging to use, along with practical workarounds that can help.&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
1. 	Yasuhiro Eguchi, Professor, Department of Intercultural Communication, Gakushûin Women’s College, Japan&amp;lt;br&amp;gt;&lt;br /&gt;
Paper title: A Study of Practical Uses of Company Histories (Shashi)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
First, my paper will discuss approaches to increase the collecting of shashi, a challenging task due to their autobiographical nature and their distribution via non-commercial channels.  Strategic actions (IR • PR, CS R, M &amp;amp; A, branding, etc) are required of today's companies, so the strategic implications (mission) for shashi has increased.  Therefore, I will discuss what meaning shashi hold for users, and reconsider the position and meaning of shashi for stakeholders. My analysis will show that by considering three types of value creation (pleasure), namely the pleasure of discovering and collecting, the pleasure of cataloging, and the pleasure of being used by users, we can recognize the importance of switching from archeological values to marketing values when discussing shashi.&lt;br /&gt;
&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
2. 	Masataka Yano, Archivist, Resources and Historical Collections Office, Library of Economics, University of Tokyo&amp;lt;br&amp;gt;&lt;br /&gt;
Paper title: Corporate data (kigyô shiryô) and Archives, focus on company histories&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
First, from a viewpoint of an archivist, I will differentiate corporate data (kigyô shiryô) from its function (creating entity, contents, etc) and form (media, etc).  From this differentiation, I will show that there are many different levels of kigyô shiryô. Then, I will introduce the kigyô shiryô which are held by the Resources and Historical Collections Office, Library of Economics, University of Tokyo, according to such differentiation.  I will also introduce trends related to the material collected, the state of preservation, and the status of access to the library by the public.  Pros and cons related to external institutions holding kigyô shiryô are discussed.  The relationship between shashi compilation project and external archives will be discussed using selected materials from the collection. &lt;br /&gt;
&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
3. 	Maureen Donovan, Japanese Studies Librarian, Associate Professor, Ohio State University &amp;lt;br&amp;gt;&lt;br /&gt;
Paper title: Japanese Company Histories as Repositories of Tacit Knowledge&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
With the Japanese economy continuing to languish in the doldrums, a special issue of The Weekly Toyo Keizai (commemorating 115 years of publication) carried an article urging businessmen to consult Japanese company histories to find the tacit know-how they need to re-start the economic engines of the country.  This paper examines the role that Japanese corporate histories play in preserving a company’s hard-earned tacit knowledge, embedded in stories meant to last for generations, and why this is making them increasingly relevant in the 21st century, not only for businessmen but also for scholars.&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
4.	Dr. Ann Sherif, Professor, Oberlin College&amp;lt;br&amp;gt;&lt;br /&gt;
Paper title: Technologies of Printing and Regional Literatures in Hiroshima, 1945&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
When war, political upheaval, and economic and material scarcity disrupt a publishing industry, how do writers find their way back into print? I will explore the ways that technologies of printing and politics intersected with literary and media discourses in World War II and post-atomic bomb Hiroshima. An examination of the regional publisher Chugoku Shimbun and renowned poet Toge Sankichi allows us to see the dynamics of regional publishing and cultural consumption, in contrast to the dominance of the Tokyo literary establishment and publishing industry.&amp;lt;br&amp;gt;&lt;/div&gt;</summary>
		<author><name>Hng2</name></author>	</entry>

	<entry>
		<id>http://www.nccjapan.net/shashiwiki/index.php?title=2011_Whokshop&amp;diff=51323</id>
		<title>2011 Whokshop</title>
		<link rel="alternate" type="text/html" href="http://www.nccjapan.net/shashiwiki/index.php?title=2011_Whokshop&amp;diff=51323"/>
				<updated>2012-12-20T06:03:01Z</updated>
		
		<summary type="html">&lt;p&gt;Hng2: Created page with &amp;quot;='''2011 Shashi Group Workshop at AAS in Hawai'i'''=  Researching With Shashi: A Workshop on Using Japanese Company&amp;lt;br&amp;gt; and Institutional Histories and Archives&amp;lt;br&amp;gt; Sponsored by ...&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;='''2011 Shashi Group Workshop at AAS in Hawai'i'''=&lt;br /&gt;
&lt;br /&gt;
Researching With Shashi: A Workshop on Using Japanese Company&amp;lt;br&amp;gt;&lt;br /&gt;
and Institutional Histories and Archives&amp;lt;br&amp;gt;&lt;br /&gt;
Sponsored by the Japanese Company Histories Interest Group (Shashi Group)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Thursday, March 31&amp;lt;br&amp;gt;&lt;br /&gt;
7:00PM-9:00PM, Room 303A, SESSION# 191&amp;lt;br&amp;gt;&lt;br /&gt;
Hawaii Convention Center, Level 3&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
ABSTRACT&amp;lt;br&amp;gt;&lt;br /&gt;
Japanese company and institutional histories open windows into the past.  Richly illustrated and packed with information, chronologies and data while layered with corporate and societal values, shashi provide rich research value.  Corporate and institutional archives preserve sources used for the histories along with extensive primary resources of administration.  While most corporate archives in Japan are not open, some have moved to collective repositories, now accessible to researchers. Shashi are useful for research in many fields and disciplines as well, providing information that creates context, allows three-dimensional views of individuals, and illuminates case studies.  This workshop explores the research potential of shashi and archives, as well as the limitations that make them challenging to use, along with practical workarounds that can help.&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
1. 	Yasuhiro Eguchi, Professor, Department of Intercultural Communication, Gakushûin Women’s College, Japan&amp;lt;br&amp;gt;&lt;br /&gt;
Paper title: A Study of Practical Uses of Company Histories (Shashi)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
First, my paper will discuss approaches to increase the collecting of shashi, a challenging task due to their autobiographical nature and their distribution via non-commercial channels.  Strategic actions (IR • PR, CS R, M &amp;amp; A, branding, etc) are required of today's companies, so the strategic implications (mission) for shashi has increased.  Therefore, I will discuss what meaning shashi hold for users, and reconsider the position and meaning of shashi for stakeholders. My analysis will show that by considering three types of value creation (pleasure), namely the pleasure of discovering and collecting, the pleasure of cataloging, and the pleasure of being used by users, we can recognize the importance of switching from archeological values to marketing values when discussing shashi.&lt;br /&gt;
&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
2. 	Masataka Yano, Archivist, Resources and Historical Collections Office, Library of Economics, University of Tokyo&amp;lt;br&amp;gt;&lt;br /&gt;
Paper title: Corporate data (kigyô shiryô) and Archives, focus on company histories&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
First, from a viewpoint of an archivist, I will differentiate corporate data (kigyô shiryô) from its function (creating entity, contents, etc) and form (media, etc).  From this differentiation, I will show that there are many different levels of kigyô shiryô. Then, I will introduce the kigyô shiryô which are held by the Resources and Historical Collections Office, Library of Economics, University of Tokyo, according to such differentiation.  I will also introduce trends related to the material collected, the state of preservation, and the status of access to the library by the public.  Pros and cons related to external institutions holding kigyô shiryô are discussed.  The relationship between shashi compilation project and external archives will be discussed using selected materials from the collection. &lt;br /&gt;
&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
3. 	Maureen Donovan, Japanese Studies Librarian, Associate Professor, Ohio State University &amp;lt;br&amp;gt;&lt;br /&gt;
Paper title: Japanese Company Histories as Repositories of Tacit Knowledge&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
With the Japanese economy continuing to languish in the doldrums, a special issue of The Weekly Toyo Keizai (commemorating 115 years of publication) carried an article urging businessmen to consult Japanese company histories to find the tacit know-how they need to re-start the economic engines of the country.  This paper examines the role that Japanese corporate histories play in preserving a company’s hard-earned tacit knowledge, embedded in stories meant to last for generations, and why this is making them increasingly relevant in the 21st century, not only for businessmen but also for scholars.&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
4.	Dr. Ann Sherif, Professor, Oberlin College&amp;lt;br&amp;gt;&lt;br /&gt;
Paper title: Technologies of Printing and Regional Literatures in Hiroshima, 1945&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
When war, political upheaval, and economic and material scarcity disrupt a publishing industry, how do writers find their way back into print? I will explore the ways that technologies of printing and politics intersected with literary and media discourses in World War II and post-atomic bomb Hiroshima. An examination of the regional publisher Chugoku Shimbun and renowned poet Toge Sankichi allows us to see the dynamics of regional publishing and cultural consumption, in contrast to the dominance of the Tokyo literary establishment and publishing industry.&amp;lt;br&amp;gt;&lt;/div&gt;</summary>
		<author><name>Hng2</name></author>	</entry>

	<entry>
		<id>http://www.nccjapan.net/shashiwiki/index.php?title=2011_Whopshop&amp;diff=51321</id>
		<title>2011 Whopshop</title>
		<link rel="alternate" type="text/html" href="http://www.nccjapan.net/shashiwiki/index.php?title=2011_Whopshop&amp;diff=51321"/>
				<updated>2012-12-20T06:01:47Z</updated>
		
		<summary type="html">&lt;p&gt;Hng2: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;='''2011 Shashi Group Workshop at AAS in Hawai'i'''=&lt;br /&gt;
&lt;br /&gt;
Researching With Shashi: A Workshop on Using Japanese Company&amp;lt;br&amp;gt;&lt;br /&gt;
and Institutional Histories and Archives&amp;lt;br&amp;gt;&lt;br /&gt;
Sponsored by the Japanese Company Histories Interest Group (Shashi Group)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Thursday, March 31&amp;lt;br&amp;gt;&lt;br /&gt;
7:00PM-9:00PM, Room 303A, SESSION# 191&amp;lt;br&amp;gt;&lt;br /&gt;
Hawaii Convention Center, Level 3&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
ABSTRACT&amp;lt;br&amp;gt;&lt;br /&gt;
Japanese company and institutional histories open windows into the past.  Richly illustrated and packed with information, chronologies and data while layered with corporate and societal values, shashi provide rich research value.  Corporate and institutional archives preserve sources used for the histories along with extensive primary resources of administration.  While most corporate archives in Japan are not open, some have moved to collective repositories, now accessible to researchers. Shashi are useful for research in many fields and disciplines as well, providing information that creates context, allows three-dimensional views of individuals, and illuminates case studies.  This workshop explores the research potential of shashi and archives, as well as the limitations that make them challenging to use, along with practical workarounds that can help.&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
1. 	Yasuhiro Eguchi, Professor, Department of Intercultural Communication, Gakushûin Women’s College, Japan&amp;lt;br&amp;gt;&lt;br /&gt;
Paper title: A Study of Practical Uses of Company Histories (Shashi)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
First, my paper will discuss approaches to increase the collecting of shashi, a challenging task due to their autobiographical nature and their distribution via non-commercial channels.  Strategic actions (IR • PR, CS R, M &amp;amp; A, branding, etc) are required of today's companies, so the strategic implications (mission) for shashi has increased.  Therefore, I will discuss what meaning shashi hold for users, and reconsider the position and meaning of shashi for stakeholders. My analysis will show that by considering three types of value creation (pleasure), namely the pleasure of discovering and collecting, the pleasure of cataloging, and the pleasure of being used by users, we can recognize the importance of switching from archeological values to marketing values when discussing shashi.&lt;br /&gt;
&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
2. 	Masataka Yano, Archivist, Resources and Historical Collections Office, Library of Economics, University of Tokyo&amp;lt;br&amp;gt;&lt;br /&gt;
Paper title: Corporate data (kigyô shiryô) and Archives, focus on company histories&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
First, from a viewpoint of an archivist, I will differentiate corporate data (kigyô shiryô) from its function (creating entity, contents, etc) and form (media, etc).  From this differentiation, I will show that there are many different levels of kigyô shiryô. Then, I will introduce the kigyô shiryô which are held by the Resources and Historical Collections Office, Library of Economics, University of Tokyo, according to such differentiation.  I will also introduce trends related to the material collected, the state of preservation, and the status of access to the library by the public.  Pros and cons related to external institutions holding kigyô shiryô are discussed.  The relationship between shashi compilation project and external archives will be discussed using selected materials from the collection. &lt;br /&gt;
&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
3. 	Maureen Donovan, Japanese Studies Librarian, Associate Professor, Ohio State University &amp;lt;br&amp;gt;&lt;br /&gt;
Paper title: Japanese Company Histories as Repositories of Tacit Knowledge&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
With the Japanese economy continuing to languish in the doldrums, a special issue of The Weekly Toyo Keizai (commemorating 115 years of publication) carried an article urging businessmen to consult Japanese company histories to find the tacit know-how they need to re-start the economic engines of the country.  This paper examines the role that Japanese corporate histories play in preserving a company’s hard-earned tacit knowledge, embedded in stories meant to last for generations, and why this is making them increasingly relevant in the 21st century, not only for businessmen but also for scholars.&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
4.	Dr. Ann Sherif, Professor, Oberlin College&amp;lt;br&amp;gt;&lt;br /&gt;
Paper title: Technologies of Printing and Regional Literatures in Hiroshima, 1945&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
When war, political upheaval, and economic and material scarcity disrupt a publishing industry, how do writers find their way back into print? I will explore the ways that technologies of printing and politics intersected with literary and media discourses in World War II and post-atomic bomb Hiroshima. An examination of the regional publisher Chugoku Shimbun and renowned poet Toge Sankichi allows us to see the dynamics of regional publishing and cultural consumption, in contrast to the dominance of the Tokyo literary establishment and publishing industry.&amp;lt;br&amp;gt;&lt;/div&gt;</summary>
		<author><name>Hng2</name></author>	</entry>

	<entry>
		<id>http://www.nccjapan.net/shashiwiki/index.php?title=2011_Whopshop&amp;diff=51319</id>
		<title>2011 Whopshop</title>
		<link rel="alternate" type="text/html" href="http://www.nccjapan.net/shashiwiki/index.php?title=2011_Whopshop&amp;diff=51319"/>
				<updated>2012-12-20T06:01:25Z</updated>
		
		<summary type="html">&lt;p&gt;Hng2: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;='''2011 Shashi Group Workshop at AAS in Hawai'i'''=&lt;br /&gt;
&lt;br /&gt;
Researching With Shashi: A Workshop on Using Japanese Company&amp;lt;br&amp;gt;&lt;br /&gt;
and Institutional Histories and Archives&amp;lt;br&amp;gt;&lt;br /&gt;
Sponsored by the Japanese Company Histories Interest Group (Shashi Group)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Thursday, March 31&amp;lt;br&amp;gt;&lt;br /&gt;
7:00PM-9:00PM, Room 303A, SESSION# 191&amp;lt;br&amp;gt;&lt;br /&gt;
Hawaii Convention Center, Level 3&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
ABSTRACT&amp;lt;br&amp;gt;&lt;br /&gt;
Japanese company and institutional histories open windows into the past.  Richly illustrated and packed with information, chronologies and data while layered with corporate and societal values, shashi provide rich research value.  Corporate and institutional archives preserve sources used for the histories along with extensive primary resources of administration.  While most corporate archives in Japan are not open, some have moved to collective repositories, now accessible to researchers. Shashi are useful for research in many fields and disciplines as well, providing information that creates context, allows three-dimensional views of individuals, and illuminates case studies.  This workshop explores the research potential of shashi and archives, as well as the limitations that make them challenging to use, along with practical workarounds that can help.&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
1. 	Yasuhiro Eguchi, Professor, Department of Intercultural Communication, Gakushûin Women’s College, Japan&amp;lt;br&amp;gt;&lt;br /&gt;
Paper title: A Study of Practical Uses of Company Histories (Shashi)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
First, my paper will discuss approaches to increase the collecting of shashi, a challenging task due to their autobiographical nature and their distribution via non-commercial channels.  Strategic actions (IR • PR, CS R, M &amp;amp; A, branding, etc) are required of today's companies, so the strategic implications (mission) for shashi has increased.  Therefore, I will discuss what meaning shashi hold for users, and reconsider the position and meaning of shashi for stakeholders. My analysis will show that by considering three types of value creation (pleasure), namely the pleasure of discovering and collecting, the pleasure of cataloging, and the pleasure of being used by users, we can recognize the importance of switching from archeological values to marketing values when discussing shashi.&lt;br /&gt;
&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
2. 	Masataka Yano, Archivist, Resources and Historical Collections Office, Library of Economics, University of Tokyo&amp;lt;br&amp;gt;&lt;br /&gt;
Paper title: Corporate data (kigyô shiryô) and Archives, focus on company histories&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
First, from a viewpoint of an archivist, I will differentiate corporate data (kigyô shiryô) from its function (creating entity, contents, etc) and form (media, etc).  From this differentiation, I will show that there are many different levels of kigyô shiryô. Then, I will introduce the kigyô shiryô which are held by the Resources and Historical Collections Office, Library of Economics, University of Tokyo, according to such differentiation.  I will also introduce trends related to the material collected, the state of preservation, and the status of access to the library by the public.  Pros and cons related to external institutions holding kigyô shiryô are discussed.  The relationship between shashi compilation project and external archives will be discussed using selected materials from the collection. &lt;br /&gt;
&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
3. 	Maureen Donovan, Japanese Studies Librarian, Associate Professor, Ohio State University &amp;lt;br&amp;gt;&lt;br /&gt;
Paper title: Japanese Company Histories as Repositories of Tacit Knowledge&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
With the Japanese economy continuing to languish in the doldrums, a special issue of The Weekly Toyo Keizai (commemorating 115 years of publication) carried an article urging businessmen to consult Japanese company histories to find the tacit know-how they need to re-start the economic engines of the country.  This paper examines the role that Japanese corporate histories play in preserving a company’s hard-earned tacit knowledge, embedded in stories meant to last for generations, and why this is making them increasingly relevant in the 21st century, not only for businessmen but also for scholars.&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
4.	Dr. Ann Sherif, Professor, Oberlin College&amp;lt;br&amp;gt;&lt;br /&gt;
Paper title: Technologies of Printing and Regional Literatures in Hiroshima, 1945&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
When war, political upheaval, and economic and material scarcity disrupt a publishing industry, how do writers find their way back into print? I will explore the ways that technologies of printing and politics intersected with literary and media discourses in World War II and post-atomic bomb Hiroshima. An examination of the regional publisher Chugoku Shimbun and renowned poet Toge Sankichi allows us to see the dynamics of regional publishing and cultural consumption, in contrast to the dominance of the Tokyo literary establishment and publishing industry.&amp;lt;br&amp;gt;&lt;/div&gt;</summary>
		<author><name>Hng2</name></author>	</entry>

	<entry>
		<id>http://www.nccjapan.net/shashiwiki/index.php?title=2011_Whopshop&amp;diff=51317</id>
		<title>2011 Whopshop</title>
		<link rel="alternate" type="text/html" href="http://www.nccjapan.net/shashiwiki/index.php?title=2011_Whopshop&amp;diff=51317"/>
				<updated>2012-12-20T06:00:48Z</updated>
		
		<summary type="html">&lt;p&gt;Hng2: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;='''2011 Shashi Group Workshop at AAS in Hawai'i'''=&lt;br /&gt;
&lt;br /&gt;
Researching With Shashi: A Workshop on Using Japanese Company&amp;lt;br&amp;gt;&lt;br /&gt;
and Institutional Histories and Archives&amp;lt;br&amp;gt;&lt;br /&gt;
Sponsored by the Japanese Company Histories Interest Group (Shashi Group)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Thursday, March 31&amp;lt;br&amp;gt;&lt;br /&gt;
7:00PM-9:00PM, Room 303A, SESSION# 191&amp;lt;br&amp;gt;&lt;br /&gt;
Hawaii Convention Center, Level 3&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
ABSTRACT&amp;lt;br&amp;gt;&lt;br /&gt;
Japanese company and institutional histories open windows into the past.  Richly illustrated and packed with information, chronologies and data while layered with corporate and societal values, shashi provide rich research value.  Corporate and institutional archives preserve sources used for the histories along with extensive primary resources of administration.  While most corporate archives in Japan are not open, some have moved to collective repositories, now accessible to researchers. Shashi are useful for research in many fields and disciplines as well, providing information that creates context, allows three-dimensional views of individuals, and illuminates case studies.  This workshop explores the research potential of shashi and archives, as well as the limitations that make them challenging to use, along with practical workarounds that can help.&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
1. 	Yasuhiro Eguchi, Professor, Department of Intercultural Communication, Gakushûin Women’s College, Japan&amp;lt;br&amp;gt;&lt;br /&gt;
Paper title: A Study of Practical Uses of Company Histories (Shashi)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
First, my paper will discuss approaches to increase the collecting of shashi, a challenging task due to their autobiographical nature and their distribution via non-commercial channels.  Strategic actions (IR • PR, CS R, M &amp;amp; A, branding, etc) are required of today's companies, so the strategic implications (mission) for shashi has increased.  Therefore, I will discuss what meaning shashi hold for users, and reconsider the position and meaning of shashi for stakeholders. My analysis will show that by considering three types of value creation (pleasure), namely the pleasure of discovering and collecting, the pleasure of cataloging, and the pleasure of being used by users, we can recognize the importance of switching from archeological values to marketing values when discussing shashi.&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
2. 	Masataka Yano, Archivist, Resources and Historical Collections Office, Library of Economics, University of Tokyo&amp;lt;br&amp;gt;&lt;br /&gt;
Paper title: Corporate data (kigyô shiryô) and Archives, focus on company histories&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
First, from a viewpoint of an archivist, I will differentiate corporate data (kigyô shiryô) from its function (creating entity, contents, etc) and form (media, etc).  From this differentiation, I will show that there are many different levels of kigyô shiryô. Then, I will introduce the kigyô shiryô which are held by the Resources and Historical Collections Office, Library of Economics, University of Tokyo, according to such differentiation.  I will also introduce trends related to the material collected, the state of preservation, and the status of access to the library by the public.  Pros and cons related to external institutions holding kigyô shiryô are discussed.  The relationship between shashi compilation project and external archives will be discussed using selected materials from the collection. &lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
3. 	Maureen Donovan, Japanese Studies Librarian, Associate Professor, Ohio State University &amp;lt;br&amp;gt;&lt;br /&gt;
Paper title: Japanese Company Histories as Repositories of Tacit Knowledge&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
With the Japanese economy continuing to languish in the doldrums, a special issue of The Weekly Toyo Keizai (commemorating 115 years of publication) carried an article urging businessmen to consult Japanese company histories to find the tacit know-how they need to re-start the economic engines of the country.  This paper examines the role that Japanese corporate histories play in preserving a company’s hard-earned tacit knowledge, embedded in stories meant to last for generations, and why this is making them increasingly relevant in the 21st century, not only for businessmen but also for scholars.&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
4.	Dr. Ann Sherif, Professor, Oberlin College&amp;lt;br&amp;gt;&lt;br /&gt;
Paper title: Technologies of Printing and Regional Literatures in Hiroshima, 1945&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
When war, political upheaval, and economic and material scarcity disrupt a publishing industry, how do writers find their way back into print? I will explore the ways that technologies of printing and politics intersected with literary and media discourses in World War II and post-atomic bomb Hiroshima. An examination of the regional publisher Chugoku Shimbun and renowned poet Toge Sankichi allows us to see the dynamics of regional publishing and cultural consumption, in contrast to the dominance of the Tokyo literary establishment and publishing industry.&amp;lt;br&amp;gt;&lt;/div&gt;</summary>
		<author><name>Hng2</name></author>	</entry>

	<entry>
		<id>http://www.nccjapan.net/shashiwiki/index.php?title=2011_Whopshop&amp;diff=51315</id>
		<title>2011 Whopshop</title>
		<link rel="alternate" type="text/html" href="http://www.nccjapan.net/shashiwiki/index.php?title=2011_Whopshop&amp;diff=51315"/>
				<updated>2012-12-20T06:00:15Z</updated>
		
		<summary type="html">&lt;p&gt;Hng2: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;='''2011 Shashi Group Workshop at AAS in Hawai'i'''=&lt;br /&gt;
&lt;br /&gt;
Researching With Shashi: A Workshop on Using Japanese Company&amp;lt;br&amp;gt;&lt;br /&gt;
and Institutional Histories and Archives&amp;lt;br&amp;gt;&lt;br /&gt;
Sponsored by the Japanese Company Histories Interest Group (Shashi Group)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Thursday, March 31&amp;lt;br&amp;gt;&lt;br /&gt;
7:00PM-9:00PM, Room 303A, SESSION# 191&amp;lt;br&amp;gt;&lt;br /&gt;
Hawaii Convention Center, Level 3&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
ABSTRACT&amp;lt;br&amp;gt;&lt;br /&gt;
Japanese company and institutional histories open windows into the past.  Richly illustrated and packed with information, chronologies and data while layered with corporate and societal values, shashi provide rich research value.  Corporate and institutional archives preserve sources used for the histories along with extensive primary resources of administration.  While most corporate archives in Japan are not open, some have moved to collective repositories, now accessible to researchers. Shashi are useful for research in many fields and disciplines as well, providing information that creates context, allows three-dimensional views of individuals, and illuminates case studies.  This workshop explores the research potential of shashi and archives, as well as the limitations that make them challenging to use, along with practical workarounds that can help.&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
1. 	Yasuhiro Eguchi, Professor, Department of Intercultural Communication, Gakushûin Women’s College, Japan&amp;lt;br&amp;gt;&lt;br /&gt;
Paper title: A Study of Practical Uses of Company Histories (Shashi)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
First, my paper will discuss approaches to increase the collecting of shashi, a challenging task due to their autobiographical nature and their distribution via non-commercial channels.  Strategic actions (IR • PR, CS R, M &amp;amp; A, branding, etc) are required of today's companies, so the strategic implications (mission) for shashi has increased.  Therefore, I will discuss what meaning shashi hold for users, and reconsider the position and meaning of shashi for stakeholders. My analysis will show that by considering three types of value creation (pleasure), namely the pleasure of discovering and collecting, the pleasure of cataloging, and the pleasure of being used by users, we can recognize the importance of switching from archeological values to marketing values when discussing shashi.&lt;br /&gt;
&lt;br /&gt;
2. 	Masataka Yano, Archivist, Resources and Historical Collections Office, Library of Economics, University of Tokyo&amp;lt;br&amp;gt;&lt;br /&gt;
Paper title: Corporate data (kigyô shiryô) and Archives, focus on company histories&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
First, from a viewpoint of an archivist, I will differentiate corporate data (kigyô shiryô) from its function (creating entity, contents, etc) and form (media, etc).  From this differentiation, I will show that there are many different levels of kigyô shiryô. Then, I will introduce the kigyô shiryô which are held by the Resources and Historical Collections Office, Library of Economics, University of Tokyo, according to such differentiation.  I will also introduce trends related to the material collected, the state of preservation, and the status of access to the library by the public.  Pros and cons related to external institutions holding kigyô shiryô are discussed.  The relationship between shashi compilation project and external archives will be discussed using selected materials from the collection. &lt;br /&gt;
&lt;br /&gt;
3. 	Maureen Donovan, Japanese Studies Librarian, Associate Professor, Ohio State University &amp;lt;br&amp;gt;&lt;br /&gt;
Paper title: Japanese Company Histories as Repositories of Tacit Knowledge&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
With the Japanese economy continuing to languish in the doldrums, a special issue of The Weekly Toyo Keizai (commemorating 115 years of publication) carried an article urging businessmen to consult Japanese company histories to find the tacit know-how they need to re-start the economic engines of the country.  This paper examines the role that Japanese corporate histories play in preserving a company’s hard-earned tacit knowledge, embedded in stories meant to last for generations, and why this is making them increasingly relevant in the 21st century, not only for businessmen but also for scholars.&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
4.	Dr. Ann Sherif, Professor, Oberlin College&amp;lt;br&amp;gt;&lt;br /&gt;
Paper title: Technologies of Printing and Regional Literatures in Hiroshima, 1945&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
When war, political upheaval, and economic and material scarcity disrupt a publishing industry, how do writers find their way back into print? I will explore the ways that technologies of printing and politics intersected with literary and media discourses in World War II and post-atomic bomb Hiroshima. An examination of the regional publisher Chugoku Shimbun and renowned poet Toge Sankichi allows us to see the dynamics of regional publishing and cultural consumption, in contrast to the dominance of the Tokyo literary establishment and publishing industry.&amp;lt;br&amp;gt;&lt;/div&gt;</summary>
		<author><name>Hng2</name></author>	</entry>

	<entry>
		<id>http://www.nccjapan.net/shashiwiki/index.php?title=2011_Whopshop&amp;diff=51313</id>
		<title>2011 Whopshop</title>
		<link rel="alternate" type="text/html" href="http://www.nccjapan.net/shashiwiki/index.php?title=2011_Whopshop&amp;diff=51313"/>
				<updated>2012-12-20T05:58:57Z</updated>
		
		<summary type="html">&lt;p&gt;Hng2: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;='''2011 Shashi Group Workshop at AAS in Hawai'i'''=&lt;br /&gt;
&lt;br /&gt;
Researching With Shashi: A Workshop on Using Japanese Company&amp;lt;br&amp;gt;&lt;br /&gt;
and Institutional Histories and Archives&amp;lt;br&amp;gt;&lt;br /&gt;
Sponsored by the Japanese Company Histories Interest Group (Shashi Group)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Thursday, March 31&amp;lt;br&amp;gt;&lt;br /&gt;
7:00PM-9:00PM, Room 303A, SESSION# 191&amp;lt;br&amp;gt;&lt;br /&gt;
Hawaii Convention Center, Level 3&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
ABSTRACT&amp;lt;br&amp;gt;&lt;br /&gt;
Japanese company and institutional histories open windows into the past.  Richly illustrated and packed with information, chronologies and data while layered with corporate and societal values, shashi provide rich research value.  Corporate and institutional archives preserve sources used for the histories along with extensive primary resources of administration.  While most corporate archives in Japan are not open, some have moved to collective repositories, now accessible to researchers. Shashi are useful for research in many fields and disciplines as well, providing information that creates context, allows three-dimensional views of individuals, and illuminates case studies.  This workshop explores the research potential of shashi and archives, as well as the limitations that make them challenging to use, along with practical workarounds that can help.&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
1. 	Yasuhiro Eguchi, Professor, Department of Intercultural Communication, Gakushûin Women’s College, Japan&amp;lt;br&amp;gt;&lt;br /&gt;
Paper title: A Study of Practical Uses of Company Histories (Shashi)&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
First, my paper will discuss approaches to increase the collecting of shashi, a challenging task due to their autobiographical nature and their distribution via non-commercial channels.  Strategic actions (IR • PR, CS R, M &amp;amp; A, branding, etc) are required of today's companies, so the strategic implications (mission) for shashi has increased.  Therefore, I will discuss what meaning shashi hold for users, and reconsider the position and meaning of shashi for stakeholders. My analysis will show that by considering three types of value creation (pleasure), namely the pleasure of discovering and collecting, the pleasure of cataloging, and the pleasure of being used by users, we can recognize the importance of switching from archeological values to marketing values when discussing shashi.&amp;lt;br&amp;gt;&lt;br /&gt;
2. 	Masataka Yano, Archivist, Resources and Historical Collections Office, Library of Economics, University of Tokyo&amp;lt;br&amp;gt;&lt;br /&gt;
Paper title: Corporate data (kigyô shiryô) and Archives, focus on company histories&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
First, from a viewpoint of an archivist, I will differentiate corporate data (kigyô shiryô) from its function (creating entity, contents, etc) and form (media, etc).  From this differentiation, I will show that there are many different levels of kigyô shiryô. Then, I will introduce the kigyô shiryô which are held by the Resources and Historical Collections Office, Library of Economics, University of Tokyo, according to such differentiation.  I will also introduce trends related to the material collected, the state of preservation, and the status of access to the library by the public.  Pros and cons related to external institutions holding kigyô shiryô are discussed.  The relationship between shashi compilation project and external archives will be discussed using selected materials from the collection. &amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
3. 	Maureen Donovan, Japanese Studies Librarian, Associate Professor, Ohio State University &amp;lt;br&amp;gt;&lt;br /&gt;
Paper title: Japanese Company Histories as Repositories of Tacit Knowledge&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
With the Japanese economy continuing to languish in the doldrums, a special issue of The Weekly Toyo Keizai (commemorating 115 years of publication) carried an article urging businessmen to consult Japanese company histories to find the tacit know-how they need to re-start the economic engines of the country.  This paper examines the role that Japanese corporate histories play in preserving a company’s hard-earned tacit knowledge, embedded in stories meant to last for generations, and why this is making them increasingly relevant in the 21st century, not only for businessmen but also for scholars.&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
4.	Dr. Ann Sherif, Professor, Oberlin College&amp;lt;br&amp;gt;&lt;br /&gt;
Paper title: Technologies of Printing and Regional Literatures in Hiroshima, 1945&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
When war, political upheaval, and economic and material scarcity disrupt a publishing industry, how do writers find their way back into print? I will explore the ways that technologies of printing and politics intersected with literary and media discourses in World War II and post-atomic bomb Hiroshima. An examination of the regional publisher Chugoku Shimbun and renowned poet Toge Sankichi allows us to see the dynamics of regional publishing and cultural consumption, in contrast to the dominance of the Tokyo literary establishment and publishing industry.&amp;lt;br&amp;gt;&lt;/div&gt;</summary>
		<author><name>Hng2</name></author>	</entry>

	<entry>
		<id>http://www.nccjapan.net/shashiwiki/index.php?title=2011_Whopshop&amp;diff=51311</id>
		<title>2011 Whopshop</title>
		<link rel="alternate" type="text/html" href="http://www.nccjapan.net/shashiwiki/index.php?title=2011_Whopshop&amp;diff=51311"/>
				<updated>2012-12-20T05:57:46Z</updated>
		
		<summary type="html">&lt;p&gt;Hng2: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;='''2011 Shashi Group Workshop at AAS in Hawai'i'''=&lt;br /&gt;
&lt;br /&gt;
Researching With Shashi: A Workshop on Using Japanese Company&amp;lt;br&amp;gt;&lt;br /&gt;
and Institutional Histories and Archives&amp;lt;br&amp;gt;&lt;br /&gt;
Sponsored by the Japanese Company Histories Interest Group (Shashi Group)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Thursday, March 31&amp;lt;br&amp;gt;&lt;br /&gt;
7:00PM-9:00PM, Room 303A, SESSION# 191&amp;lt;br&amp;gt;&lt;br /&gt;
Hawaii Convention Center, Level 3&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
ABSTRACT&amp;lt;br&amp;gt;&lt;br /&gt;
Japanese company and institutional histories open windows into the past.  Richly illustrated and packed with information, chronologies and data while layered with corporate and societal values, shashi provide rich research value.  Corporate and institutional archives preserve sources used for the histories along with extensive primary resources of administration.  While most corporate archives in Japan are not open, some have moved to collective repositories, now accessible to researchers. Shashi are useful for research in many fields and disciplines as well, providing information that creates context, allows three-dimensional views of individuals, and illuminates case studies.  This workshop explores the research potential of shashi and archives, as well as the limitations that make them challenging to use, along with practical workarounds that can help.&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
1. 	Yasuhiro Eguchi, Professor, Department of Intercultural Communication, Gakushûin Women’s College, Japan&amp;lt;br&amp;gt;&lt;br /&gt;
Paper title: A Study of Practical Uses of Company Histories (Shashi)&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
First, my paper will discuss approaches to increase the collecting of shashi, a challenging task due to their autobiographical nature and their distribution via non-commercial channels.  Strategic actions (IR • PR, CS R, M &amp;amp; A, branding, etc) are required of today's companies, so the strategic implications (mission) for shashi has increased.  Therefore, I will discuss what meaning shashi hold for users, and reconsider the position and meaning of shashi for stakeholders. My analysis will show that by considering three types of value creation (pleasure), namely the pleasure of discovering and collecting, the pleasure of cataloging, and the pleasure of being used by users, we can recognize the importance of switching from archeological values to marketing values when discussing shashi.&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
2. 	Masataka Yano, Archivist, Resources and Historical Collections Office, Library of Economics, University of Tokyo&amp;lt;br&amp;gt;&lt;br /&gt;
Paper title: Corporate data (kigyô shiryô) and Archives, focus on company histories&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
	First, from a viewpoint of an archivist, I will differentiate corporate data (kigyô shiryô) from its function (creating entity, contents, etc) and form (media, etc).  From this differentiation, I will show that there are many different levels of kigyô shiryô. Then, I will introduce the kigyô shiryô which are held by the Resources and Historical Collections Office, Library of Economics, University of Tokyo, according to such differentiation.  I will also introduce trends related to the material collected, the state of preservation, and the status of access to the library by the public.  Pros and cons related to external institutions holding kigyô shiryô are discussed.  The relationship between shashi compilation project and external archives will be discussed using selected materials from the collection. &amp;lt;br&amp;gt; &lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
3. 	Maureen Donovan, Japanese Studies Librarian, Associate Professor, Ohio State University &amp;lt;br&amp;gt;&lt;br /&gt;
Paper title: Japanese Company Histories as Repositories of Tacit Knowledge&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
        With the Japanese economy continuing to languish in the doldrums, a special issue of The Weekly Toyo Keizai (commemorating 115 years of publication) carried an article urging businessmen to consult Japanese company histories to find the tacit know-how they need to re-start the economic engines of the country.  This paper examines the role that Japanese corporate histories play in preserving a company’s hard-earned tacit knowledge, embedded in stories meant to last for generations, and why this is making them increasingly relevant in the 21st century, not only for businessmen but also for scholars.&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
4.	Dr. Ann Sherif, Professor, Oberlin College&amp;lt;br&amp;gt;&lt;br /&gt;
Paper title: Technologies of Printing and Regional Literatures in Hiroshima, 1945&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
	When war, political upheaval, and economic and material scarcity disrupt a publishing industry, how do writers find their way back into print? I will explore the ways that technologies of printing and politics intersected with literary and media discourses in World War II and post-atomic bomb Hiroshima. An examination of the regional publisher Chugoku Shimbun and renowned poet Toge Sankichi allows us to see the dynamics of regional publishing and cultural consumption, in contrast to the dominance of the Tokyo literary establishment and publishing industry.&amp;lt;br&amp;gt;&lt;/div&gt;</summary>
		<author><name>Hng2</name></author>	</entry>

	</feed>